Sunday, 11 January 2026

PJO, Riordan, and Ms. Haynes - Jan 11

 Obligatory disclaimer: real life sucks. My apologizes for vanishing for the rest of 2025, but real life sucks, and I did not have a regular access to computer until now. I really hate my life, you know? That said, the ‘Endlings’ have ended for now, (and we will talk about them some other time), MCU is about to bring forth ‘Wonder-Man’ by the end of Jan 2026, (and we will talk about it then), so what is left?

The second season of PJO, mostly. After the excitement of the first season, the second is going down much quietly, people have accepted this PJ reality and just go with it – or not. The sirens, for example, clearly designed via 3.5 edition’s D&D Monster Manual II, are just… not working. This probably brings us to Annabeth (and Clarisse). Pause.

Once upon a time, there was plenty of racebending artwork – not just of PJ, but also of HP and the like – and then the first season of PJO came out, and racebending became official, and unofficially? The racebending stopped. Even via the AI, as well as the more traditional artwork. In fact, the popularity of the entire Riordan franchise still appears to be gradually dying down, which brings us to Ms. Natalie Haynes.

Ms. Haynes, judging by her books, both fiction and non-fiction, wouldn’t object being noticed by Disney or someone like that; to achieve this, she’s trying to be politically progressive, especially in ‘Deific Might’ (that features a particularly cheeky goddess Athena on the cover)… just when the progressive politics are dying – thanks to the Donald (at the moment). Moreover, as I wrote in 2025, most of the time, Ms. Haynes’ prose is more mind than passion, more Athena than Medusa (by her standards), and while she does get passionate (say, about Phaedra in ‘Pandora’s Jar’), most of the time she is not. Therefore, it is rather hard to get excited/involved/etc. in her writings as well. You read them, and you are done. Onto Athena?

Athena… is a special case for Ms. Haynes – she is clearly her favorite goddess, she tries to put her into every entry of PJ and DM. Ms. Haynes tends to be long-winded anyhow, (and it doesn’t always work in her favor), but when Athena, (or Odysseus, Penelope, or Homer), is talked about, she becomes especially so. Ms. Haynes has her favorites, and no matter how hard she tries to some across as a politically progressive person, she does not always achieve this. So what does Riordan has to do with this?

As we have seen the goddess Athena in PJO, she too is now Afro-American, as is Annabeth, her daughter. This means nothing, because Athena is a fully blooded goddess and can look like everyone. This is traditional, in fact, because in Homer’s ‘Iliad’ and ‘Odyssey’, (as well as the later works, especially Ovid’s ‘Metamorphoses’) Athena was quite fond of disguises and could be anyone, before revealing her godly might and surprising the unlucky mortal. She got it from Zeus, of course – the king of gods and mortals really loved disguises, especially when it came to seduction; he usually didn’t go as himself (unless the other party themselves was divine, like Leto or Maia), but rather as someone else – as the lawful husband when he sired Heracles, as his own daughter when he seduced Calypso, as a bull, or a golden rain, or – you get the idea. How does Athena fit here?

Zeus was worried about himself being dethroned. After all, his father, who was dethroned by Zeus himself, so there was tradition, dethroned his grandfather and since it was in Zeus’s disfavor, he did not like it. Therefore, his Olympian children were rather worried about him whipping out his old thunderbolt and sending them off the Olympus into who knows where. There are actually myths about Apollo (and sometimes Poseidon) having this sort of experience – usually serving mortals as well. Riordan’s TTOA books have precedent on their side.

For Athena’s part, she was the daughter of Metis. Zeus was worried that Metis will bear a son, who will dethrone him, so he swallowed her, and Metis bore Athena, a daughter, instead. I.e., Athena is the son that Zeus always wanted – a daughter who cannot inherit his throne (or deposit him – theoretically). In addition, for her part Athena is always obedient to Zeus in the canon and usually does what he wants and nothing more. That is one.

Two is that Athena is wisdom, true, but… the wisdom she gives is the one that the person already has. Look at Aphrodite. As love, she can be anyone, so all of those depictions of her are all true – she can take any shape, from a skinny blonde-haired woman to a short and busty redhead, to anyone else – and she will always be Aphrodite. Athena, too, can be anyone or anything – an old woman, a bird (and not just an owl), your best friend or even your sibling – and she will always give wise advice. Only… everyone has their own wisdom (and common sense), and that is what Athena does. She tells the person not so much what they want to hear, but rather what they are already thinking; she helps them work through the thinking process and arrive where they want to go mentally – and that can be dangerous. In the ‘Iliad’, for example, Athena pretended to be one of Hector’s brothers (who wasn’t Paris), who promised to help Hector with his fight with Achilles – and so Hector went to fight Achilles, and his brother (let alone Athena) wasn’t there to help him, and that was one of the reasons he died.

The rub there, of course, is that it might’ve been one of Hector’s brothers (who wasn’t Paris), who wanted Hector to die so that he can be the next commander in chief of the Trojan forces, and Athena just helped him figure out how to do it – how to set Hector up. Athena, the wisdom, does what you want to do, she helps you get to your goal without caring about morality, and if you fail, or succeed, and the price is paid – Athena is already gone; she usually does not care about mortals, normally she does not care about the mortals at all…

You know who, or what, this sounds like? An AI or a robot. Athena is almost all intellect, normally; she does not have much emotions. Poor Annabeth has her work cut out for her trying to impress her divine parent – it is not that Athena does not care about her children; it’s that she doesn’t do that emotionally. Moreover, I do not think that she would have children without Zeus’ permission – he is not exactly grandfather material, he is always suspecting that there is a rival within his family and so he keeps his thunderbolt ready and primed. If he suspected that Athena was not loyal to him, he would smite her too – as he did with Apollo, most likely. Therefore, Athena can prance before Ares and proclaim that she is better than he is at war and his domains, but in reality? It is a superiority of a computer/robot over a human being (in a matter of speaking), and we all know how it goes does in a sci-fi movie (or a TV series) – the human eventually triumphs…

It would have been an interesting twist, if in PJO Riordan did not make Ares the villain in the ‘Lightning Thief’ book, but rather Athena: she could have started as this flawless, perfect being, and then gradually the titular hero and his friends realized that this perfection is hollow and that Athena is manipulating everyone without caring about anyone. Chronus, of course, would still be the puppeteer; Athena would be free from his control and would spend at least a couple of books putting her life back together after this disaster. (Instead of Trials of Apollo, we could have Trials of Athena – that would be interesting too). However, no – Ares is a stereotypical villain, Percy defeats him, and Ares recovers his standing by the third book of PJO, the end. Clichéd and boring – no wonder that Riordan’s world is slowly fading into overall oblivion, Disney+ series or not. Meanwhile, Ms. Haynes?

The same thing. Her fiction books, feel like they have been written by an A.I. (or Athena) – smooth, flawless, easily forgettable. Her non-fiction books… Ms. Haynes tries to be politically progressive, but sometimes she sounds like a neophyte who arrived at progressive politics late in her life and who tries to compensate for this fact with extra zeal – and sometimes she sounds more like an opportunist, who doesn’t care about the progressive politics but wants to use them to get ahead… isn’t that Disney? It sure is – no wonder Ms. Haynes is trying to hit all the right notes and be notices – after all, if Disney worked for Riordan, and made him successful and rich, why not for her?

…Because Riordan actually has passion in his writing and emotion. Some of his novels – especially the second pentalogy, where Percy and friends meet the Romans and have to ally with them to defeat the giants – are quite good. Ms. Haynes’ novels are not so much. (In addition, authors are publishing fictive books based on Greek myths quite regularly in the last few years, so Ms. Haynes is also getting lost in the crowd). However, hey, Athena would be proud!

…Athena is not the goddess of creativity or literature – that is the role of the Muses and Apollo. Riordan invested into the latter a lot – five entire books, a whole series. Maybe Ms. Haynes should try to do something similar rather than sticking with ‘girl power’ – something that Athena does not have much in common with anyhow. (Seriously, Athena does not care all that much for mortal women, unlike the other Olympian gods and goddesses). However, hey, it is her call. (The real life sucks, again – unlike the sirens of PJO who are not even good or bad – just bizarre, and looking like some animatronics gone wrong – but that is a rant for another time).

For now, though, this is it. See you all soon!

No comments:

Post a Comment