Friday, 24 July 2020

AoS 7x09 - June 24


Obligatory disclaimer: real life sucks. So, let us get to AoS and talk about it, now that I am back home and all. Where are we with them?

On one hand, this week’s episode was one of the best, as the Team Time Bus had to deal with a brand new situation that’d never come up on AoS beforehand: they were caught in a time storm/time vortex/time loop and had to work as a team even as time and space were running out. Since there is still four episodes left until the series’ finale, they made it, of course, with Enoch self-sacrificing himself to save the rest of the team. Because obviously his character is not coming back to MCU, his death actually meant something, unlike the demise of Phil Coulson LMD#2, who was back and functioning by this episode. Yay! MCU’s AoS actually managed to have a meaningful death of a positive character for a change. In addition, now that a major recurring character is out of the picture for good, maybe we will get Fitz back, ‘cause in real life? The AoS’ budget could not have both Fitz and Enoch on set full time. Ouch!

On the other side, there are some repetition still: the rebooted Nathaniel Malick and Kora, cough, are so the rebooted Ward and Kara Palamas – sort of. Sadly, it seems that the AoS’ corner of MCU tends to burn bridges with the ex-members of its’ cast, so no Ward or Palamas or Raina; instead, we got Gordon and Jiaying, and I’ve no idea what it cost MCU/AoS to have those two actors return to the plot. Daisy is supposed to be reunited with her mother – that is Jiaying – in the next week’s episode, and since back in the S2 finale Jiaying proved to be very much a villain, it’ll be interesting to see how team AoS have handled this in their last reboot… because it is one. (Cough, Li, cough). (Idea reboots alongside idea recycling and repetition were/are major problems of AoS).

Finally, there is Daisy and Daniel Sousa – apparently, they are an official couple on the show. Big whoop. Timing is everything – when Daisy and Lincoln kissed in the S3 mid-season finale, that meant something because the show was continuing, and no one knew that Lincoln would be killed-off at the end of S3, and mentioned only briefly when Daisy met Robbie Reyes, (MCU’s Ghost Rider), as part of the Quake/Ghost Rider story arc.

…Sadly, MCU’s plans for the Ghost Rider fell through, his show got cancelled, Mr. Luna’s career is currently on hiatus post his 2019 appearance in the latest ‘Terminator’ film, and also in ‘Hala’, and so, instead, we had the AoS’ S6, which had very strong elements of the ‘Ghost Rider’ franchise – and at the AoS episode 6x13 the show got rebooted once again, this time with the Chronocons. …Only, there were no Chronocons in the latest two AoS episode, and instead all of the focus was on Nathaniel and Kora as the antagonists, with nary a word about Hive too. Maybe the Chronocons are gone? In which case, how will team AoS write themselves out of this corner, or will they go down the GoT’s road – blatant plotholes, blatantly unrepentant? We will just have to wait and see.

…And as for Daniel and Daisy… well, they do leave Deke hanging in the air: yes, he has restarted S.H.I.E.L.D. – sort of – in the 1980s, but now what? Ever since his appearance in AoS’ S5, Deke and Daisy had been matched up together, however, clumsily, but now Daisy is with Sousa instead. Not that it matters, but Deke is now a loose end, plot-wise, and he did not stay dead either. What is next?
Hard to say, actually. This week’s AoS episode had truly been a storm, and an enjoyable one, but it is still an AoS episode, and therefore flawed, and next week the team Time Bus is returning to the 1980s, meaning that they will be back to their ‘regularly scheduled’ plot lines, ha-ha. We will just have to wait and see as to what will happen next.

…Well, this is it for now. See you all soon.

Friday, 17 July 2020

Quarantine entry #118 - July 17


Obligatory disclaimer: real life sucks. Therefore, I looked at the ‘Wonder woman 77 meets Bionic woman’ comic, and-?

Well, here is the thing. For a while, I followed the ‘Batman 66’ comics, which were based on the sixties’ TV version of Batman. They are not bad comics, and I have enjoyed following them, (they have ended for now, from what I understand), and this brings us to WW77. This is a comic series based on the seventies’ version of Wonder Woman. Fair enough, but somehow they never got to be as popular as their Batman counterparts did. As to why is that, I have no idea – WW is as good a DC superhero as Batman is – and this brings us to the abovementioned comic. Ergo-?

Ergo it just does not work. Somehow, they made the meeting of the two female superheroes look kind of boring and mundane – almost like ‘Charlie’s Angels’, (the initial original movie), but with superpowers. And robots.

The robots. Throughout the series, they’re called ‘fembots’ – apparently, in the original TV/comic series, they were only women, but now they’re men, so even the crossover comic itself asks – shouldn’t they be ‘man-bots’ instead? And…the name never changes for some paper-weak excuse: obviously, the name cannot be changed because of copyright issues, but…

…But this is actually the problem with the WWBW comic here – it is trying to be ‘woke’ too hard, while also trying to be authentic to the spirit of both of its components – WW & BW – also too hard. The result is weak sauce – maybe not ‘Dark Phoenix 2019’ weak, but close enough.

Let us try to elaborate. Let us look at the villains – there are 3 to 4 various WW & BW villains, all associated with robotics, cybernetics, bionics, etc. That sounds like a good combo, but somehow this evil team never amounts to much; sure, a motley crew of the abovementioned robots and mercenaries let by a Nazi/ex-Nazi captain from WW’s past invades the Amazons’ island, but both of those groups are featureless as far as characters go, and serve nothing more than cannon fodder. If this were ST, they would all be wearing red shirts.

…Oh, wait, the robots do wear red shirts; actually, their closing is red (or some other monochrome coloration), done in the worst 70s throwback ever: their getup serves no purpose just to provide some authentic 70s’ vibe. Set in a world of Amazons and humanoid robots. Right. Authenticity, what are you doing here? Are you on a trip? Cough.

…The clothing issues aside, why are the villains invading the Amazon Island? Why, to steal some special metal that will make their robots extra strong!.. Doesn’t sound like the worst idea, true, but somehow the team WWBW makes it sound mundane and tripe, and have ever the info that WW’s homeland has some special metal ever surfaced in the DC verse? I can’t remember, but this is no reason to declare this development to be a one-time wonder, right? Where were we?

Ah yes, the wokeness. Somehow, the Batman 66 comics were never so ‘woke’ as this one, which might be the reason why the WWBW comic never acquired any sequels; the WW77 comic line itself went for a volume or two, but now it is also gone, (just as the Batman 66 comics are). Maybe team DC decided to overhaul its’ extended universe again, and any future collaborations between WW and BW got lost in the shuffle. Who knows?

For now, however, this is it. See you all soon!

Thursday, 16 July 2020

Quarantine entry #117 - July 16


Obligatory disclaimer: real life sucks, which brings us to AoS. It is not real, but it is not doing much better than real life does, albeit in different details. Pause.

What is the big berk about this week’s AoS episode? It is yet another reboot of the old material; fans of Ward and Kara will look at Nathaniel Malick, (himself rebooted from his S3 appearance), and his new friend Kora, and sigh.

…For the record, just who is Kora? If the name sounds familiar, thank the Greek myths – in there, Kora is the alternate name of Persephone, as in the queen of the underworld and Hades’ wife. This is one of the best-known and most popular Greek myths in the modern times, BTW, so any similarities to agent 33’s actual name – Kara Lynn Palamas – is wholly accidental, I’m certain.

Moreover, there are two characters named ‘Kora’ in the MCU. However, they are episodic characters and do not appear to have appeared in the overall Marvel universe for more than a couple of appearances. One is a native of Lemuria, (and we have not seen too much of Lemuria in Marvel recently), while the other is an associate of the so-called Machine Man, and he has not made much of an appearance in Marvel either.

…Really, if Kora lasts until the end of S7/AoS proper, she might not be too different from Sarge from S6 – a secondary character who was given a primary status because the same actor played him as he did Coulson, (i.e. Clark Gregg), and who shared a name with several other unrelated Marvel characters, (i.e. Sarge). Is she worth time to dwell upon? Not right now.

…The Kora issue aside, the fact is that in this week’s episode AoS tried to reboot its’ S2 InHumans… again. They were very important in AoS’ S2 & 3, but afterwards they became rather diminished as apparently no one in Marvel/Disney knew what to do with them once Marvel’s ‘InHumans’ series flopped after the first season. More specifically, in this episode, any reference to the Daisy/Jiaying connection was carefully scrapped and/or avoided, and instead it was focused on Yo-Yo trying to recover her powers. Daisy, on the other hand, was put into the metaphorical storage – apparently, she could recover by herself after all the abuse that Nathaniel Malick had put her through, right?..

No, seriously, last week’s trailer presumed that Jiaying would help Daisy, and maybe even mend bridges with her before all the deaths – but wait! Silly us, team Time Bus does not want any changes, it is trying to preserve the original time line, and this brings us to Yo-Yo meeting Jiaying… right. What will happen to Daisy now that she had missed her chance to recover at Li Shi? Come to think of it, is Malick working with the Chronocons still a thing?

…Well, yes, they probably are, given what we have seen of ‘the excellent adventures of Mack and the D’, but this brings its’ own problems: AoS is trying to balance several plotlines simultaneously; sometimes it works really well, (I.e. AoS’ S4), while in others it doesn’t, (I.e. S6). Between this and the fact that AoS should be getting to its’ final hurrah, its’ final showdown between good vs. evil, (S.H.I.E.L.D. vs. Hydra?) and so far there’s no clear evidence that this will happen.

…True, there is no indication that the abovementioned is what is going to happen, but if it does not, then odds are that AoS’ fans are going to feel stupid – but AoS itself is almost over, it may not care! …Still better than what team GoT did at their series’ finale though. Where were we?

…Moving one more step closer to the AoS’ series finale, that is where! Moreover, for now, this is it. See you all soon!

Wednesday, 15 July 2020

Quarantine entry #116 - July 15


Obligatory disclaimer: real life sucks. So, what shall we talk about, today?

I must admit that I have no idea; the last weeks have been rather exhausting and draining and depressing and worrisome, so you know what? Here is a piece of my fiction for you to enjoy. Any comments and criticisms are welcome all the same:

All of this was a long, long time ago.

This was at the beginning, and at the beginning, there was chaos. Boundless, boundless, formless, it spread from the beginning to the end, and then… something happened in it. Order was conceived in chaos, and chaos began to be divided after all – into air and land, water and flame. Life was conceived in chaos - and Mother Earth, Mother Gaea, came to be.

Mother Earth stretched itself from edge to edge, and she divided the entire other world into top and bottom halves. In addition, beneath mother, Gaea laid gloomy Tartarus, and there Mother Night, Nyx, came to be. Meanwhile Gaea gave birth to Pontus the sea, she gave birth to woodlands and mountains, fields and plains, and she gave birth to Uranus the Sky. The Sky, the mountains and the Sea were born from Gaea and they have no father.

In addition, powerful Uranus the Sky fell in love with Mother Gaea. From their union came Hemera the bright Day and the three Cyclops fathers – Arg, Steropes and Brontes – came from the union and so have the three hundred-headed and hundred-armed giants, the hecatoncheires, and finally, from that union came the six first titans and six first titanesses. Mother Gaea smiled, looking at their children, but Uranus frowned sternly, he did not like them at all. Uranus imprisoned his children in the depths of Tartarus, and from the injustice of this act, from the grief that arose from that act, from Mother Earth's salty maternal tears, a new metal, adamantium, was born – the metal that was greater than all other metals.

In addition, the three eldest Cyclops – Arg, Steropes and Brontes – told their brothers and sisters:

"We can, o our brothers' hecatoncheires and titans, o our sisters-titanesses, forge from the adamantium metal a sickle that will bring down our father, Uranus. But who will wield it?"

However, the other children of Uranus and Gaea were silent, only the youngest of titans, the fair-haired Chronus, said finally:

"I. I will take it."

Therefore, the first Cyclops-blacksmiths began to forge the sickle from the adamantium. Sparks and shards of metal spread from their first forge throughout Tartarus. All-seeing Night, Nyx the Dark looked at this deed, smiling her mocking smile, and she breathed upon these sparks and shards, and from them the other Cyclops, smaller and weaker than their three forefathers (but looking just like them), came to be, and from the smoke and the stench Erebus, the eternal gloom of Tartarus, was born.

The Cyclops, children of Gaea and Uranus, worked long and worked hard. Their children – the lesser Cyclops – aided and assisted them. Their brothers and sisters looked at this in wonder and marvelled, only the young titan, Chronus, looked at the creation of the lesser Cyclops with envy, since he did not know how to create as the Cyclops did. However, no one saw this, only Nyx the Dark, herself invisible and inaudible, saw this - and she stayed silent.

In addition, the Cyclops finished their creation, and with a bow, they gave to it to Chronus. Chronus took it silently - and his face was gloomier than the face of Erebus, and he went upward from Tartarus. Rocks lay in heaps on his way - Chronus cut them with his sickle, and the first avalanches fell upon Mother Earth. Tangles of everlasting roots blocked his path – Chronus cut through them with his sickle, and the first dead trees fell onto Mother Earth. Paths of underground rivers lay in his paths – Chronus cut through them with his sickle, and rivers dried out on Mother Earth, and the first drought came forth into the world.

In addition, Chronus came into the middle-world, he straightened out to his full, titanic height, he yelled with the full power of his voice, calling their father to battle. In addition, Uranus frowned, and daylight faded, and thunderstorms and blizzards, winds, storms and clouds, came to battle with Chronus. However, Chronus swung his sickle once, cutting the foul weather apart with it, and Chronus waved his sickle twice - and the first rainbow was born into the world, blood of Uranus was spilled, straight from his cloven body, and his blood came into the middle-world.

This blood fell into Pontus the Sea, and white foam boiled in the sea, and from it came the fair Aphrodite, the powerful goddess of love. She danced on the waves of the sea – and the first love came into the world.

This blood fell onto Mother Earth, and Mother- Earth conceived from Uranus for the last time: she gave birth to nymphs - dryads, hamadryads, and all the others, and she gave birth to giants, the last, passionate theomachists, she it gave birth to three Furies, 3 winged virgins, Aphrodite's terrible sisters.

In addition, some of Uranus' blood was spilled into Tartarus - but at that, time from there emerged powerful titans, and beautiful titanesses, and here they beheld Aphrodite's wonderful dance, and blood boiled in them from desire, and blood boiled from desire in Chronus. However, his blood was poisoned by his envy, he waved his sickle – Mother Earth, Gaea, shuddered, and the exit from Tartarus was brought down - neither the powerful hecatoncheires nor the artful smiths the Cyclops could leave from there. In addition, Mother Earth said to the three Furies:

"You there fly there, I do not know where, and you bring here Nemesis!"

The Furies flew unseen and unnoticed by the celebrating titans; the Furies flew to the western edge of the middle-earth, there, where the kingdom of Night was located. In addition, they exclaimed in loud voices:

"Mother Dark Night, you release Nemesis into our world!"

Nyx the Night said nothing to them, but only smiled. In addition, the Furies exclaimed once again:

"Mother Dark Night, release Nemesis to help us!"

Nyx the Night still said nothing, only smiled. In addition, the Furies exclaimed for the third time:

"Mother Dark Night, by the command of Mother Earth, release Nemesis to aid us – to punish perfidious Chronus!"

Nyx the night smiled for the third time, she only clapped her palms - Nemesis, the daughter of Night from the blood of Uranus that was spilled into Tartarus, came to the edge of the world. Then Nemesis flapped her eagle wings, she flew after the three sisters to the middle-earth.

In addition, there was a celebratory feast – as wide as the entire world. Aphrodite-Love was dancing throughout the entire world, wherever she only looked, wherever she would just flap her fair wing, [new, unprecedented life came to be – the oceanids and the nereids, the phaeacans and the centaurs, the satyrs and the fauns, the tree-folk, Lapiths, and the Amazons, and many, many others. Yet, as titanesses and titans danced Aphrodite's dance, they too gave birth to many new other titans - Helios and Selene, Astraia and Eos, and many, many others.

Chronus danced, and he danced with his sister Rhea, the favorite of their mother Gaea. However, invisible, Nemesis-Retribution flew by him in the guise of a cuckoo; she sat on a hill before Chronus and cried:

"Chronus, Chronus, you are powerful, you rise above the clouds, as the head of Uranus fell off, so will yours!"

Chronus shook and the Furies were already here as well! Sister Alecto was disguised as an eagle owl, she sat on the left side of the titans, and she started to bellow:

"Hoo, hoo, boo, boo! All earthly is only dust and ashes! You were carried upwards by wind, by wind you will fall back into Tartarus, hoo!"

Sister Megara was disguised as a black raven, she sat on the right side of the titan and she cawed:

"Caw, caw you have a flaw! You conquered Uranus, and before long your son will conquer you, caw!"

Sister Tisiphone was disguised as a black woodpecker; she sat on top of Chronus' head and began to drum it! The titan's mind grew dark, and fear with envy boiled in his veins, darkened his eyes, yet alas - no one saw this, no one heard it: Aphrodite of the sea, the white swan, has blocked everyone's ears, covered everyone's eyes!

In addition, Chronus, the conqueror of Uranus, went mad. In addition, here Rhea came to show him their eldest daughter – Chronus swallowed her. Afterward he swallowed their other children, two sons and two other daughters. In addition, a third son was born to Rhea. In addition, here to her came the whisper:

"Rhea, you can keep your last child! Hide him on Crete, in the mountains of Gaea with their ancient magic! You can ask the local nymphs, the nurses of the Curetes, for aid! Take care to save your last child from Chronus!"

In addition, Rhea listened to that whisper, and she heeded this whisper's advice. Maybe, it was indeed a whisper of Mother Earth, who wanted to help her favorite, and possibly that it was the whisper of Nemesis. But Rhea obeyed that whisper, and she hid her last child in the Cretan mountains, and to her husband she gave a fake, a stone covered in diapers - and no one saw that, dark night has hid that, and Chronus then fell asleep, tired, contented.

But people say that Nemesis, in the guise of a swallow, flew away from Chronus' palace, she flew off and came to the cave of Zeus, son of Chronus and Rhea, grandson of Uranus and Gaea. Was that so or not - no one knows, but Zeus, son of Chronus, grew in his cave not at a daily, but an hourly rate. In addition, after growing up, he said:

"Not for a son of Chronus to sit like a rock in the cave – time for me to go and meet my father –Chronus, to look at other gods, to show off myself."

He said that - and disappeared, dissolved in the dark blue of the Cretan skies. Soon a new cupbearer appeared in Chronus' palace, ever smiling, with locks as white as clouds and with eyes the color of celestial dark blue. With a white-toothed smile, he gave wine to the guests of Chronus, to titanesses and to titans, and he reached Chronus as well. Recklessly did the titan drink the dark wine – and trembling with his entire body he spat - and spat the stone out. The stone was spat far away – it flew through one-half of the world, it fell accurately into the world's middle, and came right through the middle-world: it went through Hades, the land of the dead, and the dark Tartarus, and this stone, Omphalos, the navel of the world, reached even the great Abyss!

In addition, Chronus, maddened by Nemesis and the three Furies, drank again. Trembling with his entire body - he spat out two of his eldest sons, Poseidon and Hades. They landed flew away – Hades landed in the land of the dead, Poseidon – in the realm of Nereus, the ocean.

In addition, the lunatic finished drinking the remainders of that cup. His innards shuddered, he spat out his daughters, he collapsed in unconsciousness - and off his arms and his head departed the Furies, the dark birds, they circled once around him, and following Nemesis, they left the palace. Therefore, no one saw the fall of the daughters of Chronus. Of Demeter as she fell among clear and wide fields of wheat, of Hestia - into the burning center of the palace, of Hera - straight in arms of Zeus.

The mighty son of Chronus, Zeus, grabbed Hera tightly, and from that unexpected weight, he stamped his foot - throughout the world that rumble was heard, it reached even the underworld. That rumble, their hands rose as numerous as rivers, roused the powerful hecatoncheires and they cleared their way from Tartarus, created by Omphalos! They went into the light, and after them came their brothers the Cyclops, the blacksmiths of underground world, and they brought their nephews their gifts.

To the eldest son, to Hades, came the helmet of the invisibility: whoever bears this helmet is invisible to the gods, and people, and monsters. To the middle son, to Poseidon, came the trident, the cold lightning: the trident goes to one side - sea will boil with storms, and if it goes another side - the calm will fall onto the sea. However, to the youngest son, to Zeus, son of Chronus came the royal sceptre – the deafening thunderbolt, intolerable for all in the terrestrial and celestial worlds. Only the subterranean Cyclops and the powerful hecantocheires, only Nyx the night and Erebus the gloom do not fear it.

In addition, Zeus waved the thunderbolt and Chronus fell from his mountain palace, his brothers, who fled from his palace, were brought down further along the road as Chronus fell downwards. Once more rose the hands of the hecatoncheires, they grabbed their brothers the titans, they took away them down into Tartarus - to the end of time, with the songs of Nemesis-Retribution singing in their ears: "What you reap is what you sow!"

Three times then flew Nemesis in the guise of cuckoo around Zeus and Hera. At their feet, then grew a copper tree with silver leaves and gold apples - whether Gaea, Mother Earth grew it, or whether the Cyclops had tried once again. Zeus the hero accepted this miracle-tree as his and Hera's gift. And people said, that before their wedding night Hera ate one such apple - and from her union with Zeus came Hephaestus, the first blacksmith and the expert of all the ores, and Ares, the first soldier, who sent numerous souls to uncle Hades into the land of the Dead, and Eris, the goddess of Discord. That is another tale...

...Well, this is it for now. See you all soon! 

Tuesday, 14 July 2020

Quarantine entry #115 - July 14


Obligatory disclaimer: real life sucks. Let us talk about the upcoming ‘Deep Blue Sea 3’ movie trailer. It promises to be good. Why? And what is it about?

Well, the latter is evident – it is about yet another team of people hunting down a pack of (possibly genetically modified) bull sharks in a river. Pause.

Here is the thing. All ‘monster (insert species’ name here)’ movies are really the same – it is a ‘man vs. nature’ conflict that would make Mr. Hemingway facepalm. I am talking about his ‘Old Man and the Sea’ novella here, when his titular character caught a swordfish after a long struggle, and but lost it to the sharks, (which personified the titular sea, I guess). It sounds quite exciting. Mr. Hemingway managed to depict it as long, deep, and almost semiotic instead; it is not quite in the same league as Stephen Baxter’s ‘Evolution’ is, because Stephen Baxter’s ‘Evolution’ is not quite so boring. I mean a classic, sorry.

…Anyways, the modern monster novels, (such as the classical ‘Jaws’), and movies, (such as the ‘Deep Blue Sea’ franchise in question), are not boring, but neither are they classic. Instead, whether we are talking sharks or snakes (think the ‘Anaconda’ franchise), it revolves around humans going into the wilderness, and where some wild beast picks them off one by one because reasons.

In such pieces of fiction, humans are smarter than their opponents are, true, but somehow it doesn’t matter, as the sharks, anacondas, crocodiles, big cats, etc. are strong and tough enough, are physically superior enough, to defeat the humans until the very end, when the humans win regardless.

There are some variations, true, as in the ‘monster alligator’ film that we have discussed a while back, where the alligators were depicted incorrectly as amphibious. That is wrong, because unlike fish and amphibians, the eggs of reptiles drown, as a rule, if submerged. There is an exception or two, true, because Mother Nature is like that, but none of them are alligators or their cousins – but what about sharks?

…It was semi-common knowledge since the early 2000s or so, when AFO had aired its’ ‘Hippo vs. Bull Shark’ episode, that bull sharks can exist in both salt and fresh water. They are formidable predators, but hippos are not too impressed by them, and neither are the Nile crocodiles, which defer to the hippos, (and for a good reason), but regularly hunt and overpower bull sharks instead.
Jeremy Wade, in his RM, regularly caught and fished for the bull sharks, especially in the first seasons, and he had also established that they are not as formidable as the saltwater crocodiles, for example, and their man-eater reputations might be overblown. That is why they are genetically modified, (sort of), in the franchise’s movies; and-?

And nothing. The other side of such films is that they are somewhat bland, there is no greater message, as there may be in the ‘AVP’ franchise, you know? There are humans, there are ‘monster animals’ which want to eat them, because they’re hungry, the end. The humans themselves may have greater motivations than just surviving, but because a big part of a movie budget is spent on special effects, (focused mainly on the monsters), the plot itself isn’t very complex, and the movie itself ends with the ‘monsters’ being dead, and human characters surviving, (usually only the main protagonist and their love interest, but there are versions, true). Period. Anything else?

…Sadly, no. We only got the first trailer so far, and it was a straightforward one, so for now, there is nothing left to discuss. Ergo, I will see you all soon instead!


Monday, 13 July 2020

Quarantine entry #114 - July 13


Obligatory disclaimer: real life sucks. Yesterday, my family had a big fight, and it is one of those fights where every side claims that the other side is the wrong one. Ouch. Given just how our biological family is, the fight was a screaming fest as well – just what we do not need. What next?..

My family and I do not understand each other, period. For example, I acquire the comic ‘Wonder Woman 77 meets Bionic Woman’. Ok, so, what does my family do? Later on, acquire a couple of completely random comics, one of which is part of a WW series that I don’t have and never had, and am never going to have, (not the biggest fan of WW, I am), and the other is a miscellany DC comic that I already have, actually, so this is a double-miss. …In addition, it is not related to the first one at all, so what were they thinking when they got it for me, I have no idea. And-?

…The ‘Stargirl’ TV series will have second season, big whoop. I am not a big fan of DC, actually, and on some level my comic acquiring was a mistake – I really should not have. However, what with the lockdown easing up only recently and in shorts and short-outs, I lost control and I got some karmic payback, and it is not pretty. Ah well, that is life for you, it is unavoidable, and then you die.

…People tend to get uncomfortable, when this sort of thing is raised, lately, and it is probably justified, what with the COVID-19 still zooming around. However, discomfort is no reason to ignore it either, so there is that. We are stuck, and I am tired of being the one who always backs down, so no. I am afraid that we will have more family fights in our future, though, again, this is my last week here, presumably, so I am going for not the immediate future – but I may be unreasonably optimistic here. What next?

Apparently, AoS is bringing back Jiaying – the mother of Skye/Daisy – for the series finale, probably for just one or two episodes, since S7 is all about Chronocons instead. And-?

And nothing. If this had occurred earlier, and not in the second half of S7, I could expect another ‘mini-special’, rather like the one that we got in real life – I am talking about the titular team being in the AC chronological territory – the late 1940s – and acquiring agent Sousa for the ride. Sadly, because it is AoS, it doesn’t look like much will be coming from this, because whatever the fans may write (and draw), but in real life, agent Daisy is pointed romantic-free, even though there was Robbie Reyes back in S4. Sadly, even though the Terminator movie that starred Gabriel Luna, (the Ghost Rider’s actor), did fall through, (and it was a good one), the Ghost Rider did not return to MCU, and his MCU TV series actually got cancelled, at least for the moment. Now that Disney+ has happened, who knows? The situation might become rebooted again.

…And as for Jiaying, in regards to the reboot? In the S2 finale, she was the main villain, (Grant and Kara aside). The last time we saw her was when Cal – MCU’s answer to Mr. Hyde – killed her to save Skye/Daisy, their daughter, (and he got T.A.H.I.T.I.’d next, even though it was Ward who was shaped up to have his memories erased – but AoS was bad-weird like this, so there). Now, will she be friend of foe? Moreover, how will Daisy react? Will enough people care? I do not know. Anything else?

…AoS S7 seems to be shaping up like some sort of S.H.I.E.L.D.’s last grand hurrah, a tour of S.H.I.E.L.D.’s – and the titular team’s – most memorable moments. Sadly, because the original team is not here, and the transition was handled badly, this does not work. Ah well, that is the story of S.H.I.E.L.D., and by now its’ viewers do not care, and neither does team Disney/Disney+. Go AoS, really.

…Well, this is it for now. See you all soon!

Sunday, 12 July 2020

Quarantine entry #113 - July 12


Obligatory disclaimer: real life sucks, so let us talk about ‘The Old Guard’ instead with as much of spoilers avoided as possible.

It is a good film, and an enjoyable one; one that is not too strongly affiliated with DC or Marvel or whatever. The cast is good and the plot is, yes, ‘borrowed’ from the original comic series, but is still delivered well enough.

More precisely, ‘The Old Guard’ is a good, enjoyable film. Does it have flaws? Yes, it is not exactly bees’ knees all the way, but it certainly is not anywhere as bad as ‘Cats-2019’, ‘Dolittle-2020’ or ‘Artemis Fowl-2020’ were. Even ‘Like a Boss’ (also 2020) is almost better than those films, and ‘Like a Boss’ is quite insipid itself.

On a more detailed look… yes, ‘The Old Guard’ is very reminiscent of the ‘Highlander’ franchise, though, again, both the movie script writers and the original comic writers did their best to also put in plenty of differences from the latter, so ‘The Old Guard’ does come off as quite original despite the overall similarities between the two. It also ends with a cliffhanger, which means a positive, optimistic note for the movie franchise’s future, but you know? Plenty of failed films, from the 1990s onwards, ended with those as well, (such as ‘The Mario Brothers’ film from the aforementioned 90s). Anything else?

…Will I be watching any sequels for ‘The Old Guard’ should they come out, (and there isn’t another COVID-19-level emergency around)? Well, yes. It is certainly an enjoyable film, and if the sequels will be just as good, I will download them as well. Anything else?

Sadly, this is it, so instead I am giving you a piece of my original fiction instead. Here it goes:

The chase was long and very lively. The Dilophosaurus, which became independent only a little while ago - until recently, he had lived with his mother, and fed and hunted alongside her, but now it was time for him to become an independent grown-up - was fleeing quite quickly from a herd of Anchisaurus, a species of pro-sauropod dinosaurs. At this moment in time - it was the early Jurassic, around 200 MYA - the pro-sauropods were only humble forerunners of the great reptilian giants that would arise on the planet 50 million years in the future from now, but speaking of 'now'? The Anchisaurus herd numbered easily a dozen dinosaurs, and the Dilophosaurus was on his own.

...True, under normal circumstances, the situation would not have been too difficult; the numbers would not have mattered: a Dilophosaurus would ambush the pro-sauropods with their attack and the dim-witted herbivores would flee, while the theropods feasted. The Dilophosaurus of this story did exactly that, but the Anchisaurus herd by accident fled in his direction, and now he had to run away instead.

At the edge of his sight the Dilophosaurus, (unlike the later theropods - Allosaurus, Tyrannosaurus - the Dilophosaurus' eyes were located more to the sides of the head), noted some movement there and instinctively jumped in this direction.

He made it just in time. A pack of Megapnosaurus, smaller distant cousins of the Dilophosaurus, appeared on the scene: apparently, the nominal pack leader tried to ambush the bigger carnivore, while the latter was distracted, and the rest of Megapnosaurus followed... The leader had missed; it had only stirred up the rest of the pack in vain, and confused the Anchisaurus even more: the pro-sauropod herd sharply shifted the angle of their race and fled in a different direction...

In addition, the Megapnosaurus looked around and were confronted by the Dilophosaurus, which had recovered from his fright, listened to the noises in his stomach, and realized that he was hungry - and therefore angry. Megapnosaurus numbered many, Dilophosaurus - only one, but he was the bigger and stronger dinosaur here, and in the early Jurassic, when the dinosaurs were only beginning to evolve into the upcoming lords of the planet, this was enough. The Dilophosaurus charged at the nearest Megapnosaurus and tore into it literally, eating it while the smaller theropod was technically still alive. The remaining pack of the smaller carnivores fled...

...Many millions of years later, when the paleontologists, who were running the dig, made a discovery - petrified tracks of pro-sauropods, and of one or two species of theropods, plus theropod, (of single or several specimens?), bones scattered all over the territory in question. The discussion about just what had happened here went for a long time...

End

This is it for now. Comments? Criticisms?

Saturday, 11 July 2020

Quarantine entry #112 - July 11


Obligatory disclaimer: real life is something…so we will be talking about Edith Hamilton today. Pause.

Let us try again. Edith Hamilton was a complex and multifaceted human being, so we are talking about her ‘Mythology’ book. It is a book about Greek myths – actually, it is a book practically about all of the Greek myths – and?

And here is the thing. Greek myths are a very flexible…fandom. They contain dozens of subjects, and consist of several, mmm, layers of culture. There are the works of Homer, especially the ‘Iliad’ and the ‘Odyssey’. There are works of later Greek authors, mostly playwrights, which have survived until our times, (and there are not too many). There are works of the Romans, especially the ‘Aeneid’ of Virgil – and that is really enough, especially for the late Ms. Hamilton and her ‘Mythology’ work. What next?

To elaborate, whereas Rick Riordan did something original with all of the Greco-Roman, Egyptian, and Norse myths, Edith Hamilton… did not. Instead, she just retold them, using the various sources, including the ones mentioned above, to further prove her point…whatever it is. Her take on the Greek myths is bland and impartial… usual. Sometimes, it slips. With the Sirens, for example, as she claims something along those lines: “Since no one who had met the Sirens survived, no one knows how they really looked like”. It is a lie. Ovid in his ‘Metamorphoses’, (which were also quoted in the various parts of the ‘Mythology’), told plain and simple that originally the Sirens were either human maidens or nymphs, (aka divine spirits that usually looked like maidens also), who used to be Persephone’s handmaidens/attendants/entourage/etc., who had failed to save her when she was kidnapped by Hades. …Actually, according to the same ‘Metamorphoses’, there was a nymph who tried to stand up to Hades as he was kidnapping Persephone and even told him no…so he turned her into a freshwater spring instead. Fun!

…The Sirens, on the other hand, were transformed into half-human half-bird entities by Demeter, either so that they would look for Persephone better, or as a punishment; their arms and feet became bird wings and claws, but the rest of them remained human. This is how they were depicted in the Classical period, though later on they became known and depicted as mermaids instead. …Or you could go the other way and depict Sirens as completely ordinary human women instead. Where were we?

Oh yes, Ms. Hamilton and her take on Greek myths. She did her best to be impartial, but she came off as bland instead. Practically boring too, to everyone who doesn’t get a hard-on from Homer and Virgil. Oh yes, they’re the great Classical authors, but as the Sirens episode above showed, even Edith Hamilton herself sometimes couldn’t keep up the intentially neutral tone of voice and instead spoke of her own opinions, however rarely, whether it was about the Sirens, or about Tereus, Procne and Philomela.

…The latter, incidentally, is a love tragedy, and a very dark one: everyone in it dies or becomes a bird instead – Procne a swallow, her sister a nightingale, and Tereus a hoopoe, even though Ms. Hamilton suggested that it was a hawk instead. Fair enough. Ms. Hamilton was a person, after all, and of an earlier age than ours, (i.e. the mid-20th century), when women were treated much more harshly than they are now, so she had to uphold and surpass certain merits, and given how her ‘Mythology’ is so popular in some circles still, I guess that she did. Good for her. She still made Greek myths bland and boring though.

…Well, this is it for now. See you all later!

Friday, 10 July 2020

Quarantine entry #111 - July 10


Obligatory disclaimer: real life sucks, so we are finishing our discussion of Dougal Dixon’s speculative zoology instead.

Now, ‘Anthropology of the Future’ is a book of a different sort from the other two – it is presented not as a book of fact, but of fiction, straightforward, not unlike Stephen Baxter’s ‘Evolution’, just with fewer pages, much more illustrations, and fewer semiotics or whatever you want to call it. Instead, what we got in ‘Anthropology…’ are echoes of Jules Verne’s ‘Time Traveller’ novella, in particular – the social division aspect.

Let us elaborate. In the latter, Jules Verne showed how the ‘haves’ became the eloi, and the ‘have-nots’ – the morlocks. It was more intricate than that, true, and had plenty of references/influences/what-else-have-you regarding Jules Verne’s own social philosophy, reflected in plenty of his other novels, from the ‘War of the Worlds’ to ‘Anna-Veronica’, but what Dougal Dixon took for his own ‘Anthropology…’ what that split. Throughout ‘Anthropology…’ we constantly see class/social class distinctions and the various genetic manipulations only made it all worse. The single species – Homo sapiens, aka us – got split into dozens of new species, all adapted, or pre-adapted, to existence in different environments – plains, jungles, temperate woodlands, underwater, and so on – with the only main distinction being the presence of a mind/sentience/intelligence… pause.

No. My bad. The actual distinction was whether the ancestral humans were able to go into space to colonize new worlds, or not – they stayed on Earth, humanity’s home planet, and survived/evolved/existed/etc. there instead. Anything else proved to be secondary, as the descendants of the initial space colonists eventually came back to Earth and took over it. In their defence, it must be said, that the descendants of humans that stayed on Earth by that time had evolved, or rather devolved, into being nothing more than ‘mere mammals’, no more sentient and advanced than their counterparts from the ‘Zoology of the Future’ had been, so this is less of a ‘War of the Worlds’, and more of ‘humanity coming to a natural ecosystem’, (think New Zealand or Australia), ‘and buggering it all beyond recognition’. There is not much difference between the two, true, but there is. Where were we?

…Stephen Baxter’s ‘Evolution’ was written among similar lines though much more semiotic and pro-feminine. Sadly, because it is not a good book, all the drama tends to be overwhelming at best of times, it is not really ‘woke’ either, more like annoying and tiresome and pessimistic. So’s ‘Anthropology of the Future’, of course, but at least it ends on a more positive note – after the ‘new eloi’ finished with the ‘old Earth’ and left, there is a single species of human descendants left on the planet – a hardy deep-water dweller, so who knows? Maybe sentient life will come back to the world of ‘Anthropology…’ once again.

…Baxter’s take is different – he claims that sentient, or semi-sentient, life will survive on Earth until the very end, when the sun itself will explode/implode/etc., and destroy the Solar System. Somehow, he still makes it sound depressive as anything – does he want humanity to die? Well, maybe, but this does not mean that we have to agree with him… Anything else?

Well, in regards to Jules Verne, it can be pointed out that his ‘Time Traveller’ also ends on a similar note – his titular hero goes even further into the future, and he arrives at a time where there’s no sentient life, and the only life period are some plants and small mammals – less of a bang and more of a whimper, put otherwise, but there are similarities to Dixon and Baxter too.

…Well, this is it for now. See you all soon!

Thursday, 9 July 2020

Quarantine entry #110 - July 9


Obligatory disclaimer: real life sucks, though there’s a species of giant extinct dormouse discovered as well, apparently. Sadly, I know little of it for now, so let us get a move on. What shall we talk about?

Well, people feel that this week’s AoS episode was kind of a filler, as everything was about ‘Mack and D’ – and yes, Deke probably deserves an episode to himself and his skills, but this is the final season, so this decision feels kind of undercut, plus…

…Plus the odds that ‘his crew’ that he had brought on board of the Time Bus alongside Mack may end up being the analogue of ST’s ‘red shirts’ is reasonably high; last season, MCU’s ‘Sarge’ had brought his own crew – and they all died before the S6 finale, and no one remembers them now; (at least Kasius and Sinara from AoS’ S5 are still remembered, sometimes). Therefore, why should we become attached to those new characters as well? People may point out that they are ‘full S.H.I.E.L.D.’ agents now, but AoS’ final season is gearing towards the end ever faster, so odds are that they will not appear in MCU after AoS ends, period.

…I am being serious here: AoS’ main cast, throughout the seasons, numbered from 6 to 10 people – that’s a lot, even by standards of Whedon’s TV series, such as AtS & BtVS… which got referred directly a few times, especially in S4, which is just shameless plugging… but the point is that even by Disney’s standards, AoS was an expensive TV show, and the real reason as to why it lasted for so long is because it was really the only Disney/MCU show that didn’t belong to Netflix and which didn’t end prematurely either. Pause.

No, seriously. Marvel’s ‘InHumans’ were an insipid flop. ‘Most Wanted’ failed to launch, period, (and team DC snapped Palicki, who played ‘Mockingbird’, cough). AC ended because Hayley Atwell decided to go back to the U.K., only then she came back and starred in the ‘Endgame’ film… so it’s a mess in real life too.

…Actually, AoS was always a mess in real life, as we have talked about this, repeatedly. These days it is no different – we are half way to the series’ finale, and half of the regular cast is missing with no indication that they will be back before the very final episode at all. I love AoS, but I cannot help but to feel that the show’s cast and crew did not. Do not. Whatever. Now that the gravy train ride is over, and Disney is about to launch its’ new MCU shows on Disney+, AoS’ cast and crew are abandoning it like crazy, in an act unprecedented since the AoS S2 finale. Anything else?

…AoS still appears to have a solid fan base, with the latter enjoying the question of whether or not Daisy will end up with agent Sousa or with Deke more than anything else. They also have largely abandoned following the canon, which I cannot blame them: AoS has developed too many flaws, too many damaged twists, and let too many people down too often over the years. It will be missed once it has gone, true, but nothing more. Where were we?

Right, I wanted to finish talking about Mr. Dougal’s speculative zoology trilogy, when the talk of AoS/MCU/Disney/etc. has arrived and distracted me. Yes, this is on me, fair enough, and I admit that I was also distracted by Edith Hamilton’s take on the Greek myths – and it is one of the worst takes ever! …Ms. Hamilton, clearly, does not like Greek myths as much as she would have you believe… but that is another story.

For now, though, this is it. See you all soon!

Wednesday, 8 July 2020

Quarantine entry #109 - July 8


Obligatory disclaimer: real life sucks. I planned to finish talking about Dougal Dixon’s initial speculative zoology trilogy today, but given all the excitement that arose about the dilophosaurus, let us talk about this dinosaur instead.

Why is the dilophosaurus so famous? Because it appeared in the very first JP film, and by now ‘everybody knows’ that its’ depiction there was wrong. However, what ‘everyone’ seems to miss here is how the movie differed from the novel in this aspect, as well as the ‘When Dinosaurs Roamed America’ docu-film as well.

First, about Mr. Crichton’s ‘true’ dilophosaurus. In the JP novel, it was bigger and more formidable than its’ movie counterpart was, plus it was brighter – with a bright red crest and a spotted body, (reminiscent of the modern leopard, just as the ‘raptor’/velociraptor/Deinonychus was reminiscent of the modern tiger). Moreover, while it did take a backseat to the novel’s raptors and rexes, it was still a formidable dinosaur…while in the movies the dilophosaurus was more of a one-time wonder instead, an analogue of a random wandering monster in the various RPGs.

This brings us to ‘When Dinosaurs Roamed America’, a 2001 documentary movie, made by the Discovery channel, as a responsa to BBC’s ‘Walking with Dinosaurs’ mini-series. Whether or not it was an appropriate and a proportionate response is another thing, but right now, we are talking about the dilophosaurus instead. There, it had appeared in the movie’s Early Jurassic segment, alongside Anchisaurus, a prosauropod dinosaur, and syntarsus, another theropod carnivore.

Let us elaborate. First, the segment itself was about the saurischian dinosaurs, the carnivorous theropods, and the herbivorous sauropodomorphs – prosauropods and sauropods. While a theropod and a sauropod are built very differently, a prosauropod and a theropod share enough common features to establish a common evolutionary relationship. That said, the evolutionary/taxonomic relationship between the prosauropod and sauropod dinosaurs is not as straightforward as everyone assumed that it was in the late 20th century/the early 2000s – i.e., the two groups were cousins, not an ancestor and a descendant, as it was once assumed.

…Getting back to the theropods, the dilophosaurus in that film was much larger and formidable than it was in the JP movie – it was bigger and stronger than the other theropods there, and it had powerful jaws, sharp claws, and strong forelimbs to bring down its prey – the prosauropod Anchisaurus, even though the latter tried to fight back. There was also some inter-species combat too, after that, and given the fact that that version of dilophosaurus had almost a dragon-, or a crocodile-like appearance, this brings us back to the Nat Geo article. To wit, it claims that everything that we knew about dilophosaurus is wrong. To that, I reply – no, we did not. We just ignored it, because we liked JP better than real life because reasons. In RL, the dilophosaurus was noticeably much more formidable than in the JP movie…and it probably was not venomous either, though the evolution of venom in vertebrate animals is a separate story entirely and we’ll leave it along for now – let’s just assume that dilophosaurus probably wasn’t venomous and leave it be.

…The point is that, again, yes, the JP movie did distort the real-life dilophosaurus into something else, something false, but at the same time, by 2001, plenty of people, (especially among the scientists) knew that, and in the U.S., they actually tried to fix the dilophosaurus’ image in the ‘WDRA’ film – which became forgotten quickly enough in the next 19-20 years. Ergo, it is ‘our’, i.e., the public’s, fault as well, that dilophosaurus’ image became so distorted in the last 19-20 years…

For now, though, this is it. See you all soon!

Tuesday, 7 July 2020

Quarantine entry #108 - July 7


Obligatory disclaimer: real life sucks, and it looks like my quarantine will last for two more weeks rather than just one. Ah well, this is life – you keep your hopes up and you get disappointed for certain; what next?

Let us get back to Dixon and his ‘Zoology of the Future’. This may be the best-known Dixon book, and the most popular, but right now let us focus on its’ more literary aspects, to wit – its’ semi-nihilism. In the first part – the one that talks about the wildlife of temperate woodlands – we learn that not just humanity died out, but also its’ domestic animals as well as deer. Here we have an echo of a more U.K.-style reality: the wildlife of Great Britain has gone noticeably to smaller animals, usually not much bigger than a red fox or a European badger; any species of a physically bigger beast usually needs human assistance to survive – in a zoo, a nature preserve, etc. Fair enough, but it should be noted that outside of U.K., especially in North America, but also in the mainland Old World – the picture is not so grim… Pause.

That is actually one of the Achilles heels’ of Dougal’s universes: they are so visibly… custom-made. Can rabbits evolve to replace deer, llamas, and so on? Yes, but it is very unlikely: they live and reproduce in burrows; their young are born blind and helpless, unlike the young of the ungulates…and of their closest cousins the hares. No offence to the members of team Rabbit, but if ungulates would die out, my money is on the team Hare to replace them instead… Pause.

The ungulates actually have not died out; aside from some ‘old-fashioned’ species on some specialized island, the world of the ‘Zoology of the Future’ also features ‘hornheads’ and ‘gigantolopes’. Question: how did the rabbits (and/or hares) get the opportunity to evolve into ungulates and the like if the ungulates were right there instead?

…The same goes for the carnivorous mammals. There are various predatory descendants of rats – but there are also ‘true’ carnivorous mammals, (fissipeds), and while some do live on islands, (for example, the descendants of the mongooses live on South America, which is an island continent once more in the future), some of them don’t – they live right on the mainland, alongside giant carnivorous rats (Eurasia?), carnivorous primates (Africa), and so on. Is that possible? Yes, but in that case, the end result shouldn’t be too different from what we have right now – ‘true’ carnivorous mammals dominate, while carnivorous rodents, insectivores, and etc. just scurry in the undergrowth instead, decidedly not their equals. But-?

But nothing. If ‘The New Dinosaurs’ are actually a very educational book, the ‘Zoology of the Future’ aimed more to shock and awe, and given how we discuss it still decades after it was released, then it had certainly succeeded at that. Here, I just wanted to point out that it got faint echoes of Jules Verne’s ‘Time Traveller’ novel instead – remember it? The main character, a contemporary of the author, goes to a far-off future and discovers that the humanity had split into two species – the eloi and the morlocks, and the rest of the wildlife apparently died-out… Pause.

…Yes, unlike Verne’s novel in question, Dixon’s ‘Zoology of the Future’ has no humans…and its’ apes are decidedly odd: they are carnivores of the African savanna…and they got tails. How and why apes lost their tails in our RL past – is another story, but lose it they did completely, and so, it is evolutionarily and anatomically impossible for them to have it back. Pause.

Here is the thing. In many ways, Dixon’s beasts from the ‘Zoology of the Future’, are not quite natural or realistic, but they are still very enjoyable, (the night stalkers or whatever the giant carnivorous flying bats of the Batavia Island aside). For many people, they were THE introduction to the world of speculative zoology, (me included), and so they should be treated with respect!

Well, this is it for now. See you all soon!

Monday, 6 July 2020

Quarantine entry #107 - July 6


Obligatory disclaimer: real life sucks, but sometimes it also changes, through conflict or otherwise, and it seems that this is the last week of my quarantine entries. Yay! Or, well, not, if you’re actually enjoying following my blog – in which case, can you write a response for me so that I would know about this fact?.. Where were we?

Ah yes, we have finished talking about the birds of prey – all of them – for the moment. So, let us talk about something else – Dougal Dixon’s book ‘The New Dinosaurs’ instead, since the birds are dinosaurs, cough.

Why are we talking about this book? Because birds are dinosaurs, according to most accepted versions, especially in the West. In other parts of the world, such as RF, this P.O.V. is not fully accepted yet, but since the dinosaur-bird evolution is a very complex subject… this brings us to ‘The New Dinosaurs’ instead.

This speculative evolution book is the second in Mr. Dixon’s ‘After Man’ trilogy. The first is the ‘Zoology of the Future’, the second is this one, and the third is ‘Anthropology of the Future’. All three books are different, and I am not talking here about just the obvious.

Let me clarify. Leaving the ‘Anthropology of the Future’ aside, the first two books are more similar to each other than to the former, but whereas ‘Zoology of the Future’ focuses on the animals themselves and on their potential evolutions in the future, ‘The New Dinosaurs’ discusses the evolutionary processes themselves – how they work and how the environmental factors affect them. 

To wit, the pages of the ‘The New Dinosaurs’ constantly talk about and depict both taxonomic relatives that’d acquired different traits and looks, as well as complete strangers, (genealogically speaking), who look very similar to each other because of reasons, usually environmental ones. Hence, the partition of the titular subject into several zones – Africa & the Arabian Peninsula, North America, South America, Eurasia, (save for the Arabian Peninsula and the south-east), the south-east Asia, (including India), Australia, and the oceans. Each section discusses several animals, primarily dinosaurs and pterosaurs, but also marine reptiles, invertebrates, and birds & mammals, among others, and shows how they were shaped… see above. Pause.

…When put like that, ‘The New Dinosaurs’ sounds very modern, professional, and serious. Unfortunately, even by 1990, this book did not age well. Why? Because of the dinosaurs and co. Even as ‘The New Dinosaurs’ were published, their image in both the public area and among the professionals continued to change – a process that goes even now, just look at the Jurassic Park franchise, or the King Kong one. Where were we?

…Yes, the depictions of ‘The New Dinosaurs’ didn’t age well, and their names – such as Lank, Plunger, and Kloonk didn’t help. I.e., at that time – late 1980s – people still thought that the pterosaurs were bipedal rather than quadrupedal, and it shows – we got wingless moa-like pterosaurs with teeth. Facepalm. In Paleoarctic, (aka northern Eurasia) we got wingless birds that don’t have teeth, (and keep in mind that birds give up their power of flight very reluctantly, even on the islands, and for every avian that became flightless there are hordes of those who didn’t), and in New Zealand – pterosaurs.

However, it must be kept in mind that at that time paleontology itself was more backwards than it is now, (no duh, Captain Obvious), and for its’ time, ‘The New Dinosaurs’ was quite cutting edge – Dougal Dixon also brought an impressive bibliography to the table, though it is probably ignored, (some things haven’t changed with time, sadly). Anything else?

No, this is it for now. See you all soon!