S.H.I.E.L.D., tale - Nov 17

And so, keeping in mind that next week AoS is taking time off, let us recount as to what they have done in this episode.

They brought the strands together. Until now, the episodes tended to treat InHumans and Hydra separately, but now, they are bringing them together. Will is...sort of Hydra, just working for NASA and possibly not knowing this. Fitz and Simmons have finally kissed and are finally getting back together, because in worst-case scenario? Will is another knock-off of Ward, meaning a wolf in sheep’s skin. Ward himself...he is starting to play a greater role in S3, actually learning what Hydra is, what it stands for and what it does. The episode’s script is integrating the Avengers’ second movie into the plotline, and it is giving a new, bigger dimension to the show itself as well. Remarkable and Hydra nowadays is something more than just a Nazi death cult, something possibly worthy to go toe-to-toe with S.H.I.E.L.D., and especially Ward, since the next episode (actually aired in December) is going to put the end to ‘Ward’s revenge’ storyline once and for all, because S.H.I.E.L.D. needs something new and exciting to keep itself afloat, ratings-wise.

It is already doing that, mind, with making Rosalind not evil (supposedly), and Andrew – alive. Of course, as it may have been written before, redemption in S.H.I.E.L.D. is something of a select piece, almost anyone but Ward gets his or her chance of it so frankly, if Coulson puts Ward out of his misery in the next episode? It might be the better choice. It might also be the only choice, since the next month, December, is wrapping up the first half of AoS S3, for January? This is where ‘Agent Carter’ takes over. Agent Carter is a good show, though not as exciting as AoS...was, for now it is getting more straightforward and less unpredictable, and Carter is apparently going to Hollywood. You cannot get bored in Hollywood!

Back to AoS...there is not much left to discuss. There is hope for Andrew and May, Rosalind and Coulson, and Lincoln’s setting down. There are signs that Ward may be Hellfire, (which is a pity, he was a cool villain so far all on his own), though maybe they are just another plot twist and Fitz and Simmons finally kissed. Hooray! Go FitzSimmons! Lincoln and Daisy...they did not get too much time on this ep, but at least Lincoln has bonded with May, which is good for both of them. So yes, this is it for AoS this time around – a very exciting and informative episode to be watched.

Agent Carter - general remarks

And so, with LG taking a midseason hiatus (never mind that it is the last season of the show, so there really is not any need for a hiatus), things are rather slow in the TV land. True, there is Marvel’s Agent Carter airing, but despite it being the same solid piece of work as S.H.I.E.L.D., there is something missing from this show, some sort of a spark.

Let us rewind: Howard Stark, (the father of Iron Man), has been framed, (supposedly) into being a terrorist of some sort. He gets Peggy Carter to clear his name and to recover his stolen inventions. Peggy has to outrun both the bad guys (communists rather than Nazis here), and the SSR (the prototype S.H.I.E.L.D.) with the help of Jarvis, Howard’s human butler (unlike his son’s version, which is an AI). 

Sounds exciting? It is, yet despite all of that, plus historical accuracy of the series, plus a rather lively cast of actors, plus the show’s address of such important issues as gender equality back in the early Cold War era, the show somehow remains less exciting and interesting than S.H.I.E.L.D. was. The characters, they go through their motions, yet the audience does not get touched by them – not really. The fanbase remains largely untouched – Carter is barely more popular (as a show) than ‘Naturally, Sadie’ or P: NW are, even though both shows have been finished, done, ended. Even the online Wikia, or rather – the ‘Fanbrain’ section of it – have gotten somewhat disenchanted with the show, reducing its’ intake of the Carter episodes down to the bare basics: i.e., this is Junior Juniper, who died thusly on the show, while in the comics, he has died thisly – etc. 

So why does this happen? What has gone wrong?

Unlike LG, for example, or Primeval, Carter does not suffer from such problems as continuity, consistency of the cast, or even common sense – everything is solid with her, the character development, as well as the plot, develops and progresses as it is supposed to, one step at a time and no further.

The historical accuracy, the feel of the historical accuracy, rather, is also present in the series without any deviations or inconsistencies. The actors act too just fine, without any over the top or hammy acting, as it happened in other shows, such as Primeval or IP version of Sinbad, for example.

And yet, it is not enough. There are no surprises in Carter, as there are in S.H.I.E.L.D. – you just know that Sousa will figure out that Peggy is a double agent of sorts; that Thompson is going to become more respectful of Peggy, as will chief Dooley; that Peggy will be able to retrieve all of Howard Stark’s missing inventions; etc. There are no surprises, save that Dottie Underwood is an undercover Leviathan or Red Room agent; since she’s also female, odds are that she is going to be the one to have one final showdown with Peggy before the miniseries end. Of course, it’s also possible that Peggy will convert Dottie into a good guy, but unlike Whedon’s earlier series, BtVS and AtS, S.H.I.E.L.D. wasn’t big on redemptions; odds are, neither is Carter.

There are no surprises, but there is a rush – sort of. Carter is not a hackneyed job and there are not any plotholes, but neither there are any secondary plots; even Sousa trying to figure out if Peggy is the blonde or isn’t, is part of the main plotline: Peggy seeking to outrun both Leviathan and SSR in a race to recover Stark’s stolen inventions. There is Angie, Peggy’s waitress friend, who appears to be somewhat aware that Peggy’s more than what she seems, but because Carter is a mini-series without much time to waste, Angie appears to be largely comic relief for now, as are Peggy’s other neighbours (except for Dottie).

Then there are the special effects and CGI – there almost isn’t any. Carter is very historically realistic, but it is based on a comic series, so historical realism and accuracy is not that important to it. There are no super villains either, not yet, so the comic book element of Carter feels rather downplayed as well.

And the show is predictable, unlike S.H.I.E.L.D. or even LG. You just know that Carter is going to kick the villains’ ass while looking good in it. Some of the good guys are going to die, including SSR agents in the process – and that is another thing.

Because Carter is a mini-series, all of the characters present there are either episodic roles (literally), or main cast, who will likely last until the end. There are no secondary characters, and while the same is largely true for S.H.I.E.L.D., the fact it is a longer, multiseason show, gives it some leeway in that department, for example the Koenig brothers, making it different from Carter, and more exciting too.

And so, Agent Carter does not quite fall short of being a great series, it just is not one. Period. It is a very good series to watch, less so to review, so do not expect too many reviews of it here.

Cheers.