Wish - Nov 22

Obligatory disclaimer: real life sucks, so let us talk about the ‘Wish’ movie instead.

Where to begin here? Good question, for the ‘Wish’ feels all over the place. One spot is the ‘star-stuff’ angle: it looks as if Disney took it from Pamela Travers’ ‘Mary Poppins’ novels. See, in one of the storylines, the children that Mary Poppins nurses/raises/takes care off, learn that everyone and everything – birds, beasts, people, flowers, stars themselves, and et cetera – are made from ‘the same stuff’, i.e. everyone is connected. In another storyline – or maybe the same one, I am not the biggest expert on MP – the children and Mary Poppins meet two sisters and their elderly mother, who run a store during the day, and stick the stars to the sky at night. Pause.

No, the ‘Wish’ has quite different takes on both of those concepts, but the idea might have been lifted from Pamela Travers’ books. What next?

Um, the female lead looks like a variant of Isabel Madrigal from ‘Encanto’? Perhaps, but the overall feel of the films is quite different. See, ‘Encanto’ runs most of its’ time in isolation, but at the end of the movie that isolation ends, the titular place is ready to be re-connected with the rest of the world… something that also raises a premise of a sequel, (and how it will go, at least at the start). ‘Frozen’ has already done something similar: Arendelle is not isolated, not exactly, and both movies have done some world building, albeit to varied extent and so on. ‘Wish’, on the other hand, does not do that: it begins on an isolated setting and ends in the same manner, but, hey, the villain is defeated, that is good, right?

Hard to say. On one hand, the people of the island learn that by mastering their power, they can defeat any single individual, no matter how powerful the latter is, individually. That is very democratic… but the endgame in the ‘Wish’ is that while the king got captured in a magical mirror and looked in the dungeon, his wife, (or ex-wife), continues to rein as the island’s queen, making this development less of a revolution and more of a palace coup. European society and history knew plenty of both, so they should not have problems differentiating between the two. The U.S. society and history, conversely, do not have too much experience… but still. After the Donald’s mess during 2020, you would think that they began to learn the differences and all. Anything else?

The ‘girl power’ angle. Regretfully, this was done in the ‘Wish’ so clumsily, that all the ‘witty’ critics, who make puns such as ‘M-She-U’ regarding MCU, will have a field day here, since this is the late 2023, and making all the movie’s villains male doesn’t really fly anymore; it is less progressive and more retrograde these days.

In addition, speaking of MCU… my apologies in telling that CD the captain Marvel perished at the end of ‘The Marvels’. She has not. She has merely retired, it seems, leaving MR stranded in a parallel universe on one hand, and KK jump-starting the next Avengers on the next. Again, the entire ‘Miss Marvel’ mini-series got ignored, and it’s anyone’s guess where ‘The Marvels’ will take MCU next, but still, it is a more inspiring and upbeat movie than the ‘Wish’ is, which feels rather flat and uninspired instead. The ‘Wish’ just does not look right, it does not feel right, and its’ message does not really come out right either. Overall, it feels inferior to both ‘Encanto’ and ‘Frozen’. C’est la vie.

Well, this is it for now. See you all soon.

Ms. Marvel, series premiere - June 8

 Obligatory disclaimer: real life sucks, so here is a shout-out to Mr. Nicklaus Brendborg: this learned worthy, while writing – and publishing – his treatise on old age, aging, and immortality, talked about – well, mentioned, really – the naked mole rat. That is fair enough, but he implied that the ‘ordinary’ rats and mice used in labs are its’ relatives. Yeah, no – the terms ‘rat’ and ‘mouse’ are very broad; the term ‘mouse’, for example, includes not only the various rodents, but also the so-called marsupial mice – distant cousins of the kangaroos and the koala, and close cousins of the quolls, the numbat, and the extinct Thylacine. By contrast, the term ‘rat’ includes several genera, including, obviously, the naked mole rat, as well as several of its relatives from the parvorder (or infraorder) Phiomorpha, but the ‘true’ rats aren’t closely related to them; this parvorder actually includes the Old World porcupines, (not the ones found in North America, but the ones found in Africa, Asia, and sometimes even in southern Europe); proportionally, the naked mole rat is a much further relative to the lab rats (derived from the black and Norway rat stocks, mainly), and lab mice, (variant house mouse, primarily), than we are to the apes. For Mr. Brendborg, a man of science and philosophy, to make such a mistake slash generalization is just rude and wrong – so let us end this rant for now, and turn onto ‘Ms. Marvel’, the series’ premiere.

So, what have we here? Last time, when we have talked about the ‘Obi-Wan Kenobi’ series, we talked about how Disney was playing it safe with SW now, producing new content that is only fan-approved. Whether that is a good long-term strategy is another matter, but this is what Disney does with SW. And what about MCU?

First, in ‘Ms. Marvel’, Disney is playing it safe, again. The series’ opener, ‘Generation Why’, is an introductory chapter through and through; in it we meet Kamala Khan, a modern young woman with a strong personality and personal values, whose relationship with the rest of her family is loving, of course, but there’re some pesky personal issues that initiate the rise of a conflict between them – a generational gap or whatever the modern term is… Wait a second…

…In ‘Encanto’, we have Mirabel Madrigal, who is a teen/young adult, who is a good person, (some character flaws notwithstanding), who loves her family and vice versa, but due to some pesky personal issues she and the rest of her family end up fighting…before making up.

…In ‘Turning Red’, we have Mei-Mei, who is a teen, who is a good person, (some character flaws notwithstanding), who loves her family and vice versa, but due to some pesky personal issues she and the rest of her family end up fighting…before making up.

…And in ‘Ms. Marvel’, (the TV 2022 series), we have Kamala Khan, who is a teen, who is a good person, (some character flaws notwithstanding), who loves her family and vice versa, but due to some pesky personal issues she and the rest of her family end up fighting…before making up – wait, what?

…Without a doubt, there are some differences between our three protagonists; i.e., Mirabel is the only one without powers in a power-ful family, (pun intended, sorry), while in Kamala’s case it is more of a reverse, (so far), and Mei-Mei and her mother both have powers to turn into giant red pandas now. Conversely, though…

In ‘Encanto’, the Madrigals are depicted – each of them is depicted – in a unique and a standout way, to a point where Julietta and Pepa’s families don’t appear to be very closely related at all, from a physical P.O.V.

In ‘Turning Red’, the citizens of Toronto – for example, Mei-Mei and her friends – are depicted in all of their multicultural glory, where each and every one of them is unique, in a standout way.

And in ‘Ms. Marvel’, we are about to meet the citizens of New Jersey, all of whom are depicted in a way that promotes America’s multicultural glory, with its’ characters depicted in a unique, standout way, each and every one of them…

Again, there are differences – ‘Turning Red’ and ‘Ms. Marvel’ don’t display the same high level of individualism as ‘Encanto’ has, but their levels are high enough…and then we come to the religious issues. ‘Encanto’ takes place in Colombia, (late 19^th century-first half of 20^th century, most likely), so the odds are that it is a Catholic, rather than a Protestant or Orthodox, community, though that is only a minor element in the movie. ‘Turning Red’… yeah, this one is a bit fudgey, but there are religious-cultural elements as well. And in ‘Ms. Marvel’, we learned from the trailers and the teasers, that Islam will be playing a BIG role in the TV series. Ergo-?

Ergo, while being something of a variation on the theme of a politically correct progressive young woman main character, ‘Ms. Marvel’ is also a propaganda piece, (unlike ‘Encanto’ & ‘Turning Red’, presumably): it aims to show ‘the life and times’ of a Muslim family in the U.S., how it lives, (as a unit), and how it functions, (as a unit), how it is both same and different from the WASP American families, and so on. So-?

So nothing. This week’s episode – ‘Generation Why’ – was pretty much just that: an introduction to yet another politically correct progressive young woman character, and another introduction to a politically correct and properly presented Islamic-American family. People, who like this sort of thing, will like ‘Ms. Marvel’; those who do not, will call it ‘Woke’, and will not. Such ‘soft power’ may be better than the ‘hard power’ that Putin’s Russia is trying to execute in Ukraine, but it has its’ own flaws – but that is a discussion for a different time. Is this it?

…Wait! There is more! There is the Avengers-con! And the magical bracelet from one of Kamala’s grandparents! (A person has two parents, but four grandparents – and we are talking a standard nuclear family here, anything more derived, and we get much more confusing numbers). And Bruno! But we do not talk about Bruno- wait, sorry, wrong Bruno. In ‘Encanto’, Bruno is a seer, (with a strong moon symbolism, but we will not get into it here). In ‘Ms. Marvel’, Bruno is just a teen/young man, who got friendzoned by Kamala so hard, that even the crappy Avenger-con feels sorry for him. No, seriously, there is a feeling that Disney/MCU is poking fun at itself – first there was the Avengers musical in ‘Hawkeye’, which was nothing more than window dressing in that series, and an unnecessary one at that, and now we get the Avengers-con, which was the weakest part of the episode, and as for the ‘magical bracelet’… well, we already talked about it: between AoS and ‘InHumans’, the InHumans became especially toxic and anathema to Disney/MCU, so Kamala will get to be something else other than an InHuman. Good for her!

…For now, though, this is it. See you all soon!

Hawkeye, series premiere - Nov 25

 Obligatory disclaimer: real life sucks, so let us talk about ‘Hawkeye’ instead.

…Ok, this is actually not such a good idea, since the show itself has quite some issues going on for itself, with most prominent being the supposedly clever double entendre, (or whatever it is called), as the show’s title is the legitimate moniker for both Clint and Kate, and now the duo have to cooperate with each other, (technically speaking), in order to- but we’re getting ahead of ourselves.

Let us begin again. The problem of ‘Hawkeye’ is that both Clint and Kate each have their own issues, and they do not like to share. Kate wants to find herself, and hates her up and coming stepfather; Clint wants to spend time with his family, but cannot – because of the tracksuit mafia. And-?

And it has been a running gag for a while now that Clint is the least of all the Avengers; the ‘Endgame’ film and the penultimate episode of the ‘What If?’ s1 tried to change this perception, but not enough, and right now, his opponents are a group of criminals, organized or not, completely mundane, not very competent, and not very intimidating – clearly members of the shallow end of the MCU pool. The fact that Clint has not whipped them yet is not a mark in his favor either.

On the other hand we got Kate, who wants to be like the Avengers – perhaps even an Avenger herself – and, possibly, to avenge her late true father, who died during the battle of NYC in 2012. Sadly, because she is a young and unexperienced vigilante, so far she is underperforming herself, and the fact that her nemesis – so far – is her stepfather is also underwhelming; good thing that Kate’s attitude, charm, and charisma compensate for that lack in spades.

…Of course, the same can be said of Barton, albeit to a lesser extent, but the fact is that by the TV series’ standards, ‘Hawkeye’ delivers a much more balanced and equal act than ‘WandaVision’ did. No offence to the team WV, but in that TV show, Wanda had the lion’s share of the plot development, while Vision developed an identity crisis instead, and by now, there’s no Wanda & Vision, since the show’s Vision was either a construct that Wanda made from her memories with magic… or a completely different synthezoid who has no relationship with Wanda whatsoever, and had actually almost killed her at one point… Where were we?

Right, the transitions. MCU’s Phase 4 is all about them; for example, in the already-mentioned ‘WandaVision’, the titular characters transitioned from a couple into complete strangers, starting their entire relationship – professional, familial, and otherwise – anew. In ‘Black Widow’, the titular title passed from Natasha to Yelena. And in ‘Hawkeye’, the plan is something similar – the titular title will pass from Clint to Kate, especially since the latter is willing and almost ready already. So, what else?

Aside from the issues of underwhelming and duality, (not quite necessary)… no, not quite. The issue of duality is quite necessary, it permeates the first two episodes of ‘Hawkeye’ at least: on one hand, we have Kate, her issues with her new stepfamily, and also the stepfamily’s own issues, (just who did kill Armand III?). On the other, we got the tracksuit mafia, who, clearly, are not a part of that process, but instead seem to be working for, or with, Maya Lopez instead.

The latter was only introduced in the episode’s 1x02 finale, but she’s an important character in the Marvel comics already, and since she wears the title of Ronin, (cough), in one of Marvel’s video games, the odds of her being a rival to Kate’s claim of being the next Hawkeye, are good enough.

Of course, though both ‘Hawkeye’ and ‘Ronin’ were Clint Barton’s alter-egos, they’re also quite different from each other, so maybe Maya and Kate will learn to get along – but for now Kate and Clint should survive the tracksuit mafia and etc. Given how Hawkeye was underplayed among the Avengers that is not very encouraging, actually. What else?

Well, there is also the ‘Encanto’ film that also came out this week. It is the latest Disney movie, and it is underwhelming; less ‘CATS-2019’ and more ‘Doolittle-2020’ done right. As it is the rule with the Disney animated films, there is no villain per se, (as there are in MCU or SW movies), rather the film’s main character (and her family, to a lesser extent), and so the result is… a musical. Yes, Lin-Manuel Miranda, I am looking at you. ‘In the heights’, the movie version, was simply overwhelming, with such qualities as ‘good’ or ‘bad’ not applicable to it; that was an epic movie, and ‘Encanto’ attempts to do a liter version of it. The result are overwhelming musical numbers set in an underwhelming, by the numbers, Disney animated movie. With a lack of an antagonist, and with a less extended message than the one in ‘Frozen 2’, ‘Encanto’ leans into more flash than substance easily; it does have a message – about family and family values – but it tends to get buried under all the glitz and glammer of Disney’s animation instead. Anything else?

Yes, the first 5 and a half minutes of the ‘Jurassic World: Dominion’ movie. Whereas Disney has apparently removed most of the concept of ‘conflict’ from its’ animated movies, this film has not, however this conflict is changed – rather than humans, (or other sentient beings), so far we got dinosaur vs. dinosaur, (though dinosaur vs. human conflict is close second). Indeed, given what we have seen in all of the previous films of the franchise, there will be some conflict between humans regardless, so it will be interesting to watch…but that is a story for another time.

For now, though, this is it. See you all soon!