Medea and Daredevil S2 - March 25

Obligatory disclaimer: real life sucks. Several of my documents were lost and I cannot recover them, I almost missed the Daredevil S2 premiere, and people are bothering me about the latest Ms. Haynes novel – ‘No friend to this house’ – that I should read it. Let me start with that one.

Am I going to read ‘No friend’? Well, eventually, maybe. Again, the reason why I’m not the biggest fan of Ms. Haynes is because she’s not the radical firebrand she’s assumed to be, it’s quite the reverse, (usually).

What does Ms. Haynes do? She re-tells the Greek myths, both as fiction and not. As not-fiction, her works are one thing, but her fiction – it is what it is. The Greek myths had been public property for a long time now, and people in general know how they go – Perseus will defeat Medusa and marry Andromeda, Atalanta will kill the boar and lose the race because of the apples, Odysseus is going to get to Ithaca and save his house, etc. Those stories are read, known, remembered, de-facto etched in stone. They can be re-worked, of course… and then they become something else entirely.

Let us get back to A.I. When I experimented with it to write fiction, I quickly uncovered that the fiction it writes follows certain guidelines – couples are heterosexual (unless made otherwise), social strata fall into the strata of priests, aristocrats and peasants, (no workers or entrepreneurs unless made otherwise), characters choose to remain themselves than to change to please others (unless made otherwise)… Pause.

Here is the thing. If you are using A.I., you are free to use it or not. No one forces you to rely on A.I. alone, even if you are commissioned to write something, it is you who is commissioned, not the A.I. You are free to write your own things, not follow the A.I.’s guidelines if you do not want to. Fiction?

By now, there is plenty of fictional novels that feature Greek mythical characters, including the Argonauts. They do not claim to be ‘a mixture of dark tragedy and witty satire’ as Ms. Haynes’ take on them is, supposedly, is, but they were often quite derived from the original Greek myths, much more so than Ms. Haynes’ novels are; she just tries to add the feminist angle to the myths; as a rule, her female characters are positive (unless otherwise), while her male characters are negative, (unless otherwise). Nothing exactly radical here. Yet she is praised for her derivative works so much that I wonder if her political progressiveness is a neophyte’s zeal… or a masterful plan of playing the political progressivity system for personal gain… just as the system is beginning to break for real thanks to the Donald’s meddling… where were we?

In her non-fiction book of essays on the mortal women of Greek Myths, (‘Pandora’s Jar’, PJ), Ms. Haynes talks about Medea and Jason, comparing them to a modern divorcing couple, save for the murdering of the children. Therefore, I am betting that this is how she is depicting them in ‘No Friend’ – as a modern couple, (where the wife is smarter than the husband is, just not that much smarter), save for the murdering of the children. Therefore, I am willing to wait a few months until the excitement dies down, (such as it is), and then read about a modern divorce dressed in ancient Greek trappings, such as the murdering of the children. Ms. Haynes does not really try to justify Medea’s actions, she just re-tells them in her own language, maybe dumbed down for her audience, maybe not, and moves on. (To Penelope of Ithaca, but that is unimportant). What else?

The Daredevil S2 premiere. From the technical P.O.V., it is stunning, but the content… MCU itself had Matt Murdoch point out that the Sokovia protocols are dead in the ‘She-Hulk’ the series, so why is Fisk running NYC as if it is? The AVTF (or whatever they are abbreviated to), may be his personal army, but how is he getting away with it? During the Donald’s first 4 years, Marvel comics tried to reflect reality, but the Joe Biden became the 46^th U.S. president, Marvel comics and MCU had to redirect themselves or whatever, and now, unlike Thanos of MCU, the Donald is back and is causing the U.S. and the cause of democracy a lot of damage, and MCU is going for Fisk in NYC instead. Bravo! Innovative stuff here indeed! Real life sucks!

No, wait, that’s probably Tom Holland’s fourth Spider-Man movie, as it has the Punisher in it too. That deserves its’ own discussion, and we will have it some other time.

For now, though, this is it. See you all soon!

New story - March 11

 Obligatory disclaimer: real life sucks, so here's an original story from  me for a change. Don't judge it too harshly.

Darla woke with a prickling sensation, like the last hint of static after a storm. Not a bad feeling, just...alerting. She slid out of bed, the cool floor a grounding contrast to the unease that vanished quickly, too. Dressing was a simple act for Darla; her body, a well-oiled machine built for activity, moved with grace and efficiency.

The corridor hummed with the quiet industry of early morning. There, near the window, was Stacy, scrubbing diligently, her brow furrowed in concentration. Even with her pronounced limp and clubfoot, Stacy held herself with a regal air.

"Morning, Stacy!" Darla chirped, injecting warmth into her voice. Stacy beamed back, a flash of brilliant white teeth. "Morning, Darla! Almost done here!"

Darla gently laid a hand on Stacy's shoulder. "You know, your sister and Mum are still a bit wobbly this morning. Maybe we can help them get ready?"

Stacy's face softened. "I get so caught up in being able... I forget they need me."

Together, they navigated the hallway to Lisa's room. Lisa, her long, delicate neck drooping, lay patiently on  her bed. "Good morning!" Lisa's voice, though soft, was full of enthusiasm.

"Morning, sunshine," Darla said, grabbing Lisa's new custom brace. "Ready for adventures?" With practiced ease, Darla and Stacy carefully placed the brace, securing it with gentle clicks. 

The moment it was on, Lisa's posture straightened, her eyes sparkling with mischief. "Adventure awaits!" she proclaimed, bouncing slightly.

Finally, they arrived at Simone's room. The older woman struggled to pull a dress over her head, her arched back contorting in pain. Darla gasped, snatching the embroidered corset from the bedpost.

"Mum, you know you shouldn't be doing this alone!" Darla chided playfully, her fingers flying as she expertly laced the corset.

Simone sighed in relief as the supportive garment eased the strain and she stood straight and not bent almost double. "Thank you, darling girl. I sometimes forget how much I need... well, you." She grasped Darla's hand, her eyes shimmering with unshed tears. "It means the world to me that you see us, truly see us. Most of our family wrote us off as... broken."

Darla squeezed Simone's hand. "Don't be silly. You're not broken, you're brilliant. And you're my family. I just know that." Darla paused then said: "And besides you're a mum to me as well."

Simone smiled, a genuine, radiating smile that lit up her face. "Then let's get this family fed. Pancakes, anyone?"

As the four of them made their way to the kitchen, the morning's disquiet faded for Darla. The static had cleared, replaced by a clear, bright chord of belonging. This was where she was meant to be.

Dinosaurs and PJO - March 09

 Obligatory disclaimer: real life sucks, but sometimes it is just weird. A while earlier this year, I found several Montoy™ Toy Dinosaurs down at the recycling room; they were in good condition, so I took them. (Childish, I know, but they are still good, my life sucks, and so I took them). There were five of them – a T-Rex, a Dilophosaurus, a Triceratops, a Velociraptor, and a Pteranodon – I was really lucky, for once.

This is when things got odd. Most of the dinosaurs, (yes, I know that the Pteranodon was not a dinosaur at all, but their cousin, but those are toys, so this doesn’t matter), are realistic enough, and looked just how they were depicted on the box… except for the T-Rex, which is built much… less robust than the Dilophosaurus and the Velociraptor; his head and torso are horizontal, parallel to the ground, and it doesn’t look much like a T-Rex… or how it is depicted on the box.

How do I know how it is depicted on the box? I went looking for the Montoy™ toy block dinosaurs at the local dollar stores… and I found them. I found the Dilophosaurus, the Velociraptor, and the Pteranodon easily enough, but the Triceratops and in particular the T-Rex – with much more effort. Why?

Because those dinosaurs are depicted much less realistically, I guess. They both are smaller than the Dilophosaurus and the Velociraptor… but they are toys. ‘Assemble yourself’ toys for preteen children. Realism does not have anything to do with them, so why Montoy™ is apparently ashamed of them, and is calling them back, I do not know. Real life sucks… but it is also weird.

Another manifestation of this weirdness involves the cobra snake. The YouTube search engine is not very different from an A.I. – it runs on human algorithms… so when you put down just ‘cobra’ you get many videos of… people who give themselves that name as their moniker or something similar. Fair enough, so you put in ‘cobra snake’ as your search and what you get are videos… of king cobras, either by themselves, or as parts of videos that talk about venomous snakes in general, including king cobras – king cobras are still representatives of the elaphid clan of the snakes, it just that now the videos talk about other snake clans as well.

Humans made the term ‘cobra’, and it applies to several snake groups that are related to each other, but are still distinct. The king cobra, in particular, is separate from the ‘other’ cobras… and there might be several snake species in that genus, and not just the default one. That is interesting, but does not explain as to why the king cobra is the ‘default’ cobra on YouTube – to find any other, you need to be even more specific, it is not a bother exactly, but it is still strange.

(Not as strange as the plaster Dilophosaurus I found – it is not as much a toy as a painting model, it had the feet of a raptor and the front claws of a T-Rex – clearly Dr. Wu and his hybrid dinosaurs are more important than how it comes across). Anything else?

Just a point about PJO S2, two points, even. First, in the novel, young Clarisse commanded a crew of the resurrected… Confederate soldiers – and in the TV series, her crew are anyone but the US. Confederate soldiers – Disney might be progressive, but it has a limit, apparently.

And second, in the original novel, Tantalus is banished to Tartarus and Chiron is rehabilitated – and he’s brought back in a much later novel, ‘The Court of the Dead’, where he’s one of the main antagonists. In the TV series, the Lestrygonians kill him instead. Why – I have no idea again, but, clearly, Disney is taking PJO somewhere, we just do not know where… real life sucks, true, but it is also weird.

Well, for now, this is it. See you all soon!

Perseus and Medusa - Feb 28

 Obligatory disclaimer: real life sucks. So, let us talk about Medusa for a change.

Why? She is a fad. Let us begin.

Medusa’s origins are vaguer than you might think. In the modern version, she was a human transformed into a monster by Athena. Originally, she was never human, but some sort of a supernatural entity who was slain by Perseus in exchange for his mother’s freedom. Expanding further, we learn that Perseus was a son of Zeus. His mortal grandfather, Acrisius, put both him and his mother into a chest and set them adrift, for the oracle foretold that his grandson – i.e. Perseus – would end him. Acrisius tried to defy fate, but failed ultimately; this part of Perseus’ story is often left out, so let us put it aside for later. What next?

…Danae and Perseus ended on the island of Seriphos, whose king, Polydectes, wanted to marry Danae, but she refused. Since this myth is really a Bronze Age fairy tale, Danae managed to defy the king until Perseus became of age. Therefore, king Polydectes declared that he is marrying someone else and that everyone should bring them a present. Danae and Perseus were poor, so Perseus could not afford one, so the king sent him after Medusa’s head. The rest is known well, except for the death of Acrisius: he was the king of Argos, so when he heard that his demigod grandson was coming to visit, he fled, and lived in hiding for many years, until there were some proto-Olympian games. Acrisius attended them in disguise. Perseus was participating in discus throwing, and threw his discus so hard that it hit the audience stands, killing Acrisius. Therefore, Perseus had to purify himself, and leave Argos for several years – but that is another story. Back to Medusa?

Her role in the story is quite passive, in fact. Whatever her backstory is, when Perseus arrives, she is just there, confident that her deadly gaze will protect her. Since Perseus arrives fully equipped, (in the original, antique versions anyhow), she is slain instead, and – wait.

In the modern versions, Perseus uses Medusa’s head as an ultimate weapon, but originally – he did not. When it came to Andromeda, Perseus killed both the sea monster and her original suitor the old-fashioned way – wait. No, he didn’t… but what original groom?

After slaying the sea monster, (without using the head), Perseus and Andromeda have their wedding, and on the feast in walks Andromeda’s former suitor with a small army. He tries to force Perseus to back down, but Perseus stands is ground, and proceeds to slaughter a lot of enemy warriors, before he does have enough and uses Medusa’s head to petrify all those who remain, including the original suitor. (His name was Phineas, supposedly). Pause. You do not usually see this part of the myth in the modern interpretations either. However, what about Medusa?

In fact, she is a fad. Originally, she was the embodiment of death, a death goddess, the female counterpart to Thanatos, perhaps. Unlike modern depictions of her as a snake-woman, originally she had both arms and legs as well as a pair of wings, so she was quite mobile and could even fly. It goes for Thanatos too, but Medusa did conflict with the Olympian pantheon, especially Athena, and was destroyed; her head is carried either by Athena or by Zeus himself, perhaps signifying that the Olympians are immortal and are greater than death itself. Of Medusa there is just the Perseus’ myth, of Thanatos – slightly more, but not much. Pause.

…If one treats Medusa as a fallen deity that became a mortal monster, then her story does become more interesting rather than just a mortal woman physically mutated into a monster; as a story of victim abuse, Medusa’s modern story is tragic, of course, but also limited; there’s nothing new, no divergence…

Natalie Haynes’ novel ‘Stone Blind’ is just another retelling of the same old story, with some new details, but the focus is mostly on Medusa and her backstory, (here she’s the daughter of Phorcys and Ceto, at least); plus, in this novel the female characters are mostly positive, while the male are mostly negative – must be politically progressive, of course.

Bernard Evslin’s ‘Medusa’ book was written in the late 20^th century, quite earlier than ‘Stone Blind’ was, and this book, while quite slimmer than ‘Stone Blind’ is, manages to make Medusa a tragic character, while keeping Perseus the protagonist, and giving the entire Medusa-Danae-Perseus-Andromeda story an original twist – but Mr. Evslin wasn’t concerned with socio-politics unlike Ms. Haynes is, but we talked about her several times before, and let’s not start again.

So, in conclusion, Medusa’s story became quite limited, as is Perseus’; they are depicted in CGI online, but it is the same story, and as such, it risks to become unfashionable and forgotten; guess that the Olympians are having the last laugh over the gorgons’ after all. However, this is real life. It sucks.

…This is it for now. See you all soon.

'Knight' S1 finale - Feb 23

 Obligatory disclaimer: real life sucks. Life is turning out rather for the worse; I really do not want to make it until late spring of 2026, but the odds of me achieving that are quite high. I am so happy – no, really. Real life sucks; I swear an oath upon it. Next?

Well, ‘Knight’ had its’ S1 finale last night, so we are going to talk about it, but in a roundabout way, I suppose. First stop – the A.I. It is not going to take away jobs from humans because humans make it, and does only what humans programmed/designed it to do – make pictures, or stories, or etc. There is a story about how people had A.I. make Brad Pitt fight Tom Cruise, and now Hollywood is huffy – but because the people in question are Chinese… yeah, Hollywood will deflate even more rapidly than how it inflated.

As I wrote before, A.I. has its’ flaws – you often need to be precise with your instructions to it to get exactly what you want, (and sometimes, not even then). Otherwise, you are liable to get something else entirely – it might be bad, it might be good, but it will not be what you wanted, and that is the point. You need to know what you want to get what you want, for otherwise? You do not need to start the process, what you will get will be something else entirely. Of course, you might have no problems in working with the new result, (it’s called a compromise when you’re dealing with other people rather than A.I.), but it doesn’t apply to everything, and, again, when it comes to A.I., it’s either your job, you get paid, and so you don’t really need to get emotionally invested in your A.I. works, or it’s not, and you are emotionally invested, and-

Where were we? Ah yes, RPG. An RPG – especially the 3.5 D&D generation and the like – is not unlike an A.I. – you need to design the characters, the obstacles, the setting, the lair, the traps, etc. You need to be precise and accurate in your designs too, or else you will fail and your ‘tenure’ as a DM is over.

Again, an RPG is a luxury good – it needs to be demanded and desired, or else it is over, done, as Pathfinder (2^nd edition) shows – this franchise is dying, however, slowly – people just aren’t buying enough of its’ products to sustain it, so it cuts down on the released product, but there’s even less of it for people to buy and to spend their money on; Pathfinder’s income diminishes further… you get the gist. Where does it leave the ‘Knight’?

As it was written before, ‘Knight’ is positioned between the other HBO Westeros TV shows… and an RPG. When he was writing the ASOIAF book cycle, Mr. Martin had one agenda… no, wait. In ASOIAF, the end game is the return of the rightful dynasty, the Targaryeans, in the characters of Jon and Dany. GoT did not do that, so it ended badly – though that was only one of the reasons. However, GoT and ASOIAF are two different aspects of the same franchise, and since then both HBO and Mr. Martin himself moved onto the Targaryeans proper – ‘the House of the Dragon’.

…HoD is returning to the screens only in the summer of 2026, so all is still I the air, but the point is that for Mr. Martin, the Targaryeans are just ‘fire and blood’, and HBO does it’ best to do so with its’ TV shows. If that is a good thing is debatable, but the point is that when ‘Knight’ didn’t have any of the Targaryeans, (and Egg was undercover, cough), it was just an RPG – Dunk went here, Dunk went there, Dunk succeeded on Diplomacy checks, Dunk failed on Bluff checks, etc. It is not bad, but it is generic – and then Egg’s adult relatives arrived, and the plot accelerated like a spurred-on horse; suddenly there is death, and drama, and the Blackfyre rebellion – fun. Well, fun for the fans of Mr. Martin, HBO, and Westeros at least – and ‘Knight’ does not ask for more. Ser Dunk, who is still a hedge knight, or rather – a landless knight; legally, he is a noble, sort of, but in reality? He is right there with the proletariat; his status is not higher than that of Bronn (the one and only), who is a man-at-arms instead, (technically). Still, Egg is now his official squire, (I think), the other Targaryeans appear to like him, and Aerion (who right now is not as bad as GoT’s Aeris was), is sent to Essos instead. Overall, it is not a bad place where he is right now.

…Ok, right now he is between yet another Targaryen HBO drama on one hand, and a generic fantasy RPG/TV show on the other. However, hey, ‘Knight’ is not pretending to be more than that either. Its’ first season made it an OK show at least – better than real life, which just sucks.

This is it for now. See you all soon.

Story idea 2 - Feb 18

 Obligatory disclaimer: real life sucks, even the weather, so here is another story idea; but first, a shout-out to the ‘Knight’: HBO’s Westeros underdog is coming into its’ own at last.

Why? Because it is finally moving past the bloody tourney and into the greater Westeros: in the penultimate S1 episode, we have to see a bit of a Blackfire rebellion, and, um, we have an active Targaryen killing Targaryen action once more. This time it is Baelor who is dead and Daeron (the Waffle) who did the deed – unintentionally, unlike how it went down in HoD…

What does it mean for Westeros? Strife and war, of course, because those are the only things Mr. Martin makes there; there’s also scheming, of course, but as a rule it leads only to violence and little more. At the beginning of D&E S1, the Targaryens are at peace with each other, Westeros is peaceful, inasmuch as it can be, but now peace is ending again – the heir to the throne is dead, and his siblings, children, and so on will soon be jousting for the Iron Throne because, hey, it’s Westeros. I am no so desperate to research in depth just how many Targaryens there are in Westeros at this point In Westeros’ history, but since we know that the throne will go to Egg in the end game of ‘Knight’, it doesn’t matter anyhow.

…I do not know if Mr. Martin intended it or not, but a lot of Westeros action ends up being rather pointless, as the throne is kept by the Targaryens no matter what. In the novels, in particular, it is becoming clear that Jon and Dany will eventually occupy the Iron Throne, (i.e., the Targaryens will recover their rightful kingdom and domain), and in the TV series… well, HoD has Targaryens fighting each other while everyone else plays a supporting role, and ‘Knight’ until now it was almost a Medieval RPG, with Dunk trying to find his place in the Westeros society now that his father figure, mentor, and master, is dead and he is anchorless… So now, the choice is the familiar, by now, Targaryen vs. Targaryen violence, or more of the lukewarm and rather shallow Medieval RPG that we had before. Maybe HBO will throw in another CGI-looking robin in for a good measure…. Where were we?

My latest story idea, seeing how real life sucks, thanks to the Donald and his late friend Jeff – but also thanks to the Donald’s opposition, and how they’re handling the situation; spoilers – they don’t. Let us get back to fiction, shall we?

…A world populated primarily by the ‘goblinoid’ races (trolls, orcs and ogres are not a part of them, they are separate). To wit, they are, as follows.

The bugbears. They are the physically biggest of the goblinoids, but also the least numerous. In a big part because they are also anti-social loners – they hate most other sentient beings, including their cousins, as well as each other. A bugbear is quite happy dominating hobgoblins and goblins and never meeting another bugbear in their lifetime – hence the low population numbers. Only now, with more powerful beings, such as evil dragons and the mind flayers being also around, this lifestyle is no longer working, and bugbears need to re-think it, or else they just might go extinct.

The hobgoblins. If the goblins are smaller than the humans are, and the bugbears are bigger, (and stronger, and more formidable and imposing), then the hobgoblins are human-sized and are rather humane in their lifestyles, etc.

Enter the dragons. They are blue dragons, meaning that they exhale lightning (electricity) rather than fire, and are immune to electricity, not fire; they’re also lawful, as in tyrants, and have enslaved the hobgoblins, (not that they resisted much, because hobgoblins themselves are lawful evil). As a result, the hobgoblins became racially diverse, (among other effects).

There are now four races of hobgoblins. There are the ‘ordinary’ hobgoblins, (the ancestral race), the half-dragon hobgoblins (obvious), the draconic hobgoblins, and the ‘sunscorch’ ones. The draconic hobgoblins look like scalier, more feral versions of ordinary hobgoblins, while the sunscorch are really just ordinary hobgoblins, but smarter, and with blue eyes or blue-tinged hair. The hobgoblin society is acutely hierarchical, of course, and plenty of them are trying to rebel – well, trying to figure out how to rebel, not just because they are afraid of dragons, but also because they are not good at rebelling in the first place. (Scope aside, the hobgoblins aren’t that better than the blue dragons are).

The goblins. They are the smallest and the most numerous of the original goblinoids… and are dominated by the mind flayers. (Some of whom are liches, or alhoons, in the mind flayers’ tongue). Therefore, some of the goblins become Dekanter goblins – a mix of goblin and anthropomorphic rhino – and they are more formidable, given their relatively small size…

The Dekanter goblins serve the mind flayers loyally, (moreso than the ancestral goblins), but the mind flayers meddling had unexpected side effects. First, some of the goblins are born with blue skin color, eyes…, and psionic powers of their own; they are smarter than the ancestral goblins are, and are slowly forming their own councils, trying to counteract the mind flayers.

Second, some of the goblins are born as worghests instead – those are the goblin analogues of tieflings, but rather than from demons or devils, they are descended from barghests instead. (The barghests themselves may still be around, but they are not making themselves known in the immediate moment). Those worghests are anarchists instead, spreading chaos, (not that that goblins themselves are bad at it but their worghest kin are even better).

…The blue dragons and the mind flayers are aware of each other, of course, but neither side is ready to be actively hostile – not yet. In addition, their goblinoid pawns are slowly discovering their own free will and initiative as well.

This already heterogeneous mix of related races and conflicted interests develops on the background of a greater conflict – the orcs are going to war against humans, elves, and dwarves. How will the goblinoids (and their puppeteer masters) affect the conflict is an open question…

Therefore, this is my new story idea. I hope that you will like it, too. See you all soon!

Minions and Monsters 1 - Feb 10

 Obligatory disclaimer: real life sucks, so let us turn to the movies, and… what is that? The seventh ‘Minions’ movie? Why, for the love of God?!

Let us try again. The DM1 film (I am just numbering them, come on, all know which DM movie is which); the DM1 film was about Gru adopting three orphan girls as his stepdaughters and becoming less despicable and villainous. DM2 introduces Lucy, his love interest; DM3 – his brother, and the trilogy was complete.

The DM4 film explained the origins of the Minions as well as their metaphorical journey to become, well, the Minions. DM5 – showed them becoming, well, minions to Gru when he was a teen or some age like that. DM6 introduced Gru and Lucy’s new baby son, as well as Poppy, a teenage girl that becomes somewhat of a family friend – eventually. It also introduces the Super-Minions, but they do not appear to be in this film, at least – thank God for small mercies. What next?

The DM7 film appears to be a new expansion of the DM-verse, as the Minions are going for the Monsters to have them star in the Minions’ movie. Guess someone watched MCU’s ‘Wonder Man’ series, eh?

Right, Disney/MCU’s ‘Wonder Man’. It is more ambiguous than it looks. Namely, on one hand, it looks to be the culmination of Disney/MCU’s desire to have a mini-series with a P.O.C. in charge; they tried it with RiRi ‘Ironheart’ Williams, and when her own series failed first, and Marvel Zombies cartoon series were almost just as bad, they went with Wonder Man instead. Therefore, on the other hand, WM appears to be more like ‘Agatha All Along’: it is connected to MCU but doesn’t appear to influence it; as Agatha and co. were dismissed after AAA finished, so did the WM – it is done, it is gone, Disney/MCU has its’ feel-good, and it puts WM into the storage, right next to AAA, if it ever will need either of them again. (It will not). What next?

‘Knight of the 7 kingdoms’ continues apace, with even more Targaryens that we ever wanted. The people are continuing to watch it; they like it well enough, but nothing more; the fan support is getting there, of course, but slower than they had with HoD, so there is that. Dunk and Egg are joined by Waffle – I mean, Daeron Targaryen and are about to go against Aerion the Monstrous; say what you will, but Aerys from GoT (ASOIAF) was much worse by far out of the two (for now). Guess we will have to wait to see if he does live up to his moniker, or not.

In addition, it will be curious to see just how Lyonel Baratheon’s friendship with Dunk and Egg will evolve. The Baratheons were Lords Paramount of Stormlands, and as such – just below the Targaryens themselves, but Egg is a Targaryen, (and will become king, cough), while Dunk will become the Lord Commander (and the ancestor of Brienne), so Lyonel’s friendship with them can easily become a Good Thing for the House Baratheon – and maybe it did. Certainly, until the Targaryens did that shit with the Starks the Baratheons were loyal to them well enough; why, everyone was loyal to them until Rhaegar listened to his inner Tarquin, and then almost no one was. (Just look up Shakespeare’s poem ‘The Rape of Lucretia’ would you? It is that Tarquin). What next?

Well, DM7 is going to be a cash-grab; good or bad is another story, but this one? It is going to be a cash-grab. ‘Illumination’ is already sticking Minions wherever, anywhere, regardless of whether people want it or not, and now they are getting their own movie. Again. DM4 was their first movie, and it did lay the groundwork for the second DM trilogy, but you have to admit that the DM6 film has a rather final feel to it, especially the last scenes that just re-introduce all the main characters from all of the six films in one capacity or another; it leaves Gru with his wife, daughters, son, and even brother (and some family friends) on his lawn – clearly, it was supposed to be the series’ finale. Now we are having a new Minions movie, (just when the U.S. movie industry seems to be struggling as it is). Why, for the love of God?! Oh, wait, it’s real life. It sucks. Yay.

Well, this is it for now anyhow. See you all soon, instead.