Superman: Red Son - Feb 26

Obligatory disclaimer: real life still sucks for all sorts of reasons. For a more specific explanation, see the previous entry. Now, about the latest animated Superman movie – the Red Son, (as opposed to the Red Sun and the Rad Son labels that I have seen on YouTube since yesterday).

…Ok, what about it?

It is one of the more depressing Superman and DC stories ever, one where Superman grows up in the U.S.S.R., (as opposed to the U.K. or in the darkest Africa, which are also DC comic stories, incidentally), has interactions with Bizarro, a variant Barman, Wonder Woman, a Green Lantern (Hal Jordan) and so on, and mows down the opposition, no sweat. Pause?

Yeah, the live action Justice League movie had something similar, only it was so bad, that it was actually funny, (when it was not being so lackluster that it was insipid instead. Cough Infinity War rip-off cough). SRS, on the other hand, is none of those things, it is actually well put together, and it is somewhat sad. Violent too, for an animated movie, even more so than the actual comic was.

True, I am not the biggest fan of DC and it has been a long time since I have read the SRS comic, but there are some differences between it and the movie. More importantly, reading the comic is not important to watching the movie, and the movie is…depressing, straightforward, simple and well made, from the technical side of things. And-?

And it is the simplicity that is the defining point of SRS – usually DC can do convoluted about as well as Marvel does, Disney baking or not. Here, conversely, everything is going from point A to point B, which concludes with Superman apparently finding a possible ‘redemption’ after his stunt as the flagman of communism. What?

…Here is the thing. SRS is not exactly a propaganda piece, because for any propaganda piece to work, the state/country in which it is released needs consistency, and right now, the US is in the state of flux, because of the upcoming elections. Nobody knows as to who will win, but the safe bet is the Donald, in no small part because the Democrats, a), can’t get their shit together, and b), now that it is coming together, the forerunner will be either Bloomberg, a variant of the Donald, or Sanders, a social-democrat, and neither man is very popular with the rest of the Democratic party’s leaders. Will they opt to instead give the U.S. to the Donald for another 4 years while they try to find someone better? Odds are very good on this one too. Will they continue to bitch about the Donald, even though they aren’t all that better than he is, (as surprising as that sounds)? Yes. Did I mention that real life sucks? Do bears shit in the woods?

Getting back to SRS, again, it isn’t intended to be propaganda, but you have to admit that its’ timing isn’t very good, and given that we’re talking about the Western society here, at least someone there will think so and act accordingly with unpredictable results – but for the majority, SRS will be just another DC animated movie and as such it will fade into obscurity, either becoming a classic or not. Go, team DC! Another solid hit for you, really. Anything else?

Sadly, no, not this time. See you all soon instead!

Harley Quinn and the prodigal son - Feb 25

Obligatory disclaimer… no, wait. Secondly, the ‘Harley Quinn’ cartoon TV show’s great, no doubt about it. Firstly – real life sucks. No matter what you try, no matter what you try to figure something out, real life will derail you, and then-

Pause. Let us talk about the Biblical parable of the prodigal son. No, we will not talk about the TV series of the same name, because I found it to be forgettable and meh; we are talking about the actual article. In it, the titular character lives his loving but traditional family, screws his life completely, returns home with tail between his legs, (metaphorically speaking), and is celebrated with a fattened calf, because, as both the narrator, (the Savior?), and the father of the family tell the audience and the other son, who dutifully worked at the family business all the time while his bro wasted his chance, Heavens are happier at one repented sinner than over many more people who neither sinned nor repented to begin with.

…You know, who sinned and then repented? Judas. Yes, that guy. Does it mean that he also ended up in Heaven and not, you know, in Hell, according to Dante’s ‘Divine Comedy’? Just asking, but the truth is that in the ‘Prodigal Son’ parable everyone is an asshole.

Let us elaborate. The titular character is an asshole because he had wasted all of his potential, literally and otherwise, and ended up being good for nothing but to herd pigs. When Jacob the patriarch, (son of Isaac, father of Joseph), ended up being a shepherd, he ended up making a fortune and married to Leah and Rebecca, (and not to mention a couple of concubines on top of them). The prodigal son? He did jack squat, other than bitch and moan about his fate & come crawling back to his family, as the parable intended to. Man, the Savior sometimes could be a jerk storyteller!

However, the rest of the family is not much different from the titular character…only they are. While he was doing nothing, they were doing the same thing repeatedly – running the family farm, (because of the fattened calf reference, because otherwise we got nothing to go on here). Yes, that is often hard, repetitive and boring, which is why the prodigal son ran away. And then he just partied hard and this is it, possibly because that is the only thing he had ever done? With his father if not outright enabling him, then certainly babying him, because he is the baby of the family, maybe? Pause.

Yes, something similar happened to Joseph back in the Old Testament, only our man Joseph did become the viceroy of Egypt or something similar, and revealed himself to be a bad ass. The titular character is an uninitiative waste of space and his father is okay with it, he is that forgiving. At least this time he gave his other some cock and bull excuse, dimly aware that this time he might have gone over the line.

…This isn’t the point of the parable? See above, cough Judas cough. St. Augustine supposedly once said that he believes in Christ and Christianity, because it is absurd, (or that absurd?). Fair enough, but proportionally, St. Augustine was closer to the time when the Gospels actually got written, (following the Word of God) than to our time in this time and space continuum, and it tells.

…So what does that have to do with me? Nothing, save that I am doing my best to find a regular job, (I may be no Old Testament Joseph, but still), and am having zero luck. My family, on the other hand, seems to be shoehorning me into the position of the parable’s older son, who works almost for nothing save for room and board. Did I tell you that I hate my life? Because I do. Arthur Fleck (cough Phoenix cough) was a genius if he was able to rework his life from a tragedy into a comedy, because I certainly cannot.

…Yes, I know that Joker in all of his incarnations is anti-hero at best and a villain at worse, as he was, or rather is, in the ‘Harley Quinn’ cartoon, which is doing all the same things that the ‘fantabulous emancipation’ film has done, but at a slower pace. Then again, it is a cartoon series, not a single-shot film, so it can afford to be prolonged.

One aspect that is affected by this is the Harley-Ivy relationship: the S1 finale ended with Ivy being dead, and/or resurrected, I am not sure. I.e., whatever relationship Harley and Ivy will have, this will be taken slowly, I suspect. Then again, DC is not Marvel, it doesn’t have Disney backing it up, (yet), so it’s not surprising that Ivy and Harley may be going the ‘Elsa met Honeymaren’ routine. Hell, Joker is outright absent in the ‘Superman: Red Son’ movie, and it is still a good one. (It just came out this February).

…Yes, SRS is focusing more on the Superman’s corner of DC’s Elseworlds than Batman’s, (cough spoilers cough), but still, the laughing prince of crime tends to pop up in unexpected places, but we digress. (SRS is not a bad animated movie either, incidentally). The point is that my life lately sucks more than it usually does, more family sucks more than it usually does, and I see no way out, period. I do not intend to be either the good or the prodigal son, while we are on the subject. For better or for worse, I am just trying to be myself, regardless as to what this entails, down to the end - now if only all my ads on LinkedIn, and Glassdoor, and Indeed, and Monster, and so on would come to a fruition. (Sad face emoji).

…This is it for now, see you all soon.

Call of the Wild 2020 - Feb 21

Obligatory disclaimer: real life sucks. One’s family makes it worse, and you hate them, you hate them, you hate them forever – onto the 30^th generation, onto the 20^th incarnation, and beyond! All hail Lilith and Sammael! …Where were we?

Ah yes, real life sucks, so let us talk about the 2020 ‘Call of the Wild’ film. We have discussed it last year already, when we only had just a teaser to go on, and it was released only this month, (aka February 2020), and what can I say? It is neither ‘Cats-2019’ nor quite as bad as ‘Doolittle-2020’, but it is certainly worse than the ‘Sonic’ movie is, and when you fail to surpass an anthropomorphic extradimensional blue hedgehog (supposedly) creature, then you suck.

Let us elaborate. The ‘Call of the Wild-2020’ movie failed on several levels. One is the CGI – oh, the technical side was done marvellously, we’re talking Cirque du Soleil quality, (a curse upon this abomination for 30 generations, for 20 incarnations!!), but regardless, you can still feel that the dogs are CGI very easily, so there’s that, and that’s a problem: just ‘like ‘White Fang’, the ‘Call of the Wild’ is a dog novel; humans play important roles, even critical ones, but the main characters are dogs and wolves. Considering that the 2020 ‘Call of the Wild’ film had only CGI animals, this means that it put itself at a disadvantage: the non-human characters just do not look real, no matter how authentic they were supposed to be.

The human characters have their own problem. The original novel was written in 1903, when political correctness was unheard-of, and so all of the human characters in ‘Call of the Wild’ were Caucasian, (technically speaking), and except for Mercedes, (played by Karen Gillian in this film) – male. So now, we got the two Quebecois mail workers played by Omar Sy, (an Afro-American) and Cara Gee, (an Ojibway woman). This is very politically correct and modern, but, sadly, ‘Call of the Wild’ seems to be one of those pieces that does not do transition to ‘modern’ too well in general. The original novel, just as its’ companion ‘White Fang’ was very, well, manly. The 2020 movie is anything but, and seems to be going for a more balanced, modern, politically correct approach – and instead got a pale imitation of the original novel.

Yes, Han Solo… I mean, Indiana Jones… I mean, Mr. Ford did his best to liven the movie, and may be its’ redeeming feature, period. (Chewbacca mutters and tells Han that you should never have a dog do a Wookie’s job, and can we try it again, in space, this time? Han points out that that is what the SW4 movie is for. Chewie sniffs and hugs his best friend. The end). However, you have to admit that his current incarnation – John Thornton – is rather manly himself, (possibly for the greater contrast with Dan Stevens’ Hal, who looks ridiculous in an unattended manner by the movie’s standards). The conclusion itself is also different, pause.

In the original novel, Thornton and his dogs, (except for Buck, of course), are killed by Native Americans, and in response Buck teams up with the local wolf pack and begins to kill them instead – this is how the novel ends. Here, the Thornton arc is resolved in a different manner, and Buck teams-up with the wolves in part because he gets into a relationship with a local she-wolf, black in color. Apocryphal Lilith much?

Now, about wolves – we talked about them before, when we discussed the AFO episode ‘Puma vs. Grey Wolf”, and the punch line here is that wolves aren’t just stereotypical grey color, they can range from white to black, why the great Audubon himself made a couple of paintings that featured precisely the white and black color morphs of the wolf, (he also made paintings of the so-called Inuit dog and Indian dog, but we won’t get into this here), but that’s it. Wolves may be of any color, but they are still the common or grey wolf, Canis lupus, the end. Why give Buck’s love interest an atypical fur color? It is anyone’s guess.

Speaking of love interests… first, Cara Gee? Is she pregnant in real life? If you look at the interview clip on the IGN YouTube channel, you see that she is caressing her stomach and the camera is angled thusly as to keep it out of the view. Maybe I am overreading this, but it still looks weird. I guess we’ll just have to wait and see if news of her pregnancy and/or childbirth hit TMZ or something similar.

Back to dogs and wolves… Yes, Buck is a hybrid dog to begin with, even in the original novel, (a St. Bernard-Scotch Collie mix), which makes himself something of a hybrid, which makes it kind of doubtful that he and a wolf would have viable offspring. St. Bernards are a derived dog breed, they are some of the biggest dogs around, and they are cases of gigantism from natural P.O.V., which may create issues if they are released in the wild. Yes, ‘Call of the Wild’ is fiction, a fairy tale, (sort of), but it can be noted that in the original novel Buck is not interested in any female dogs or wolves whatsoever, and there is no romance at all in ‘Call of the Wild’, (whereas in ‘White Fang’ the situation is different). Here, in the 2020 movie, the situation is different, and not in a good way – compared to the book, the movie feels diminished, a disappointment. Yes, political correctness is important, especially now, when the coronavirus, (yes, I know that it got renamed, but let’s not get too distracted here), is bringing the worst in humanity again, including the anti-Asians racism, (though apparently in Ukraine the native people are turning upon each other instead – how are they better than their Russian cousins, are again? That is right, they are not, apparently. Ouch!), but sometimes it just does not work, period. In ‘Frozen 2’, the socio-political agenda did not work, but it was still a good film, just different from ‘Frozen 1’.

…Not unlike the ‘Dark Phoenix-2019’, this version of ‘Call of the Wild’ just is not a good film, and political correctness just makes it worse, period. It may not be as bad as real life, (cough the coronavirus cough), but it is not very good either, both because of the CGI dogs (and scenery) and not. Go and see ‘Sonic’ instead.

…This is it for now, see you all soon!

The Harley Quinn Movie - Feb 6

Obligatory disclaimer: real life sucks, pure and simple, and your family tends to make it worse – and it is also simple. So, let us talk about something more complex – the latest DC movie – instead.

Why it is a more complex subject? Because in reality, it is two movies stitched into one – first, we got ‘Birds of Prey’, (BOP), which deals with a group of anti-heroes, led by Harley Quinn, in a fight against a crime boss named ‘the Black Mask’, (DC’s answer to Marvel’s Red Skull, BTW), and the second is ‘the fantabulous emancipation’ of the same Harley Quinn as she gets over the Joker, (Jared Leto’s version). Pause.

Now, this is not the first case of two movies being stitched into one – I personally remember the ‘Lost World: Fallen Kingdom’ film, which was two films – the first being the team Owen/Claire (OC) teaming up with the minions of the Evil E to rescue several dinosaurs, (including Rexy and Blue), from the exploding island; and the second being team OC infiltrating/getting captured by the Evil E’s minions to get into the Lockwood mansion and stop the Indoraptor from…something – yes, it’s a killing machine, but nothing more; the movie heavily anthropomorphized it, but it still was nowhere as formidable as the I-Rex from the first ‘Lost World’ film was, and plenty of dinosaurs got out into the world… but we digress.

…And the second film was the SW8 movie, where everything from Rey and Ben’s final confrontation in the ex-Snoke’s throne room feels like a tag-on from an entirely different SW8 film – maybe it was borrowed from the original SW8 script? Or something? Hard to tell, and we have discussed the SW8 & 9 films before, so let us get back to the DCEU.

Did DC succeed with their latest film? As people have acknowledged, it’s no ‘Joker-2019’, and indeed, when the discussions about BOP-emancipation began, ‘Joker-2019’ was avoided. Not surprising, since on one hand, ‘Joker-2019’ is an outlier and not a part of the DCEU per se, and as such, it is a completely different film from the DCEU ones… and it had also won an Oscar. Not surprisingly, then, that team DC does not known as to what to do about ‘Joker-2019’ and tend to avoid it in their discussions, especially unofficial ones.

That said, ‘Joker-2019’ did try to discuss important social issues in real life…and the Harley Quinn double-whammy tried to be feminist! Feminist! Feminist! In addition, girl power! Rawr! …Did it succeed?

Leaving aside the impressive interweaving of the two films, BOP and ‘the fantabulous emancipation’, done in a way that would make Marvel’s Deadpool, (especially the MCU version), proud. That said, since people treat it as a single film instead, well… it is done by the book – women are good, men are bad, (or outright evil), and women are beating them down as soon as they are done being oppressed by them. Just look at Greta Thunberg, back in real life.

…What is this? Now that the initial shock value is gone, Greta seems to have met only a limited success – people are indulging her, going along and pretending that she matters. Since none of her efforts seem to have actually amount to anything beyond making this or that public statement and talking to this or that leader of some country or another… Greta is beginning to feel like a trained parrot that everyone loves but will forget as soon as the entire out of sight out of mind situation occurs – and this, atypically, brings us to Cassandra Cain.

Why? Here is the thing. Margot Robbie’s Harley is consistent with her depiction in 2016’s ‘Suicide Squad’ film. Dinah and the Huntress look nothing like their counterparts in the DC ‘Arrow’ TV-verse (or the original BOP TV series), but DC is inconsistent like this, so that is acceptable. However, for both Renee and Cassandra, this is their official entrance into the live-action DC depiction, (especially for Cass), so what, and who, was thinking? They took ‘Orphan’, one of Batman’s most formidable lieutenants, and turned her into a plucky extra from ‘Ocean’s 8’!

…Actually, the entire movie has a strong feeling of ‘Ocean’s 8’, especially in regards to girl power – ‘Ocean’s 8’ was ‘Ocean’s 11’ albeit gender-flipped and more edgy. Alas, as the ‘Ghostbusters’ reboot showed, gender flipping a movie plot is not always enough, (both it and ‘Ocean’s 8’ are largely forgotten by now), and as ‘Like a Boss’ proved, girl power on its own isn’t a miraculous money-maker either.

Does the Harley Quinn movie has anything else going for it? It is bright, it is loud, it verges on the absurd, and the good guys – that is, girls – win in the end. It is not trying to be intentionally deep if you move away from the titular heroine as she goes on a journey of self-discovery and the rest of team BOP is going for the ride as they need to work together to defeat the Black Mask and Zsasz. The latter are completely unsympathetic, (especially Zsasz), nonredeemable, and are killed at the end. 

Sigh. Even Marvel/MCU is moving past killing every villain in their movies – Loki is back and being redesigned, so’s MCU’s version of Zemo, (and maybe others?). Seeing how DCEU is trying to ape MCU still, maybe it is time for them to stop killing-off their villains… oh, right, Joker. Pause. Never mind. This version of the Black Mask was decisively influenced by the comics’ Joker, and it shows – the movie’s villains have actually more time on screen than its’ heroes – aside from Harley, and this brings us to Cass, but also – to the hyena.

Cass is simple – Harley decided to make her her protégé or something. Ask Harley. Maybe she knows. But the hyena is something else. True to the DC canon, it is a spotted hyena, which is the biggest modern hyena species, and the strongest. It can literally rip a person apart with its’ bone-crushing jaws, so seeing Harley interact with her new pet is something else. I really hope that she had picked-up her comic-book counterpart’s hyena managing skills, because otherwise, there will be trouble!

…As it is, there may be trouble already, as the movie shows no sign of a Poison Ivy. These days, in most incarnations, Ivy and Harley are a couple, a duo, a team – Ivy helps Harley the way that Joker did not, would not, or could not – take your pick. They are also a couple, the same way that Willow and Tara were on the BtVS TV series, for example, so her absence in the movie is glaring, and also telling.

In ‘Frozen 2’, there was Honeymaren, Elsa’s new potential love interest, and yet nothing came of it. Why?

Because Disney does not like to make statements that hurt it in the wallet; it does not like to be hurt in the wallet to begin with: their ‘damage control’ in the SW9 film is the latest evidence of that. Only, in SW9, this ‘damage control’ didn’t succeed, so for now no more SW movies, and especially trilogies; ‘The Mandalorian’ and the like will need to carry the SW-universe forwards for now.

For Disney, their ‘Princess’ series are even more important than SW is, so they have no intention of rocking the boat by getting either the same-sex issues or the sexuality issues involved. Yes, there is many fanworks that do just that, but they do not matter, especially not to Disney, whereas DC…

…Well, in DC, there is the current Harley Quinn cartoon series, which seems to be going precisely in that direction, by the means of an endgame. Yes, DC is not putting all of their eggs in one basket, and the HQ cartoon series is different, and much more balanced, than the HQ movie is, but the signs of this were there in the last trailer, so we were warned. Anything else?

No, not really. ‘The Fantabulous Emancipation’ gave a new dimension to the movie, which otherwise would have been just a more violent and psychedelically crazy ‘Ocean’s 8’. The gangster setting…well, ever since the Superman/Batman animated series of the 1990s, the gangster setting was the default for Gotham, which only served to make the Black Mask and Zsasz even more formidable. The fights themselves were nothing special, certainly not in 2020, and they were not any more feminist than the ‘Like a Boss’ movie was. So, yes, Harley Quinn saved the movie and the day, just not how she probably intended to… i.e., this her normal M.O., especially without Ivy around to ground her, cough. Hint-hint. Regardless, go Harley!

…This is it for now, see you all soon.