Wednesday, 27 March 2024

X-Men 97 'Fire' - March 27

Obligatory disclaimer: real life sucks, so let us talk about this week’s episode of X-Men 97 instead. Again, this episode works. Why?

Because unlike MCU, X-Men 97 do not try to relate to RL issues. Yes, mutants can easily stand for any RL minorities, and their struggles can be perceived as struggles of RL minorities, but that is optional. In the season’s 2-part starter, for example, this happened; this week’s episode, ‘Fire made flesh’, conversely, it did not. If in the previous two episodes, the titular characters fought against not just against their regular foes – the Sentinel robots and the F.O.H. goons – but also against newer faces, Carl Denti/X-cutioner and Dr. Valerie Cooper, here it is back to the tested and true foe, Nathaniel Essex/Mr. Sinister and his proxy, Madeline Pryor, aka the evil Jean Grey clone, aka the Goblin Queen.

…For me, anything or anyone associated with goblins should belong in the Spider-Man corner of the franchise, and, moreover, the moniker ‘Goblin Queen’ belongs, or belonged, to several different Marvel characters, not just Ms. MP, so no Spider-Man crossover here and now, no. Conversely, another new character introduced in this episode is Nathan Summers, Scott and not-Jean’s son, better known as mutant named Cable.

Now, Cable is a time-traveller himself, not unlike Bishop, and so his timeline is confusing on a basic level. (In addition, that is before we even try to figure his less canon appearances, such as the second live-action ‘Deadpool’ film, into the mix). Nor does he show any powers reminiscent of either Cyclops or Jean Grey, so usually he isn’t associated with them either. Ok, he is, but not on a family level – more like a general ally or a frenemy. (All mutant relationships are confusing). To have his backstory appear on the show in such a manner is certainly unexpected.

Finally, we got Forge. For me, Forge is mostly associated with the X-Men Evolution show, (also known as Earth-11052, apparently). There, he is depicted somewhat differently from his more canon appearances, with a different backstory; he is an ally of the X-Men of that universe, while here his relationship with them is more ambiguous. Therefore, to have him interact with Storm here the way that he did is also interesting – but that is what any X-Men franchise does: it stirs up interest in its’ audience, in a soap opera way.

No, seriously, at the end of the day, a part of any Marvel (or DC, etc.) franchise’s DNA is soap opera, and for X-Men, a franchise with a large default cast, this is doubly so. When your core team amounts to half-a-dozen characters at least, (and usually eight or more instead), then you don’t often need outsiders to stir up the pot – but the X-Men usually face other teams; in fact, my introduction to Mr. Sinister in this universe had him trap the X-men in Savage Land with their powers blocked, while his minions did their best to capture them. Wolverine, (with the help of Ka-Zur, I believe), saved the day regardless. Go team Wolverine, then. In this week’s episode, however, he isn’t as big a presence; however, since we see him haunting Morph in the episodes’ intro it means that the Goblin Queen setback probably won’t set him back too much. Moreover, since only Cyclops can truly hurt him with his optic blasts (so far), it means that he’ll probably be back with a new plan, so that’ll be interesting to see. (Mr. Sinister’s MO is about evolution, but he is a different villain from the High Evolutionary, BTW). Anything else?

Yes, the reference to Dante’s ‘Inferno’. People, Dante wrote an entire ‘Divine Comedy’, an entire trilogy devoted to the Christian afterlife. The Riordan-verse novel, ‘Sun and Star’, also draws upon the ‘Inferno’ third of it, but, again, Dante’s work is not just about Hell, but about the Purgatory and Heaven too. People should not ignore those works so much; I really should talk about those works too, but for now – this is it.

See you all soon, instead!

Wednesday, 20 March 2024

X-Men 97 - season premiere

Obligatory disclaimer: real life sucks; between my family, the cold I caught, and the confusing weather outside, I’m really feeling down in the dumps, so let’s not talk about reality, (especially since it doesn’t get better once I move past the personal), and talk about the release of the X-Men-97 series.

It works. It works, first, because it is not so much as a reboot or a remake of the original X-Men, but rather, a flat-on sequel to the series. Instead of inventing something actually new, the Disney/Marvel creative team behind this just took the old stories and promptly continued where they ended – Xavier is in space with his alien girlfriend (a princess/queen of the Shi’ar), the rest of the X-Men and Magneto down on Earth, trying to fit the mutants into the human society. No crossovers, no multiverse, no nothing, but mutants. Oh, and Sentinel robots too.

The latter make good opponents for the mutants, (and many other Marvel entities too, if you think about it): they’re big, strong, tough, powerful, emotionless, and completely artificial, so when they go down, no one cares, and it is a big score in the X-Men collective cap. One of the exceptions to this rule is Master Mold, (who appeared in the two-part premiere, but seriously diminished, so he does not matter right now), and Nimrod, (who does not appear in the premiere at all, and so he does not count right now either). Instead, it is their maker, Gyrich, who is one of the main foes of the X-Men, and he is unsympathetic, (even if not unreasonable).

Here is the thing. The scriptwriters did their best to equalize the world of X-Men (of these X-Men, the world of Marvel is very branching) with our world, the RL world… or at least the version of the RL world that the modern U.S. (and the rest of the West) are living in. Other countries – from Russia to North Korea, from Israel to, even, Ukraine – have their own opinions on them, but in general they are not inclined to share them in public, or to openly confront the U.S. – at least not yet.

…Oh, right, Iran. This country, or, at least, its’ proxies are doing precisely this – they’re confronting the U.S. in the Middle East, and may be fighting it to a standstill. After all, between Ukraine/RF, Israel/HAMAS, and its’ own internal issues (to name a few causes), even the U.S. is stretched thin enough as to not win anytime soon, and there is one more thing.

The lack of commitment. From the mess with the Donald’s arrest/impeachment, to the whatever that is going on between the U.S. and Ukraine, the current U.S. government, (2020-?) seems to lack the will to follow to the end. They always stop at the worst possible moment, or just do not start at all. For a while, (as an example), Ms. Halley could’ve been an alternative to the Donald… if the Democrats have helped her, helped build her up as an alternative to the Donald… but they didn’t, and now the elections 2024 will be Joe vs. Donald – the latest round. Did they actually want this? It seems like they do – but are they certain that Joe will be the last on the ground standing?..

Back to the X-Men 97? I.e., what do they get to do with this? Oh, they are the latest shift in the Disney/Marvel strategy to make money: the live-action MCU-verse is failing, so it is back to the drawn cartoons. They are not the only ones – Sony’s live-action movies, (including ‘Madame Web’), are failing (unless they are Tom Hardy’s ‘Venom’, of course), while their animated Miles Morales films have succeeded – and succeeded quite formidably, too. Clearly, there is more to Spider-verse than how it appears at first, and there is something to the Multiverse too, to do it correctly, (yes, MCU’s ‘Loki’, I am looking at you – from a prince of semi-darkness to hot mess! Ouch!)

X-Men 97, by contrast, do not do multiverse or any other characters from the other corners of the Marvel franchise: we got the X-Men, we got their basic archfoes the Friends of Humanity, (aka Marvel’s KKK), we got personal drama, (unlike baseline Spider-Man, baseline X-Men have a big core cast, so they don’t need outsiders all that much), and we got nostalgia played correctly, so yay X-Men, then! We even got a few references to Spider-Man and Venom, so extra kudos, right? …Right or wrong, X-Men 97 have started strongly and should continue to go strong; the fact that they have connected only partially to RL helps too…

This is it for now, however. See you all soon!

Tuesday, 12 March 2024

Sun and Star - March 12

Obligatory disclaimer: real life sucks, so let us talk about Rick Riordan’s latest (last?) PJ novel, ‘Sun and Star’. In this particular novel, Nico and Will go to Tartarus to free… Iapetus/Bob the titan from Nyx, the embodiment of night. Fair enough, but… it is not entirely consistent with the series’ previous installments. In particular, when we last saw Iapetus/Bob, he was not just by himself, (and with Little Bob the calico/sabre-toothed cat), but also with a giant named Damascen, (or something similar). In this novel, the latter is absent.

Moreover, who else is absent? Jason Grace, that is who. Aye, he died in ‘The Trials of Apollo’ series, but that is not the point – most of action of ‘Sun and Star’ takes place in the Greco-Roman Underworld, after all. Jason could have appeared as a cameo, long or brief, nothing more, and that would have been the end, issue solved. Instead, he’s also a complete no-show, and what the readers are left is, are Nico’s ruminations as to how he’s dead, and Bianca’s dead, and Leo’s dead, and Nyx is making cacodemons out of Nico’s grief, and-

Wait a second. Leo did not die.

No, he had not, but Nico thought that he did, and for Nyx, that was good enough – she made a cacodemon out of that piece of grief all the same. However, never fear, gentle reader, but behold and lo – Nico will overcome Nyx’s negativity and make his cacodemons truly his!

Why? Besides the obvious, one of the themes in ‘Sun and Star’ is out with the old, in with the new, out with the stability, in with the change, nothing has to be eternal, everything and everyone can change. Again, not the worst message, but it comes out of the left field, just as the fact that Mr. Riordan had co-written the novel with another writer, something that he never did before, a fact that left at least some people wondering, just how much of Mr. Riordan is in ‘Sun and Star’?

Seriously, since ‘Magnus Chase’ and ‘Trials of Apollo’, Mr. Riordan’s writing regarding his universe was all over the place – if he began those two series by being all for progress and sexual minorities, by the time he wrote the final book of ‘Magnus Chase’, and the 3rd-4th books of ‘Apollo’, he was much more traditional and restrained in those areas; and in the final book of ‘Apollo’, he… was still restrained. In fact, some time after this, he wrote a short novella set in ancient Ireland, whose protagonist would eventually come to the U.S. in the future novel (still hadn’t happened), and who talked as to how since English came to Ireland, the original Irish language died as a poisoned tree did. Harsh, not at all like Mr. Riordan’s regular characters and their attitudes, and it makes one wonder if Mr. Riordan wasn’t having some RL experiences to affect his latest character’s attitude. What next?

Shel. She’s Piper’s new girlfriend. This can certainly work, but… is she also a demigod? Oh, both she and Piper are Native Americans, but Piper is also a demigoddess, a daughter of Aphrodite/Venus, and a hero of New Rome and of Olympus. Does Shel know about this? Considering that Nico and Will contacted both of them via Iris’ messages, (a rainbow), clearly Shel does. There are analogues of Muggles in Mr. Riordan’s world who know of the supernatural – the mortal parents of Percy and Annabeth, for example – so Shel could be one of them too, but we still do not know about her; for all we know, she’s a golem instead, made and gifted by Piper’s divine parent as a sex-toy to get over Jason that much faster. What is her backstory? Disney and Mr. Riordan, we would like to know!

…We already discussed the TV adaptation of ‘The Lightning Thief’ (into a TV series), and besides, ‘Sun and Star’ don’t have much in common with it – Percy and Annabeth make a brief cameo in the first chapters of the novel, but that is it. Instead, we got Dante’s ‘Inferno’ looming in the background as an inspiration for ‘Sun and Star’.

Sigh. Dante’s ‘Inferno’ is just one part of a trilogy of great literary works, but, sadly, somehow it is the best-known out of the three by far. Why is that so, one does not know, but that is the facts. In addition, discussing ‘the Divine Trilogy’ requires a separate discussion, and now is not the time; there is no time, because real life sucks. However, it can be said that when Mr. Riordan had Percy and Annabeth stuck in Tartarus in the fourth novel of the second quintet, Dante’s influence was much less. Guess that is his co-author’s doing, again. (Or not, because people, even authors, can change with time). Anything else?

No, not really. ‘Sun and Star’ isn’t a bad novel, but it doesn’t feel like a good one either; the two authors wrote in tandem quite professionally, but the end result is a one-shot, and not just because the novel is a standalone one; the relationship of Will and Nico is thrust in the face very, very prominently, and it can become overwhelming and obnoxious quickly enough if you’re in a wrong mood; that is the problem of the Democrats’ U.S. overall – but that is another story.

For now, though, this is it. See you all soon, hopefully!

Thursday, 15 February 2024

Madame Web - Feb 15

 Obligatory disclaimer: real life sucks. Recently, we were setting down to discuss yet another Pathfinder (1st ed.) campaign, set in Osirion, when one of our party people came distinctly disgruntled: he found a book of Greek and Norse myths, dated 1987, written for fifth and sixth graders… and it talked how the readers can use the mythical names in their own fantasy RPG games. Which games, what games, it is unsaid, but our friend did not handle this state of affairs too well, and spent all of our planning time half-ranting and raving. Sad and awkward, let me tell you. Onto ‘Madame Web’?

‘Madame Web’ – I will try not to get into the spoilers’ territory, but regardless – has several major flaws. First, its’ plot is taken, lock, stock and barrel, from the very first ‘Terminator’ film. People are not calling the movie out on it, but this is what happens. Mr. Ezekiel is the ‘Terminator’ analogue, while the female characters are something of a collective Sarah Connors instead.

Second, unlike ‘Terminator’, ‘Madame Web’ comes across as asexual, regardless of whether it was intended to, nor not. This is not new, there are plenty of films that had this sort of thing, and not just ‘CATS-2019’ – there’s ‘Over the Moon’, there’s ‘Quiz Lady’, there’s plenty of other equally forgettable films… though Disney isn’t a part of this tendency. ‘Frozen-2’ – there are Anna and Kristoff; ‘Encanto’ – there is Dolores and her own swain; ‘The Marvels’, (come on, they are also a part of Disney) – there’s Carol Danvers and her new husband (?); and so on. Romance does make a movie more memorable in the minds and memories of fans and audiences, you know! ‘Madame Web’ tries to avoid that, and so it does, and so many people just do not know why they should root for the titular character and her posse…

This brings us to the third – the feminist angle. These days, it is not enough to win an audience over and become a socio-political darling; you actually need to work to accomplish this and ‘Madame Web’… does not. Instead, it tries to tie into Peter Parker himself to push itself above the rest… whatever ‘the rest’ are. The first Tom Hardy ‘Venom’ was, in fact, original, even if it struggled with its’ script and everything else – and so, it was the movie’s originality that enabled it to work. The second ‘Venom’ film, featuring Carnage, was actually more of a reboot of the franchise, and ‘Morbius’ was… bad, but more of ‘Doolittle-2020’ rather than ‘CATS-2019’ bad, i.e. lackluster and lazy rather than a burning trash fire. On the other hand, ‘Madame Web’ is… cut out of the same cloth, in fact, as ‘Morbius’ is – lackluster and kind of directionless. In fact, some of the crew from ‘Morbius’ have, apparently, worked in this movie too – not exactly a good sign.

Again, the ‘Terminator’-like premise of ‘Madame Web’ is not bad, self-fulfilling prophecies and all. Its’ execution, however, is bad, simply bad, and the aromantic angle, (the Parkers aside), does not help it. Consequently, it just collapses, as our latest RPG attempt had, a teenage book of Greek and Norse myths notwithstanding.

…This is for now, then. See you all soon.

Sunday, 11 February 2024

Io - Greek myths - Feb 11

Let us talk about Io.

Io is more than just two letters, she is one of Zeus’s/Jupiter’s many paramours. Therefore, what is special about her? Let us ponder.

How does the myth go, in general? Io was a nymph or a human princess, daughter of Inachus, himself a river god or a human king. She caught the eye and attention of Jupiter. The greatest of the Greco-Roman gods began to court her. This caught Hera’s/Juno’s attention. Trying to do something about it, Jupiter turned Io into a cow. It did not work. Juno demanded the cow for herself. For some reason – to save his own ass, maybe – Jupiter complied, and Io was put to pasture under the watchful gaze of Juno’s primary minion of that time – the hundred-eyed Argus. After a while, the king of the gods, the legend among mortals, Jupiter, realized that you know, this is not right, he got Io into this mess, so who but… Hermes/Mercury to get her out of it? The latter agreed, went to the pasture, put Argus down, and released Io. However, he did not turn her back into a human/nymph, and in addition, Juno sent a gadfly, (a biting fly), to harass Io further. After many other trials and tribulations, Io reached Egypt, where she stopped being a cow, and became a goddess instead – usually Isis or Hathor, as far as Greeks and Romans were concerned. Juno’d put Argus’ eyes onto a peacock’s tail, the end. Where to start?

It is an old myth. It is a myth about the gods. There are no mortals there. Unlike modern times, such as Mr. Riordan’s novels and other fiction, back then the gods and goddesses weren’t just characters as Odysseus or Perseus were, for example; rather, they were personifications of concepts, allegories, ideas, and so on, and so forth. Hera/Juno, for example, was a goddess of marriages and families; she stood for family unity and loyalty, which is why, despite all of her husband’s infidelities, when a mortal named Ixion tried to seduce her, she… either refused him, or gave him a minor goddess, (a cloud goddess), named Nephele, as a wife instead. Post mortem, Ixion is in the underworld, rolling around in a flaming wheel… that sounds suspiciously like a sun metaphor. Ditto for Sisyphus’ punishment – a stone that goes first uphill and then downhill sounds suspiciously like a sun metaphor.

For the Greeks and especially the Romans, the only Olympian sun god was Apollo, who himself almost ended up in Tartarus. He had a son named Asclepius, who – first – healed the sick, and then resurrected the dead. Pause. Unlike the New Testament, where the Savior got into trouble for completely different reasons, Asclepius was smitten down with a thunderbolt precisely for resurrection and defying the natural order.

Apollo did not care – Asclepius was still his son, so he grabbed his trusty solar bow and shot the Elder Cyclopes who used to forge the thunderbolts dead.

The Thunderer was not impressed either. He grabbed Apollo and would have sent him into Tartarus after Asclepius, when in rushed Leto – Apollo’s mother and Jupiter’s paramour, who did the unmentionable and saved Apollo from that final fate, reducing his punishment to some sort of an exile instead.

Why Leto’s actions were unmentionable? Because it is never said, what they actually were – all we know is that she was able to suck-up to Jupiter for the last time, to save her son’s life. (In a manner of speaking, but still). After this incident, she remained on Olympus, (probably), but purely as a part of entourage, never doing anything, while Artemis gradually moved away from Olympus, becoming a goddess of the wild places, (among other domains, but not so much the moon), and Apollo remained a very important god, but a solar god? Not so much. These days, people associate the sun with Helios as much as they would with Apollo; for Homer in his ‘Odyssey’, the sun was flat-out Helios rather than Apollo. …What Io has to do with this?

Let us try again. Zeus/Jupiter was the king of the gods, but he was also a thunder god, and his immediate siblings too were gods of nature, rather than of human aspects, (i.e. Athene and Hermes, as examples). Poseidon embodied the sea. Hades – the Underworld. Demeter (and her daughter Kore) was the earth, (the fertile ‘civilized’ part of it). Hestia, (who was the least developed of all the deities associated with Olympus), was the fire – the hearth-fire, but that is not important. So why is Hera not a ‘natural’ goddess, but of human marriages and families?

She was not. Not at first. Just as the peafowl was not her sacred animal at first either. The peafowl live in India and South-East Asia, and were introduced to the Mediterranean Europe at least from the time of Alexander the Great’s conquests, if not later. (The closest relative of the Asian peafowl is the Congo peafowl of Africa, but the ancient Greeks and Romans did not know it). Before then, the sacred animal of Hera/Juno might have been the cow instead, for one of her epithets is ‘cow-eyed’, and it was considered flattering in ancient world. Moreover, the cow is a good mother (and wife, to a point), on one hand, and can be associated with a rain cloud as well. Put otherwise, Zeus and Hera, Jupiter and Juno, could have been a couple from the start – Zeus/Jupiter being the destructive aspect, thunder and lightning, whereas Hera/Juno being the more benign, the life giving rain aspect instead. In some of the older myths, Zeus and Hera become a couple during a storm: Zeus confronts Hera disguised as a cuckoo, Hera shelters it from the storm, Zeus becomes himself and wins Hera over – or that is how the story goes.

The European cuckoo is 110% brood parasite, rather like the cowbirds of North America and the honeyguide bird of Africa. (This is one of the reasons as to why this story does not come up too often these days). That said, Zeus/Jupiter was a bad husband not because of all the children that he had sired, but also because he was a bad husband. He married Metis, the mother of Athene, and swallowed her, and so Athene emerged from him alone, (and had many issues). He had a relationship with Leto, the mother of Apollo and Artemis, and see above, as to how that seemed to have ended. And Hera/Juno?

Let us get onto Io. She was turned into a cow, of all things. However, if Hera/Juno was also a cow, at least some of times, (and remember, Zeus/Jupiter himself used to be a bull from time to time, and Demeter/Ceres, their sister, was associated with horses), she would hate it even more, and assume that her husband was trying to replace her. Hence, her claim to Io the cow. So, why does her husband comply?

…In the ‘Iliad’, Zeus claims to be the strongest on Olympus, able to defeat all the others in a tug-of-war over Tartarus. Hera… is not impressed; at one point, she uses her beauty and brains to distract Zeus while her allies are giving the Greek forces a hands-up over the Trojan host. While Zeus does eventually catch-up onto her, this does not stop him from proclaiming his love for her, claiming that she got his entire lovers’ list beat. Kind of both humiliating and sweet at the same time. Put otherwise, Zeus might’ve authentically fallen in love with his sister-wife by then, (and vice versa?), plus he’s aware that physically, she’s no slouch herself – in another part of the ‘Iliad’, she beats the crap out of Artemis, when the latter challenged her; by contrast, Hermes surrenders to the twins’ mother Leto without actually doing anything – back to Io?

In Io’s story, Jupiter may be trying to replace Juno with a different wife, but he is not ready to challenge her openly yet, this could be messy. Therefore, he complies, and Juno puts Io into charge of Argus, the embodiment of the starry sky.

Wait a second, isn’t her husband’s domain also the sky? Yes, and so’s hers, and while she is not trying to replace him precisely, she is trying to build-up a challenger for the sky-god’s title. Enter Hermes, slash Mercury.

…Does anyone ever notice that the latter is acting atypically for him? Hermes/Mercury is a messenger of the gods, he is the patron of thieves, politicians, bards, merchants, and many more, but he does not murder people, let alone other immortals, for fun. Here he does, using a sickle-shaped sword of all weapons. (Later on, he loans it to Perseus to slay Medusa).

…A sickle-shaped sword? A lunar crescent! Being stuck in Argus’ stellar nighttime sky-pasture, Io the full-moon-cow threatens to ruin the entire lunar calendar. Enter Mercury with a crescent moon sword, (either new or old crescent, details are tricky), to end Argus and let Io the moon free. She is still a cow, however, and stays as such until she gets to Egypt, where she becomes a goddess instead – either Isis or Hathor. Both goddesses were associated with Juno by the Romans. Clearly, Jupiter had invested a lot of power into Io being the new Juno back then, and it worked-out… in a way that no one involved expected it to.

What else is left? In Ovid’s version, Mercury puts Argus to sleep by telling him the tale of Pan and Syrinx, the nymph who refused the former by turning into a reed, i.e. dying in an atypical way. Pan used the reeds to make his first panpipes, i.e. giving Syrinx an entire new life, (or at least existence). This is what happens to Argus as well – he dies and stops being Argus, but his eyes go onto a peacock’s tail, and so, he gets reborn – isn’t mythology fun?

That said, this was also the de-facto end of the tale of Io, with only ties left to wrap-up is her son, Epaphus, who became friends with a boy named Phaeton. The latter was the son of Helios, and tried to ride his father’s solar chariot through the sky, only to be struck down by Jupiter (in order to save the world, of course). Helios was devastated, (and there were some rumors that it was he who was struck down by Jupiter instead). Being a solar god with Zeus/Jupiter around is flat-out bad, it looks like – but that is another story.

Thursday, 25 January 2024

Marvel & PJ take 2 - Jan 25

Obligatory disclaimer: real life sucks, so let us talk about the FH game and its’ new character instead.

First, however, here is an honorary mention of MCU’s previous Disney+ TV shows – the ‘She-Hulk’, in which the titular character became a ‘legal eagle’ version of a Mary-Sue. This is not particularly good or healthy for any character, even a Disney/MCU backed one, and so ‘She-Hulk’ is as good as cancelled, the word on the street is. Will ‘Miss Marvel’ be the next to good? This show’s titular character, Kamala Khan (KK) was redesigned in ‘The Marvels’ film, so the jury is still out. What next?

Right, the 1st season of the PJO TV series is ending, (next week). It was ok, though it can be pointed out that unlike in the original novel, (‘The Lightning Thief’, cough), PJ and Annabeth are an interracial couple now, (with Grover being the obligatory non-human sidekick). This is not too new, admittedly – first there were Ron and Hermione in J-Ro’s ‘Cursed Child’ piece, and while it may have been something of a reason as to why that piece failed, it was not the most important one.

Second, there are Tom Holland’s PP and Zendaya’s MJ in MCU (/not in MCU?). Between this MJ, and the Black Cat from Tom Holland’s first Spider-Man film, so Disney/MCU was making inroads into this sort of scenario before the adaptation of ‘The Lightning Thief’.

(Keep in mind that Disney/MCU also was trying to making it in AoS, but it failed, and it might be part of the reason why AoS characters have vanished from MCU for good).

Otherwise, the 1st season of PJO is a dutiful and solid faire, and it has went down with minimum fuss and commotion, with no one caring about the interracial couple at the heart of it, (myself included). What I want, (in a manner of speaking), to point out, is that the Greek satyrs weren’t really good-like; instead, they had horse-like ears and tails, while being otherwise human; the ‘great god Pan’ and his children were the half-human half-goat hybrids instead; in the Roman mythology, they were Faunus and the fauns, but we’re getting sidetracked from the FH.

Today on FH (Jan 25, 2024), we were introduced to a new Viking character – the Varangian. They are swinging a mean bardiche battle-axe, so is there anything to say?

Yes, the Varangians were the elite guards of the Byzantine Empire, (aka the second Roman Empire, though this statement is debatable). They were mercenaries, and they were good old Vikings, just under a different moniker. In the FH game, the Varangian… is an independent agent, on a collision course with their treacherous uncle, if you care about this sort of thing. Put otherwise, once again, FH pulled a ‘cool-sounding’ name out of a hat and tried to make it work. It did work, too, in a manner of speaking. Bully for them, I daresay. At least this time the moniker is appropriate for the character.

Well, this is it for now, however. See you all soon instead!

Thursday, 11 January 2024

'Echo' - Jan 11

 Obligatory disclaimer: real life sucks, so let us talk about MCU’s ‘Echo’ series instead. Normally, we would talk about one episode after another, but since Disney/MCU have done something different this time, and released all of the episodes in one swoop, let us do the same thing and talk about the entire miniseries at once too.

For a start, ‘Echo’ was good. It was a miniseries about the journey of the titular heroine, first as a villain, and second as an (anti)-hero. We saw Echo build herself up, then tear herself down, (the ‘Hawkeye’ miniseries), and finally rebuild herself from the ground level once more. The acting was done perfectly, and the plot (as well as the character) development went down smoothly. So, what is there to criticize?

Nothing, but it can be pointed out that Disney/MCU is trying to do something similar to Echo’s (the character’s) journey in the miniseries; they’re trying to rebuild themselves, and they’re trying to incorporate Native Americans, among other minorities, to do that. First, there is Kahhori from the 2nd season of ‘What if?’, so let us talk about that.

In the ‘What if?’ episode 2x06 we have something different from MCU’s regular fare: we get an alternate history universe, where the Spaniards clash with the Mohawks. Now, contrary to popular cliché, the Spaniards did not just colonize Latin America, (including Mexico), but they did come into what would become U.S. territory: they did so in the southwest, (and it was a part of Mexico rather than the U.S. for a while), as well as in the southeast, (i.e. Florida, which was also Spanish for a while), but the Mohawks weren’t a part of it. Historically, the Mohawk people lived in New England, (the New York State, to be precise), as well as in the Canadian province of Ontario. The Spaniards never came there, but the English and the French did. Pause.

Now, having the Native Americans fighting, well, Anglo-Americans, (or Franco-Americans), would be not just politically incorrect, but outright unacceptable by the modern American/Western mass media. Seriously, can you imagine Native Americans, powered by alien/magical/other artefacts, or not, taking down London, Paris, or Washington D.C. for that matter? Especially in the modern Western media where cultural integration and goodwill among people are the concepts of the day? No, you can’t, and not even U.S.’ political enemies cannot. (Though North Korea is somewhat dicey, admittedly). Hence, we had the Spaniards instead, and the Native Americans overwhelming its’ capital of Madrid. Hey, Alternate History rocks, baby, you want some good AH – read the late, great Eric Flint’s ‘1630s’ book series, otherwise you’re stuck with Disney and MCU!..

Now, Kahhori does appear in ‘What if?’ S2 finale, but the fact that she is Native American does not play a big role in that, so let us switch onto ‘Echo’, where her voice actress plays the role of Bonnie, who is a friend of Echo/Maya. Disney/MCU went out to make it clear that the two roles/characters are separate, and so Kahhori will not appear in MCU, at least not in the short term, so there is that. Without Kahhori and her superpowers, what is the Native Americans’ role in MCU?

Why, the same as it is for the other racial/social/other minorities – their ‘uniqueness’ is just ‘window dressing’. I.e., a character’s, well, characteristics have to play a role, preferably an important role, in the show/movie/novel, etc., because otherwise, they will be forgotten by the audience instead. Ms. Cox’s, and by extension, Maya Lopez’s prosthetic leg plays a notable part in ‘Echo’, and so it has become one of the defining traits of the titular heroine. However, it has nothing to do with her Native American origins – Maya got it in a car accident, the same one that would cost her her mom. Since Echo is an ‘artificial’ character, who was invented for a while now, she rose with the occasion, rather than fell with it. Wilson Fisk helped.

Now, Wilson Fisk first appeared in MCU’s Netflix series, especially ones connected to Daredevil and the Punisher. They were not unofficial apocrypha, unlike AoS, but they were ignored by MCU and vice versa. There were several shows about ‘the Defenders of New York’, but they were eventually all subsumed back into Disney/MCU, without a trace. ‘Echo’ attempts to fill in the niche, with the help of ‘Hawkeye’, (the show). ‘Hawkeye’ itself was a different show from ‘Echo’, but it did reintroduce Wilson Fisk/Kingpin to the MCU. However!

In the Netflix series’, Wilson Fisk was depicted… actually very much like the cartoon version from the 1990s ‘Spider-Man’ cartoon series: a baseline human, who, however, was Spider-Man’s biggest opponent through both brains and brawn. In one story arc, Wilson Fisk and his son, (yes, he had a wife and a son, it is canon), actually framed both Peter Parker and Spider-Man, cough, so Spider-Man had to team-up with Matt Murdoch and Daredevil to fix this. (Fisk’s son went to jail as a bottom line). In MCU, Fisk did not clash with Spider-Man, though Daredevil did do a cameo in the ‘No Way Home’ movie, but since Spider-Man’s own status in MCU is somewhat vague, we might as well skip and go straight to the ‘She-Hulk’.

Only not, as ‘She-Hulk’ was more of a failure than a success, and right now, it is being ignored by MCU, as is the ‘Ms. Marvel’ miniseries. Even if it was not a failure, it is still very different from ‘Echo’, and so the two shows probably will not connect anytime soon, especially since Daredevil’s role in ‘Echo’ is mostly of a cameo – for now. Since Wilson Fisk survived his latest encounter with his stepdaughter/protégé, this can change. Will Fisk change, however? MCU, in fact, is not big on redemption for villains, let alone corruption for heroes, so it is unlikely. Stranger things have happened, however, and right now Disney/MCU itself is trying to change into something different from what it was, so we will have to wait and see instead.

For now, though, this is it. See you all soon!