…To continue on the topic of fiction, (because real life is
still…more than slightly unpleasant), there is the matter of a potential BtVS
reboot that comes and goes through the rumor network.
Here is the thing. A while back, Whedon did appear to be
open to it – but it’d been years in the past, and by now Whedon is working with
DC, rather than Marvel & Disney, so it’s actually anyone’s guess as to
where the potential negotiations are going, if they are still going at all.
Yes, TV series and etc. are a lot about TV show reboots these days; they also
got their own streaming platforms and are trying to overwhelm their viewers
through sheer quantity, (and quality) of their shows, movies, etc., but that
isn’t the point.
Then what is the point? Hard to tell. On one hand, we got
the upcoming ‘Charmed’ reboot. As we talked earlier, people are praising the
show, (or rather – its’ trailer), for being ‘woke’ (or whatever), for having a racially
mixed cast. For the record, AoS also has a mixed-race cast, (though they do not
always manage it well), but it did not work for them in the long run, as their
number statistics still dropped. Of course, they are having a sixth season in
2019, but it feels more of a reboot even at a distance, and we’ll still need to
see just how much the regular cast has changed between S5 and 6 by then.
Back to ‘Charmed’? Now one of the problems with AoS was its’
script and plot line: it was constantly broken and reset from the second half
of S2 onwards, whereas in the ‘Charmed’ trailer… it looks to be largely
followed the original series’ plotline, just depicted differently. Here, CW is
trying to have it all, both old and new, and-
And it can be just as good a strategy as what Disney did
with SW – and failed. If CW does not fail, and even succeeds, with this
ambiguous strategy, more power to them! In addition, if they fail…well, Disney
had failed there too – with the ‘Wrinkle in Time’ movie.
About that movie, (AWIT, for shortness). On one hand, Disney
tried something new, more out of its’ comfort zone – like many of the real-life
classics, AWIT the novel is not easily adapted to the modern cinematic values,
but Disney still tried. On the other, they still have diverged quite a bit from
the initial novel: some characters, like Auntie Beast, were removed completely,
while some scenes got seriously changed.
For example, in the novel, Charles Wallace, his stepsister,
and their friend get to ride a winged centaur at one point; it is even depicted
on some of the covers of some of the editions, (novel, not movie). In the
movie, the three children ride a creature that is not anything like a centaur,
(winged or otherwise), but more like some Pokémon instead. It creates a very
different atmosphere, a more goofy one, and not necessarily in a good way. The
result? AWIT got mixed reviews at best, and for now that franchise seems to be
shelved, as far as Disney is concerned. (The fact that apparently it is Disney’s
second attempt to make AWIT into a movie probably does not help either).
So where does it leave BtVS? Here’s the thing. Before there
was Buffy as in Sarah Michelle Geller, there had been a movie, a prequel of
sorts, featuring completely different actors with a very different plot. There
was also a pilot that was never aired on TVs, but you can find clips of it and
such on YouTube and the rest of the Net. It too shows some different actors
from the official cast; for example, there is no Alyson Hannigan but a
different actress playing Willow – a very different Willow. If that pilot had
worked, we would have had a very different BtVS too, because of the real life
dynamics between the actors, the crew, and the rest of show running personnel.
Enter the potential reboot, which will have a very different
cast, (because, for example, the aforementioned Alyson Hannigan is not
interested in being an actress anymore, it seems). What next?
They will have to make it a choice; with BtVS S12
(comic-verse) being apparently over, the time for them (whoever they are) to
make a move is now, because otherwise, without a regular comic support, the entire
BtVS franchise will fade into obscurity completely and any investment into it
will be much riskier than it currently is.
But what is this choice? Either try telling the old story
with new characters and actors, or telling a new story with new characters and
actors; say, about some new, younger Vampire Slayer that didn’t appear in BtVS
up to date, at least not as a regular character; and?
And right now Disney, (who is usually rumored to be
interested in buying the BtVS franchise from Whedon, the Dark Horse comics and
etc.), has already plenty of issues to go through. On one hand, it has finally
admitted that it had dropped the ball with its’ SW merger and is doing damage
control – a lot of it. The SW9 movie is coming out next year, but after that? It
is anyone’s guess as to what will happen next.
There is also the issue with the Disney/Marvel merger too.
In summer 2018, James Gunn was fired because of a ‘me too’-related mess, and
the entire GotG derailed as the actors rebelled. An agreement was failed to be
reached, (there were not too many details available to the public), and so by
now GotG vol. 3 is off the roster. Instead, it is anyone’s guess as to what
will take its’ place, (the more likely candidate is a second ‘Dr. Strange’
movie). Anything else?
…Between juggling SW and Marvel (and anything else at this
time), Disney is really uninterested in taking risks, and BtVS is a risk simply
by default. Of course, so’s ‘Charmed’ and any other reboot, but CW has bulked
its’ audience/viewer fanbase via ‘Arrow-verse’, so maybe it can take a hit. Disney…can
also take a hit, but it already took one with SW, and now GotG may be another
one, so it will pass on BtVS…maybe.
Or maybe all those rumors about BtVS being bought by anyone
are only that – rumors, and Whedon and co. will churn more BtVS comic series
for years to come. We will have to wait and see.
…This is it for this time, see you all soon!
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