Monday, 5 August 2013

"Megalodon: Monster Shark Lives" movie review



A small, but stable branch of Animal Planet is creating monster quasi-documentary films. There was “Dragons: Fantasy Made Real”, “Mermaids: The Body on the Beach” and “Mermaids: The New Evidence”, and now “Megalodon: Monster Shark Lives” – and it is this movie that I am going to rant about. Let us begin.

What is so special about megalodon? In the previous films AP can shoehorn mythical creatures, dragons and mermaids, into real life while doing it realistically. Seriously, a dragon or a mermaid in a sci-fi/fantasy show is expected, it belongs there – in a documentary show not so much. AP had to come up with some really fancy explanations how dragons and mermaids really worked and where they come from...with a mixed success, in my opinion (do not get me started on the mermaid/aquatic ape theory). 

Megalodon is another story. It already is a real-life creature (albeit one that is supposed to have died out during the Ice Age) – a shark, that may be 15 m in length on the average, but nothing more. People have encountered and studied sharks for a while now, and outside of its length megalodon does not appear to be very different: extreme in its size, but nothing else.

But...

Ever since humans have encountered sharks they feared them. The sharks are some of the biggest predators in the oceans and unlike their terrestrial counterparts – lions, tigers, hyenas, etc – they cannot be controlled. Nowadays it is relatively easy to track down a lion or a tiger if they become man-eaters; a shark – not so much.

Shark attacks are also random: lions and tigers tend to treat humans as a steady and regular source of food once they start eating them – sharks do not. To a shark a human has considerably less blubber and more bone (sharks do not really eat marrow) than a seal or a sea lion of a matching size does. That is why they tend to leave us alone...after they bit off an arm or a leg or a chunk of torso – not that that is any consolation to a shark attack victim, you know? Sometimes one bite is enough to kill you, if the shark is big enough or the bitten place is vital enough in its anatomy.

Sharks are also highly mobile and thus unpredictable. A great white or a tiger shark can travel – in fact, it almost constantly travels across the world for different places to get a meal: one week it is in South Africa, the next – at Mexico or Hawaii: why not? It is humans who are aliens in the underwater world of fish and other creatures of the depths, and the sharks are perhaps some of Mother Nature’s most formidable reminders that that is so, alongside giant octopi and squids. Naturally humans fear them – megalodon is just the uttermost manifestation of those fears inflated to an extreme size – big enough to sink a boat in one bit and swallow a human in another.

How realistic are those fears? Firstly, people want to believe that sharks are giant carnivorous monsters that just want to eat people attacking them from below (as in “Jaws”) or from above (“Sharknado”). There is probably nothing that can change this picture so the idea of the monster-movie megalodon is going to persevere for decades to come.

Secondly, cryptozoologists want to believe that megalodon exists. Basically, this is the same point as the one above, save that fear has been replaced by awe. They are going to seek out proof that megalodon exists no matter what. So far official science says that no, it does not, but when ever did this stop people? Ergo no, I do not think that the hype around sharks in general and megalodon in particular will ever go away.

As for the movie itself... the name “megalodon” was used mostly as a brand: people know this name and associate it with a giant shark, so AP just appropriated it for their newest monster. They showed it quite realistically too, save for the fact that in real life megalodon (well, Carcharodon megalodon, if you want to get technical) was not a deep-sea fish: the depths of oceans and seas are cold, have little food and not much more oxygen – hardly a place for a warmth-loving whale-eating shark!

Furthermore, megaldon did not start out as a whale-eating giant: the first years of its life were probably spent in shallower coastal waters (BBC Sea Monsters) hunting smaller prey – dugongs and manatees, dolphins, sea turtles, maybe even large fish - and avoid the adult megalodon which would probably eat the youngsters instead (as modern sharks tend to do). This would have brought them into contact – and conflict – with humans much sooner than “just now” and I do not know who would have won...

Then we have the humpback whales – that was probably the most annoying part of the movie. Why humpback whales? There are 15 species of modern baleen whales (you know, the ones that feed on plankton as the humpback whales do), plus the sperm whale (that has teeth rather than baleen), all of which can be food for megalodon if it existed in modern day and age. 

Why the humpback? Sharks do not have the sort of food specialization that the carnivorous mammals, birds and reptiles may have. Great white shark prefers to eat sea lions and fur seals, but it will probably try anything to see just how edible it is. The bull and the tiger sharks eat anything, including garbage that ended up in the sea; so does the blue shark but it is a fish of the open ocean and encounters people less often than the great white, bull and tiger.

And so probably had megalodon – it was willing to eat anything if it was big and meaty enough. If it lived in modern times, the humpback whale would have had no preference: megalodon would have eaten it just as willingly as it would have eaten the blue and pygmy right whales, for example.

The closest I can come up with for the reason behind the humpback whale is that it is one of the more popular and well-known species of whales among people (at least for now): its footage is easily obtainable, the audience would just look at the humpback knowingly and return back to concentrating on the shark. Fair enough.

As for megalodon's coloration – dark above, light below – I believe that it is called cryptic countershading and many of ocean-dwelling animals have it. The fish have it: not just the sharks, but also jacks, mackerel, tuna, etc; the penguins have it as well, especially smaller species like the African penguin: it helps them blend in with the waters around them. (Terrestrial animals often have lighter bellies than backs as well, but for slightly different reasons.) This does not make megalodon some sort of an unstoppable super ocean monster, but-

“Megalodon: Monster Shark Lives” was released as part of Discovery Channel’s 2013 Shark Week, when the Discovery channel does its best to cash in on the shark hype that was discussed before. And it seems that 2013”s version is going to be the most commercial Shark Week yet, as Discovery Channel is actually airing “Jaws” and “Sharknado”, regardless of the fact that they are fiction. They are about sharks, they are popular with the TV audiences, so Discovery Channel is airing them.

And “Megalodon: Monster Shark Lives” is just a manifestation of the same hype. People wanted to see it because it was a movie about a monster shark that lives in the ocean’s depths – a giant bogeyman rather than a real-life monster, a creature no more real than the mermaid is. If that is what they expected they got it; if they did not – they probably turned it off and watched a megalodon-related documentary on YouTube or elsewhere. Still, as a movie “Megalodon: Monster Shark Lives” was a decent one, without any particular political hype, unlike the mermaid duology, even if it was also taking place in South Africa – but I’m guessing that someone in AP management has a very complicated or weird relationship with South Africa and just cannot let it go. Oh well.

The final bit of weirdness was the movie script. “Megalodon: Monster Shark Lives” did its best to cash in on the hype and fear that surrounds sharks, especially the mythical giants. The fact that it did not end with Collin Drake and his crew duking it out with Meg in a Captain Ahab-Moby Dick style a la “Jaws” was a good thing in my opinion but in the first parts of the movie it certainly sounded like it was going to end thus. I am guessing that someone remembered that Animal Planet is for nature conservation, not destruction, and changes had to be made...just not very thoroughly.

In any case, I believe that I am rating “Megalodon: Monster Shark Lives” three and a half stars out of five; well, maybe three and three quarters. It was not the best megalodon-related movie that was ever made, especially a documentary one, but it was not the worst either.

Peace out!

Tuesday, 16 July 2013

Lost Girl and Fey Revisited

And so it came to pass that I got my hands on one of the latest Pathfinder Campaign Setting accessories - "Fey Revisited". And among the multitude of fey-related campaign ideas and elements I came upon the mention of "Lost Girl" - that's right, that "Lost Girl" that is a TV series Michelle Lovretta.

What can I say? At this moment I felt what was probably dramatic irony. From the beginning, "Lost Girl's" strategy was to incorporated everything into Fey, including vampires, werewolves (Dyson) and succubae (Bo), regardless of how they were seen as in the real world. (A succubus, for example, is a demon - not a Fey.) Only in the last half of the 3rd season does "Lost Girl" begins to identify other, non-Fey creatures/magic-users in its universe. Fair enough.

In any case, perhaps as a response to this cultural omnivory, we've got "Fey Revisited" that lists "Lost Girl" as a Fey-themed inspiration story alongside such different works as Algernon Blackwood's "Willows" and Guillermo Del Toro's "Pan's Labyrinth", not to mention Lewis Carroll's "Alice". No offense, but only some of those sources talk about Fey of any sort, and yes, I know that real life is no barrier for a RPG campaign - I am just saying that that "Lost Girl" didn't differentiate between various creatures that it made into Fey, and now it made into a Fey-related campaign inspiration with an equal amount of indiscretion. Talk about karma!

PS: As for "Fey Revisited", it is quite a decent campaign sourcebook, though I am not sure that it is 28 bucks worth, you know?

Wednesday, 10 July 2013

Spike: update

My apologies to anyone who got misled by my yesterday's post: Spike had cleaned up its game. 'Bar Rescue' appears to be airing full episodes for now, while 'Deadliest Warrior' and co once more show the 'episode highlights' label where appropriate. Sorry about the rant yesterday, then.

Tuesday, 9 July 2013

Spike: latest developments

For an opening line, I am a fan of the TV channel Spike. Sadly, it appears to have become discontinued in Canada, but that's off topic. The topic is that Spike seems to be going downwards in quality, and its latest 'trick' is just another symptom of this deterioration.

Let's start at the beginning. And in the beginning we have one of the several programs that are aired on this channel: 'Bar Rescue'. As I said, Spike appears to have become discontinued in Canada, but its' site is still accessible, so that's okay.

On the other hand, this site doesn't show most of the new episodes from such shows as 'Bar Rescue', but they are releasing the so-called 'episode highlights': a bundle of scenes from various eps of different shows that are aired on Spike. That's still ok.

Lately, though, Spike has began to label those highlights as 'full episodes', which is not ok. A 3-4 minute scene from a 'Deadliest Warrior' episode is not a 'full episode', not to mention - seriously? A single clip (say, about an AK-47) from an episode 'Somali Pirates vs. Medellin Cartel' is the only highlight of that ep? Seriously?

In 'Bar Rescue' case this isn't as extreme, there the audience can enjoy a bit over 15 minutes worth of highlights from their latest ep, but it is not a full ep. No, for real - use the right label! If people will want to see episode highlights they will see them all the same, and if you try to trick other people into seeing them by using the wrong label, this will work only once or twice, and that's it. No one else will go there because the audience doesn't like to be tricked.

So: a popular TV channel is reduced to somewhat fraudulent tricks to have its audience watch the highlights from the new episodes of its' shows. How the mighty have fallen!

Friday, 28 June 2013

Oh. Jush oh.

JW, you rock even when it isn't officially "River Monsters": 
http://themetapicture.com/oh-i-recognize-that-fish/

Wednesday, 19 June 2013

RM - Face Ripper

In the last episode of S5, JW revisits his old haunt of South America (SA in the future) to discover that the piranhas, whom he dismissed as relatively harmless scavengers and small-scale carnivores in the very first episode of the enture series of River Monsters have turned dangerous, and are attacking and killed both humans and their livestock (i.e. horses).

Why? Because of the arapaimas, another S1 character. Those fish tower over the piranhas (and most other SA fish, I wager) and eat not only the piranhas proper, but also their food - other fish. As a result, the local piranhas have become 'meaner and leaner' than ever before and are going after much larger prey with devastating results...

What can be said about this revelation? In the same S1 episode JW had personally discovered that while piranhas can ignore people as food items most of the time, they still are quite capable of killing and eating people if the conditions are right without any arapaimas being involved. Yes, piranhas are just predators and nature's clean-up crew members, but like any predators - from sharks to alligators to bears and lions - they can turn onto humans and their livestock, kill and eat them. The only thing different is that individually piranhas are small enough to be harmless to humans, that's all.

And speaking of humans... Human-created places such as slaughterhouses, cemeteries, battlefields, etc that dump their waste into fresh water or are regularly flooded by it are also places were the piranhas are especially hungry for the warm-blooded flesh (fish themselves are cold-blooded, remember?) Here we see no such place, but JW himself mentioned the local organized drug trafficking and the frequent disposal of human corpses in the rivers. Such action just fuels the piranhas familiarity with human flesh and its taste and makes them ever more dangerous for people.

Why didn't JW follow this course and instead stuck with the arapaima angle? Hello! He is a specialist in river monsters (fish, occasional giant salamander and caiman), not human monsters, who are much more dangerous and monstrous. The good doctor from the episode said that Oscar (the deceased human of this episode) was killed by piranhas without any evidence of foul play? Fair enough, it's back to the fish!

And I can't begrudge JW anything. If Oscar was killed by foul play, then it's up to the police to sort it out, not JW.

As for the episode itself, it was quite decent, save for slight overabundance of flashbacks from the previous seasons. Ah well, it was still quite educational, as fas as RM episodes go.

So - a decent episode with some new information (I, for one, didn't know that the arapaimas were introduced to Bolivia, for example) and without any particular drawbacks. I give it 4.5 stars out of five.

Wednesday, 12 June 2013

RM - Legend of Loch Ness

When I learned that JW was going to be investigating the legend of the Loch Ness Monster as the (apparent) RM S5 finale, I was worried. Another of my favorite shows, "Deadliest Warrior", finished its third season on a seemingly similar note - "Vampires vs. Zombies" and it was a failure of the DW's genre. But...

Whereas DW treated Vampires and Zombies as vampires and zombies (albeit very peculiar ones), JW's take on Nessie was a very different story. Firstly, he assumed that Nessie isn't a marine reptile (like a plesiosaur) or a mammal (a sea, dolphin, etc), but a fish. By itself that is nothing new, there are enough cryptozoologists who believe that Nessie, the other lake monsters (like the ones in the US) and their cousins the sea serpents are giant fish (usually eels). But... JW went one step further, and I'm not sure that it was in the right direction.

What is a trademark of a RM episode, beyond the actual catching of the fish? The geography. As a rule, in an episode, JW designates a particular fishing area to himself in which to catch the monster. The area may be small (Chernobyl in "Atomic Assassin"), it may be large (Mongolia in "Mongolian Mauler from the previous season comes to mind), but it is fixed. Here the particular fishing area was supposed to be Loch Ness, but JW went beyond it - to Iceland and Norway. Why? Supposedly because of the Viking connection, and here the problems begin.

There is no particular indication that the Vikings ever been to Loch Ness, and the St. Columba story that JW uses as a springing board for the Vikings has its own problems - in most version I came across the good saint saved the man from the pagan Nessie unharmed. I cannot feel but wonder if JW has bent the truth a bit here to make his actions to move from Loch Ness to Iceland and Norway more justified.

Why would JW need justification? Because his show is called River Monsters, no Sea. Unlike the bull shark, the Greenland shark doesn't appear to be particularly adapted to surviving in fresh water for a particularly long amount of time, and Loch Ness is a freshwater loch, not even brackish. This certainly makes the Greenland shark a highly unlikely candidate for Nessie.

On its own, of course, JW catching a Greenland shark had been a very exciting part of the episode, but RM has made itself into a more than just a fishing show - there is also plenty of research involved, and that research is usually honest and straightforward. In this episode JW's research (and logic) were stretched, and he himself abandoned his freshwater field of operation. This is why I give the "Legend of Loch Ness" episode only 3.5 stars out of five. Pity.