Showing posts with label Captain America. Show all posts
Showing posts with label Captain America. Show all posts

Saturday, 3 May 2025

Thunderbolts - May 3

 Obligatory disclaimer: real life sucks. In part, it might be my doing – but I never denied it – so now let us talk about the new ‘Thunderbolts’ film instead.

First, it works. It works, because it mostly keeps away from politics, whether RL or MCU, and talks about the titular characters dealing, and defeating, their inner darkness, while managing the conflict with Valentina Allegra de Fontaine, or – ‘Don’t call me Val!’ Pause.

…Throughout SW, there was no mention of Val or the Thunderbolts, who are a bit of Marvel’s Suicide Squad, (run by DC instead). Moreover, the DCEU itself is being remade right now, so let us not talk about it, and get back to MCU and the ‘Thunderbolts’.

…Throughout SW, there was no mention of Val or the Thunderbolts, but now, in the post-SW MCU, there is no mention of the Skrulls, the She-Hulk, or the Marvels; MCU is pretending that all of the above haven’t existed, and the CA: BNA movie, the D: BA TV series, and now – the ‘Thunderbolts’ film confirm it; there’s a distinct feeling of ‘in with the new’ with all of them. Even the titular team is named not after the general ‘Thunderbolt’ Ross, aka the Red Hulk, but after some obscure piece of MCU in-verse trivia instead. Fun!

MCU’s Taskmaster/Taskmistress is dead – a pity – and there is no mention of Kate, even though she and Yelena had plenty of chemistry in ‘Hawkeye’. However, the market (and the political climate) directs, and with 4 years of a Republican president in charge of the U.S., Disney and its’ branches, including MCU, are changing. We have discussed it, when we talked about AAA, so let us not repeat ourselves. Anything else?

The special effects were impressive, another one of MCU characters that vanished was Rick Jones or whoever, who helped Natasha in her ‘Black Widow’ film; ah well. ScarJo is going to appear in the next JP reboot now, and it makes the ‘Black Widow’ film appear like a classical masterpiece. What else?

…Everett Ross, who appeared in both ‘Black Panther’ films, was also killed off in the SW; since he was ‘Don’t call me Val!’ ex-husband, this is somewhat important. Only not, since Val is flirting (sort of) with the Red Guardian (Alexei) already. Well, since the Thunderbolts (the characters) are forming some sort of a crazy family, (minus the dead Antonia), this is to be expected. Whether or not this will amount to anything is another story; for all we know, in the next film there will be no mention of the Thunderbolts’ team… just as there was no mention of Sam in the ‘Thunderbolts’ movie, not really, making Bucky’s appearance in CA: BNW kind of strange and unbalanced…

So, in conclusion: the ‘Thunderbolts’ work. They work as a movie, and in particular – as a standalone movie. However, Disney/MCU is a live action Marvel Comics Universe, which means that it all will be interconnected – in theory. In practice, as depicted by the now forgotten AoS, this might not be so. In AoS, the first 3 seasons were sufficiently tied, with ties to the greater MCU. From S4 onwards, however, this was not the case at all, and after the final, 6th, or 7th, season, no one is remembering AoS anymore; they didn’t even appear on the ‘What If?’ series, (aside from Coulson, who doesn’t quite count there). Put otherwise, quite regularly, MCU discards characters, plot lines, and more – there is no guarantee that the ‘Thunderbolts’ will be different.

This is it for now. See you all soon!

Wednesday, 16 April 2025

D:BA S1 finale - April 16

Obligatory disclaimer: real life sucks. The debate about the CB wolves being or not being dire has become more subdued and out of the spotlight, but real life still sucks.

The S1 finale of D: BA is as dramatic and well-made, as one expects from Disney/MCU – quite good. Of course, there is the question as to how Fisk is getting away with a de-facto secession from the rest of the U.S., but who cares? The first season of D: BA is over, and the world is ready to move on.

Also, keep in mind, that CA: BNA film is showing events that are happening at the same time, so the greater U.S. government just might not be finding time to deal with Fisk and his Napoleonic complex or whatever, and the Kingpin/Mayor is bribing people like crazy to get away with it, and MCU wants its’ own version of Gotham, so there you have it, folks! Question answered!

In other news, meanwhile, a rebooted version of ‘Walking with Dinosaurs’ (WWD) is coming to you in 2025! The original WWD series is something of a classic by now, (and not only because it was released in 1999 either). The new WWD has some big shoes to fill – and the viewers will go Snowwhite-2025 on its’ ass if it fails.

Finally, back to PBS Nature show about the female empowerment and nature. Last week, the episode was actually done well – it balanced gender politics and wildlife protection… in the U.S., so what did the YouTube channel do? It downplays them in favour of a nature document about Africa. Maybe it was because of the entire dire wolf excitement, maybe not; this week, the show is about South America instead, and PBS Nature is not downplaying it at all. I wonder why…

…In addition The Weather Network is airing a rather nice documentary series about Canada, its’ provinces, and probably territories. It is quite fun to watch, and I advise you to do so – it certainly is better than just to argue about dire wolves…

For now, then, this is it. See you all soon!

Thursday, 20 February 2025

‘YFNSM’ S1 finale - Feb 20

 Obligatory disclaimer – real life sucks, so let us talk about the ‘YFNSM’ season finale. It ended on Tuesday, and I… practically missed it. Sigh.

Listen: ‘YFNSM’ is a good, entertainment show, with just enough drama, action, comedy, and even tragedy to keep everyone in suspense. You watch with baited breath as Peter, Lonnie, Harry Osborn and others navigate through life (and high school), while dealing with the likes of the Scorpion and Dr. Octopus, (though he is not that yet). Coupled with the show’s visual aspects – clearly reminiscent of a vintage Marvel comic book, maybe even one from the ‘Golden Age’, ‘YFNSM’ leaves its’ audience… on a good note; some may re-watch it sometime in the future, but otherwise – this is it. All of the abovementioned drama etc. are self-contained; Norman may not have gone goblin yet, and Dr. Octopus has not acquired his trademark tentacles, but in the end, this is the end game, (nine out of ten). What next?

Yes, there are some outliers, such as Nico Minoru, but what role do they play? Hangers-on, window dressing, NPCs. So far, they do not affect the flow of the story and Spider-Man’s personal development. Seriously, yes, Nico is from the ‘Runaways’ franchise, where she is a witch, but is she one on ‘YFNSM’? It doesn’t look like that, whereas in the 90’s Spider-Man cartoon Felicia Hardy grew from an NPC (and MJ’s rival, though that storyline wasn’t really present in that series) into Black Cat, Spider-Man’s friend and ally; (love interest – it came and went), but in the end, Black Cat teamed up with Blade and Morbius to fight vampires in ‘their’ universe – so far, ‘YFNSM’ hasn’t done anything like this; it is the lesser show out of the two. What next?

CA:BNW is developing MCU further, as we’ve talked, plus it took the titular character – Sam Wilson – out of his comfort zone, by putting him against Hulk’s villains: the Red Hulk and the Leader; it also may have made Bucky a politician, but we’ll have to watch ‘Thunderbolts to see what is going on with him – and Yelena; her relationship with Kate Bishop appears to have ended for now, because the winds of social politics in RL have changed, oh the fun of living in the West these days – but that is a different discussion altogether.

For now, this is it. S1 of ‘YFNSM’ is over, and we wish the show all the best it deserves in the future. See you all soon!

Friday, 14 February 2025

Captain America: Brave New World and '...NSM' - Feb 14

 Obligatory disclaimer: real life sucks. That said, Happy Valentine’s Day, everybody! This out of the way, let us talk ‘Captain America: Brave New World’ now.

…Whereas ‘YFNSM’ cartoon series just exist in a vacuum, the occasional cameo by Dr. Strange, Daredevil, or even the Iron Man regardless, (they don’t influence there anything, you know?), CA:BNW is a part of MCU, and unlike AAA, it cannot be ignored, as it sets the stage for everything new.

See the evidence: when Sam Wilson only MCU’s (original) Falcon, he and Bucky the Winter Soldier had their own mini-series, named after them, remember? In it, we were introduced to the post-Thanos MCU, and we met both Val, (ok, do not call her that), and Sharon Carter, an ex-S.H.I.E.L.D. agent turned weapons’ deal and villain, who was being set up as someone important. Roll even more forward, and Sharon vanishes without a trace, while Ms. Sonya replaced Val in ‘Secret Wars’. SW was one of MCU’s most insipid entries, and so Sonya and friends are gone now instead, and Val is coming back in the upcoming ‘Thunderbolts’ film.

This brings us to Bucky, and – Sarah Wilson, aka Sam’s sister. In the abovementioned mini-series, she was Bucky’s new love interest, (sort of). Previously, he had something going on with Shuri, but then came the ‘Black Panther 2’ movie, and any connections of Wakanda with the Avengers vanished in favor of a Shuri-Namor romance, (tentatively speaking), and Bucky was moved over to Sarah in a favor of another interracial romance. AOS has set MCU’s bar for interracial romances pretty darn low, and CA:BNW + ‘Thunderbolts’ have appeared to cleared it by a mile: Sarah Wilson and her children vanished from MCU, and Bucky seems to be bonding with Natasha’s sister and father in the ‘Thunderbolts’ trailer – no interracial relationships, no color mixing here. USA! USA! The Donald must be so proud!

…Back with Sam Wilson proper, and speaking of colors, we got the Hulk. Ok, we also got MCU’s Red Hulk now – ‘Thunderbolt’ Ross, (in the comics, the Thunderbolts were often his team), but what about the original Hulk himself?

Pause, rewind to MCU’s ‘She-Hulk’, one of the unlucky contenders to challenge SW for the insipidness. For 9 parts out of 10, (or perhaps 11), SH was a typical Mary-Sue story, with the titular character being that woman; watching SH is just pointless, the most important parts there are the Hulk’s story: he went into space and brought home a son. Everything else can be swept under the rug safely… the Hulk and his son not so much, but by ignoring them, CA:BNW does a gamely attempt at doing just that; anything else?

Yes. It is a brand new world where everything from the previous phases matters about as much as the ‘YFNSM’ cartoon – nothing at all. Sam Wilson defeated the Red Hulk who has imprisoned in the Raft alongside Sam ‘the Leader’ Stearns. In addition, we were introduced to MCU’s version of Sabra – Israel’s superhero in the Marvel comics, (who is more closely associated with the mutants, BTW), and the mercenary group the SERPENTS, who will probably be the default villains of MCU for a while, until they all die or whatnot. Given how Disney is lying low while RL USA is changing… just changing, let us leave it at that, they just might be replaced instead, and no one will care. At least, since SW was worse than the ‘Sam & Bucky show’, Val is replaced Sonya once more. Ah, the perfidy of chance!

This is it for now. See you all soon. Have a happy Valentine’s Day once more!

Wednesday, 11 August 2021

What If, 'Captain Carter' - August 11

 Obligatory disclaimer: real life sucks, so let us talk about the series’ premiere of Marvel’s ‘What if?’ Yay?!

…Actually, I got nothing. Nothing new, that is. As we have talked earlier, ‘What if?’ is a rehash of MCU and MCU alone – no X-Men, no Defenders, no outriders, put otherwise. The series’ premiere is a reboot of the CA: TFA film, with a gender role gap – it is not Steve Rogers’ who the titular hero is no, but Peggy Carter, (already known as the star of the ‘Agent Carter’ (AC) series). Surprise?

Well no, not really. The first three phased of MCU had been a carefully choreographed affair, and now that Disney/MCU is writing – essentially – a fanfic version of itself in a cartoon layout, (as opposed to live-action), so far there won’t be too many surprises, and this first episode is the most straightforward of them all: Captain Carter, The First Avenger. Some people were surprised by this plot twist, others were not, but for the moment, Disney/MCU & co. can afford to shoulder the slings and arrows of the hard-wrought fortune (or whatever was that Shakespeare wrote down in our universe), and pull out such pieces as the ‘What if?’ series’ premiere – after all, they aren’t risking anything; WASP women are probably the most powerful social minority after their male counterparts, according to the progressive scale, so Disney/MCU is playing it safe. Again.

The technical side of the situation… yeah, it’s less than perfect, but, again, when it comes to technical issues, that is another situation altogether: technical issues can be resolved, or sidestepped, easily enough, as the remake of Disney’s ‘Aladdin’ showed in regards to the blue Will Smith. Here, it is more of a voice acting issue, and I will not comment on it – that would be a low blow. And what is a high blow?

There is no high blow – Marvel’s ‘What if?’ is beginning with a low bar, one where there aren’t any surprises, something that was shown to the audience in all of the teaser trailers that gave us enough material about the first three episodes at least; plus, there’s the show’s S1 poster that shows us enough material to foresee as to what will happen in that season – and knowledge is half of the intrigue!

Pause. In discussion the ‘Captain Carter’ episode, we have no other path to go but around, in circles, for for the moment, there is nowhere else to go – the journey is only beginning, and we have no idea as to where it will take us. Right now, we have enjoyed watching the first episode, but nothing more; maybe that is what Disney/MCU wants, so who knows?

…For the moment, however, this is it. See you all soon.

Friday, 16 February 2018

Black Panther the movie - Feb 16


‘Black Panther’ movie has arrived in the movie theaters at last. Let us talk about it, and if there are people who are still concerned about spoilers – and there probably still are – let them be warned: we will proceed.

Where do we stand with ‘Black Panther’? In Africa, and many people are already discussing the Afrocentrism, the Afrofuturism, and the similar aspects of the movie, and how they are making the ‘Black Panther’ film great. A dissonance is the voice of those critics who’re unhappy that the film was never filmed in Africa proper, but that is understandable – real life imposes its’ own restrictions even on the movie magics, and-

And here is the crux about the African issue: when the Europeans began to conquer Africa and, well, enslave its people, one of the other, less advertised, effects of this action was the eventual erosion of the initial ethnical African cultures and their subsequent replacements with the European ones, especially Protestant – just read the novels of, say, Chinua Achebe, to see how it went down in real life. Thus, whatever else can, or should be, said about the relations between Europeans, Africans, Anglo-Americans and Afro-Americans, the fact was that the African cultures were affected much more so than their European/USA Protestant counterparts, period, and this includes the current ‘Black Panther’ film – yes, it involves much more people of color as part of its cast (and crew?), but it is still an American movie, not an African one; its’ approach is a part of the ‘restitution’, of a karmic debt, of sorts, that USA still feels towards Africa and its’ native people – and that issue is a very thorny one back in the American society. Some people still claim that the pilgrims and the other European pioneers were the ones who made America great in the first place, and everyone else – i.e., P.O.Cs – are secondary…at best. And there others who claim everything in the previous statement…in reverse. Both groups – as well as others – have enough members who are very adroit at grabbing (and/or possessing) firearms, then gunning down everyone else who disagrees with them…, and that is not an exclusively American problem, but…

But we are talking about the ‘Black Panther’ movie specifically. It is an American movie, done about a fictional African country, (back in 2016, one of Wakanda’s neighbouring countries was Canaan, which isn’t even in Africa, more like in Middle East, just look over your Old Testament geography, here). As such, anything Africa-related to it, isn’t ‘genuine’ African, more like yet another attempt of USA to ‘restitute’ its’ historical (etc.) debt to ‘the Black Continent’, and all that follows. Thus, claiming that the ‘Black Panther’ has Afrocentrism, or Afrofuturism, or anything Afro-related is…posery, and isn’t very honest; this isn’t exactly Africa-anything, more like good old Uncle Sam congratulating himself on his virtues…as if the Donald doing exactly that in the presidential seat wasn’t enough of that.

Beyond the African (and/or Africa-related) elements, what else is there? …A typical Marvel movie, that’s what – high-quality CGI, high-quality acting, high-quality plot…but the same as usual: all heroes prevail, all villains die, and Disney’s ‘Lion King’ looming in the shadows. As if the CIA agent Bilbo Baggins was not bad enough. …Okay, agent Ross – he’s the replacement of Coulson, now that S.H.I.E.L.D. has been taken out of the equation again, and agent Coulson was probably still in the future at that point of time in MCU, (re: AoS S5).

AoS here is mentioned because of villains. Klaue is dead now, the end. This version of MCU Man-Ape got PC-edited the most, and has been downplayed because of racial stereotypes which is just what the world doesn’t need more of, especially in this day and age. And Killmonger is dead, as he’d been repeatedly in the comics, (for example in 2016), which is a rule of thumb of villains in MCU; the only notable exception, (Thanos doesn’t count – he stayed largely behind the scenes until the upcoming ‘Infinity War’ movies, and Red Skull is down for the count for all purposes too), is Loki.

Let us take an aside for ‘Thor: Ragnarok’ as well. It was a reset of Thor’s corner of MCU, as everyone that we have met in the first two ‘Thor’ movies are gone; either they are dead, or are simply gone, as Jane Foster and Sif are. Aside from Thor and Loki, there’s no one left, everyone else – like the Valkyrie – are brand new. This makes Loki’s standing in Thor’s life somewhat unusual: he is a blackguard, but a predictable one. Thor knows by now how far he can trust his brother, and when he cannot, and he treats Loki accordingly. Thus, the only variable left in the Loki-Thor relationship, (sibling relationship, you perverts!) is what will Loki do about it, especially now that Thanos has come for the Infinity Stones personally, and as we know, he has bossed Loki once, and he can do it again. Where does it leave the Trickster God?

…He can stand with Thanos and fall with him, however eventually. Or he can stand with the Avengers and get a share of their triumph and be redeemed, at least in part, (just as how Bucky Barnes seems to be going – the entire White Wolf cameo at the credits’ end, remember?). Or he can decide to screw all of this and just escape and go and live his own life, be his own person at last. He can do anything; he just has to survive the Infinity War…and to admit, especially to himself, that now and here, (and maybe forever), Thor is the bigger, better man, even if Loki does not want to be a hero. Asgard is gone, (thanks to Hela and Surtr), but its’ people remain, and they are following Thor, not Loki. Does Loki care about that? Does Loki care about anyone else other than himself? The first ‘Thor’ movie showed that he does not, but he has convinced himself of it being otherwise, so now he has to decide if he abandons the lie or makes it into a truth? Loki will not be king in the Marvel movies, most likely, but it does not mean that he has to be a villain either.

…And this brings us to Killmonger and the rest of Marvel’s villains; the only thing that is really separating Killmonger from the rest of them, (aside from Loki), is that Killmonger had actually had a chance to repent and redeem himself…which he discarded, so the end result is all the same. One dead villain. Back in the 90s, the Herc (H: TLJ) and Xena (X: WP) TV series had this sort of thing: on occasion the titular characters would battle someone who was less outright evil and more misguided or misdirected or something. Then they would be offered, usually in the last part of the episode, to stop and think about their actions, to repent and turn around. If they didn’t…Hercules and Xena would still kill them, but at least they were offered a chance to stop being villains and maybe even become good guys, (at least to a point). MCU…does not do that. The bad people do not get a chance to repent, (Loki just was not cornered and gunned down yet)…only in AoS, they did.

In the second part of S2 it seemed quite likely, that Ward and Kara will redeem themselves with the rest of S.H.I.E.L.D. and either rejoin them or leave the show via T.A.H.I.T.I. Instead, canon happened and they both died. AoS has played this out very badly; even now there are people who hate Ward, (and to a lesser extent Kara), as well those who hate May, (and to a lesser extent Coulson), and Hunter & Morse are not very popular too. (Hunter’s return in AoS S5 so far was very perfunctory, and his interview on the Marvel News website – ditto). This on top of both real life issues with AoS & MCU, and all the other fan conflicts, (regarding Hydra, as well as Cap vs. Tony CA: CW conflict)… AoS has suffered and has never recovered, not even now, in S5, but we are talking about the ‘Black Panther’ movie now, and Eric Killmonger.

…A lot of people are talking about how Killmonger has broken the villain mould. He has not. His final battle with T’Challa the titular Black Panther was two men dressed in almost identical clothes with almost identical weapons – if this wasn’t a ‘dark mirror’, then what is?

…But wait! Killmonger was confronting T’Challa in regards to how people of color are being treated outside Wakanda! How – American of him. Oh wait, he actually grew up in the West and is socially aware! …Remind us, why is he the villain, again?

...In real life, there'd been plenty of times when USA has tried to intervene in African countries directly as well as via UN. None of those attempts succeeded. One of them was Liberia, a real-life African country that was created by Anglo-Americans for the freed ex-slaves – they were to go back to their homeland and build their own country there. It’s unknown if it is was supposed to be a utopia, but initially it was anything but democratic: the former Afro-Americans set themselves up as the new country’s elite, and the Native Africans as their serfs/slaves/servants/whatever. Native Africans and Afro-Americans are two very different people, (people such as Jules Verne have recognized it way back in the past), so to claim that an American/Afro-American movie is African-anything is wrong.

Okay, it is actually yet another American/Afro-American perception of what an African utopia is supposed to be - that's the 'African' part here, probably. In reality Wakanda would probably be not very different from Liberia or any other country; yes, it had a wall to keep everyone else out…let us ask the Donald and his cabinet as well as his critics just how effective this sort of a contraption is. It’s about as effective as the American attempts to build an interracial utopia within itself since the 1970s – it has failed, odds are that it will continue to fail here and now, and if in 2020 Oprah will decide to run for the presidency of the US the resulting fall-out will make the fall-out from Clinton’s defeat look mild because the interracial relations of USA both within and without are far from idyllic or utopic. ‘Black Panther’ is yet another attempt to do something about it, this time utilizing MCU’s excellent, (but apparently limited), movies. The result – a standard USA MCU movie, (i.e. very excellent, much better than DCEU’s counterparts), about an Afrofuturistic, (or whatever the right term is), utopia that got everyone, (or at least 'the right people') in the US singing accolades about it so much that since the beginning of this week ‘Black Panther’ became a ‘trigger-happy’, or ‘hot trigger’, or whatever: people are already beginning to be pissed-off by the monolith of praise and are doing something about it without even judging the movie for themselves… This is not good or conductive; whatever people in Disney, MCU and beyond wanted to achieve via this film, it just might backfire instead…

This is it for now; see you all soon!

Friday, 4 November 2016

Dr. Strange - Nov 4

Let us now talk about ‘Dr. Strange’ the movie. What can be said about it?

It is an origin movie. It does not talk about just Dr. Strange’s origins, but also about Mordu’s and Wong’s, in the terms of MCU. The Ancient One…yes, you can talk about whitewashing here, but after Mordu and Wong, it does not really work, (at least not in my opinion, yeah). If you want, you can say that it is an introductory movie, as opposed to ‘Captain America: Civil War’ film, where everyone knows each other, and pieces are largely fusing together to form a greater whole, rather than appearing unexpectedly, out of the blue. Alternatively, if you want, CA: CW has closed the lid on the stage 2 of MCU, while ‘Dr. Strange’ has opened stage 3.

Consequently, the plot of ‘Dr. Strange’ is more straightforward than, say, that of CA: CW. The character do not know each other at first, they are strangers to each other, not just to the audience. This is one of the movie’s main elements, and it works.

(For the record, Kaecillius, the movie’s main villain – Dormammu doesn’t count, he is more of a Galactus-type entity, and beyond good and evil, really – isn’t an OC either; in the canon, he is one of Mordu’s minions, but here Mordu isn’t evil, or at least – not yet evil; more like misguided or has a philosophy crisis; he isn’t chaotically evil as Kaecillius is, but he is just too lawful and righteous. It happens.)

Another element, of course, are the special effects. They are overwhelming and help disguise the fact that the movie’s plotline is simple and straightforward. Neither of that is bad, but, hey, special effects! Kung-Fu fighting! Magic! Surreal cityscapes! You name it! The movie got it! Including Dormammu, which is currently little more than a magical talking head! A deadly magical talking head, but still. Is anyone reminded of the titular wizard from the wonderful wizard of Oz movie? I was.

And yet, that aside, ‘Dr. Strange’ is supposed to entertain – which it does. (It IS a movie based on a comic, after all). Character-wise, Steven Strange is like Tony Stark, (the Iron Man, duh), with Christine playing the role of Pepper (sort of?). His journey from a rather arrogant arse to a selfless hero, the Sorcerer Supreme, who was willing to die, repeatedly, to save Earth from Dormammu is presented really well. Three cheers for Benedict Cumberbatch! And Wong can make a great Dr. Watson, too.


Anything else? Not really. As a movie, ‘Dr. Strange’ was a journey from point A to point B, focusing on the titular character. Everyone else, even Mordu and Wong, were secondary characters, though hopefully, Strange and Mordu will be able to become friends once more, rather than enemies, as they actually were in the comics, but still. Otherwise, it is a movie aimed exclusively at entertaining, with few connections to the real world, (thought there IS realism, of course), which is a good thing for MCU, since between the Hydra matter, the moral debates generated by the AoS TV show and even the entire Steve vs. Tony conflict, MCU doesn’t need any more controversies anytime soon. So – behold ‘Dr. Strange’, the new Marvel movie, which is quite entertaining, but – nothing else. 

Thursday, 30 June 2016

Marvel comics - Civil War revisited and co. - June 30

The second installment of Captain America, (Steve Rogers, as opposed to Sam Wilson or anyone else), has made an appearance. Basically, Cap is still Cap; he is just hailing Hydra because of a certain sentient cosmic cube. And the Red Skull. And Maria Hill. And God knows whom/what else. Yay.

Well, no, but only because Marvel has done another rotation on a spot and returned from where it has come. This sort of thing isn’t happening only in Marvel; in the Archie-related comics too, but-
However, the Archies have something that Marvel does not have – oodles of comics that are not interconnected with each other, for example. Archies do not care about continuity at least some of the time – they just publish comics with a brief punchline, and that is it. Marvel does not really do that – it goes for continuity, even in newspaper comics (spider-man?). As such, when it does about-face and returns to its roots, it…really returns to its’ roots, without having gone anywhere else at all. The entire Marvel universe just stands in one spot lately, without going anywhere.

Yes, things were different in the past: there was the death of captain America (well, a death, anyhow), a Skrull invasion, a dark age when Norman Osborn and his cronies were in charge, and then it was over, and MCU appeared for real, and suddenly a Marvel interconnected universe was…not real, but more three-dimensional than how it was in the comics because it was live, on screen, yeah? Therefore, now the comics are trying to imitate MCU, and so far, it involves a Marvel Civil War. Civil War II. Seriously? Yes, when you ‘borrow’ from yourself, it is not exactly copyright infringement; it is (just/still) unimaginative. The comics just do not know where to go, and Agents of S.H.I.E.L.D. are a good example of that.

Yes, we’re talking about the characters from the TV show, only now they have been adapted into the comics…precisely as they were seen on the TV: there’s Phil and Mel, the FitzSimmons, Daisy, who got her own thing but lately is hanging around with ‘team Coulson’, as is Deathlok (who didn’t appear in AoS S3 at all, BTW). Grant has finally made his appearance, and yes, he has still betrayed S.H.I.E.L.D. for Hydra, but if on TV it took him the better part of S1, here it is more along the lines of a couple of issues, so it doesn’t have the same impact, plus the readers usually know that Grant is ‘a bad guy’ so there’s no surprise either. Basically, the Marvel comics are running with the old material, just presented in a new package, rather than creating anything original, whether it is S.H.I.E.L.D. or captain America. Right now, cosmic cubes seem to be the order of the day…aside from Civil War, revisited. Sigh.


End

Friday, 27 May 2016

Captain America - agent of Hydra? ?? May 27

Now that AoS S3 is over, AC has been cancelled, and ‘Most Wanted’ has been cancelled pre-production once more, Marvel must have been bored, or something, since it came up with the idea of Captain America/Steve Rogers being an agent of Hydra all along. To paraquote the Old Testament book of Leviticus, the Hell?

Let us start again. In ‘Civil War’ the movie, captain America came off the screen as a right arsehole at times, especially when it came to Tony and his family. Tony himself can be a big-mouthed jackass from time to time, but he tries, he really tries, and the entire ‘Civil War’ movie is actually based on this. Steve has ideas of what a heroic life should be life, and so does Tony, and neither of them like each other’s idea, and then along comes colonel Zemo with his own grievances against the Avengers, and it all goes to Hell, and Stark and Rogers aren’t talking to each other anymore, and the Avengers are outlawed, and -

Okay, ‘Civil War’ was a very impressive piece of mass media, let us be honest here. The characters were well rounded and real people, the background and its details was awesome too, and Black Panther and Spider-Man were introduced (and will be getting their own movies in the future), and the Ant-Man kicked ass too.

Of course, this being the MCU, there was at least one sticky point – Ant-Man the movie. In the credits scene, the audience saw Cap and Falcon actually capture Bucky and working on de-brainwashing him; the Accords are mentioned too. Then comes ‘Civil War’, which seems to be ignoring this scene, as Barnes is out at large once more, and not really de-brainwashed too. Tough break, Ant-Man the movie.

Otherwise, however, ‘Civil War’ fits well enough with the rest of the MCU continuity; in many ways, it seems to be a direct continuation of the previous Captain film, ‘The Winter Soldier’. Now what?
Let us start with an important point – Hydra is gone in MCU. The Avengers, the agents of S.H.I.E.L.D., had finished it off between the ‘Age of Ultron’ film and now. Crossbones/Brock Rumlow, who is an important Hydra-related villain in the comics, (and ‘Winter Soldier’ movie) is killed in the first half-hour of the film and is forgotten almost immediately in all the fallout that follows. Hydra as such is gone in MCU, general Talbot in AoS has destroyed it with S.H.I.E.L.D.’s help, so that’s it, the odds of Hydra returning to MCU is possible, but until the next MCU movie or series features it coming back, (and Werner von Strucker, for example, is still alive in AoS) it is gone. Case in point – Helmut Zemo. In the comics, he is an important figure in Hydra hierarchy; in MCU, he was a native of Sokovia, a colonel of its’ secret service, who had an axe to grind with the Avengers because of the ‘Age of Ultron’ events: his family got killed. He was not Hydra, he helped the Avengers to fall apart all the same – so it is quite likely that any villains that the Avengers, (or the agents of S.H.I.E.L.D.) will face in the future, will not be Hydra. Fair enough. So-

So now, Marvel comics release a new Steve Rogers series, where Captain America is an agent of Hydra. The Hell?

Yes, Marvel comics and MCU tend to be treated as separate entities, but they (especially the comics) seem to be blurring the lines, especially with the comics’ AoS story lines. S.H.I.E.L.D., by now, has become established in comics, and it seems to be reflecting the MCU, as Avengers and agents (and an occasional X-Man or so) interacting openly with each other in the universe. Now what?

Into the mix comes Grant Ward, who, in the MCU, was a Hydra agent, who eventually became a host for Hive, an InHuman villain in the last part of AoS S3, who almost turned a large part of the world’s human population into InHumans or Primitives – take your pick. Grant was a controversial character – odds are, that at first the writers planned to redeem him…and then changed their mind; but frankly, AoS the TV series constantly suffered from continuity gaps, canon controversies, some nasty characters who were supposed to be ‘White Hats’, and etc.; the point is that some people hate him, a lot, and others are solidly behind him, precisely because of this controversy, which is why, one suspects, the show had him finally killed in mid-S3 finale, and Hive became an independent character instead.

And also? AoS S3 finale was reminiscent of the first captain America film finale, where Steve and Peggy say good-bye and Steve vanishes, until Fury and S.H.I.E.L.D. discover him in the Arctic. That is fine, except that here it was director Coulson, rather than Lincoln Campbell, who was supposed to perish alongside Hive.

To elaborate: ever since the mid-season S3 finale Coulson was growing increasingly haunted by him killing Ward on Maveth and needed repentance/closure/whatever for his actions. On the other hand, the first episode of S3 showed Daisy and Lincoln working their powers in perfect tandem to defeat Andrew/Lash; it was one of the worst episodes of the entire series, but still it was canon.

Again, it could have been a very dramatic finale – Coulson sacrificing himself to stop Hive, to fix his mistakes and shortcomings, and to give his adopted daughter, Daisy, and her new boyfriend, Lincoln, a fresh chance to be themselves, their own people, free from the past influences of Hive and Grant Ward. If, six months later, Daisy and Lincoln were on the outs, it would still work and create a further dramatic conflict between the team members, not unlike to how it went on ‘Civil War’ between the various Avengers…but it did not happen. Instead, Lincoln is dead, Daisy is swinging in the wind, and Coulson was demoted from his directorial office in S.H.I.E.L.D. This, too, can work – after all, after the Avengers’ Civil War, we had an ‘age of Darkness’ – we had Stark as a director of S.H.I.E.L.D., we had Osborn (and hey, he is Spidey’s archnemesis, so maybe he will appear in MCU in time?), and we had all sort of nastiness afterwards. Maybe Coulson’s demotion will make sense in S4 when it comes to screen…but mostly, this is just another AoS clusterfuck. Ian Quinn is gone, the Koenigs are gone, Hunter & Morse are gone, Deathlok, Joey – they all just left the show without a reasonable explanation. At least Mitchell, who played Lincoln, had closure for his character, cough.

Back to the comics – now, the comic version of S.H.I.E.L.D, has Grant Ward in it – as S.H.I.E.L.D. spy in Hydra, at least for now, (building an army of Iron Man rip-offs, in a plot similar to Iron Man 3 movie), and Captain is Hydra. Already there are theories that the Red Skull has used a cosmic cube to accomplish this, but it does not matter. People are upset. People are pissed. Moreover, people are claiming that the writers for ‘Steve Rogers the Hydra agent’ have ripped-off this idea out of AoS S1 (Grant Ward). Now what?

Well, it is ‘just’ a comic – people will get over it…eventually, because it is captain America, so odds are that this idea will go down like a lead balloon especially at first (and later on too, if this trend picks up momentum). Comics themselves are a confusing medium of mass media, especially Marvel with their interactive and intertwining plotlines, so odds are that the shock of cap being Hydra will be buried, eventually.

However, an aftermath, an aftertaste will remain. People will not forget how their beloved character was turned into a ‘Nazi’ (something that MCU tried to distance itself from, especially on AoS, again), and since the Internet is a ‘global village’ of sorts, this controversy will cause problems, especially among Marvel fans, for a time at least.

However, wait! Cap’s predicament is supposed to reflect on real world’s issues! Donald Trump and the right wing! No, just no. Trump is a most unpleasant man, but he, currently, is executing one of the basic features of the American society: equal opportunity for everyone. He saw, for himself, a chance to become the president of the U.S., and he took it. On the other hand, an American citizen named Krystal Lake, (works in Home Depot), used the same opportunity not to enter politics, but to order a custom cap, with a pithy slogan: ‘America was never great’ or something along those lines. As a result, Trump may become president of the U.S., while Lake has a cap with a pithy slogan, the end. The moral?

Yes, Americans are a people with a freedom of speech and they use it, and they will keep it, and yes, the American president is elected by the people (and for the people…maybe). Guess what, there are plenty of people behind Trump, and no pithy message will be able to change this, not alone.
Do you know what happened in Russia, after their WWI misadventure? The Royal family was deposed, but not by the Communists, no. By the aristocracy and intelligentsia, by the people who would be later depicted, (sometimes), as monarchists. They were not, not really – they honestly intended to depose the monarch and create something between a democratic republic (the U.S.) and a constitutional monarchy (the U.K.), not the USSR. Only, while they discussed, debated and talked, Vladimir Lenin (look him up on the Wikipedia, if you don’t know him) and his communistic comrades got together, produced several simple and straight-to-the-point slogans, and won the hearts of the masses – workers and peasants, primarily, but the rest of the social strata of Russia of that time was present too. The result? The USSR. Was it built to last? Gorbachev broke it from the inside, and ta-dah, we have Perestroika, and then, 25 years later, the U.S. finally realized that one more victory like this one, and they will be undone, so they…got involved in Middle East, and northern Africa, and now they are much more undone than before, for Obama the democrat just continued what George Bush II the republican has started, and- Enter the Trump.

Trump is not a very good person. He already backed out of a debate with Sanders, for example. However, he is a man with concrete, specific ideas, and people appreciate it. The international democracy, the global village that the U.S. has been practicing since the Cold War and beyond isn’t for everyone – hence the rise of new right-wing practice, hence the growing insistence that the Middle Eastern refuges go home or wherever/whatever, just – out of Europe. If Trump wins the election, he might be the American version of Gorbachev – but pithy slogans on custom-ordered headwear will not prevent this – and neither will comics. How does Captain America, as well as the rest of Marvel relate to the ‘Trump situation’ directly? They do not. As a result, Marvel is stuck with Cap being Hydra, and – nothing more, at least for now. Maybe Tony is a member of the communistic Leviathan or something like that, who knows? It is not the point.

The point is that Marvel has overshot its’ mark completely. If Captain America being Hydra is some sort of a pithy statement, that is. Otherwise? It is just another plot twist to boost up the sales, in the worst traditions of AoS the TV series, and it will reverberate/backfire on the Marvel comic series as such as well.


End

Sunday, 1 May 2016

Captain America: Civil War - May 1

And so, Captain America: Civil War has finally became available to the masses. What can be said about it?

Great movie, great action sequences, the actors themselves pushed each other to the limit in order to depict their characters’ inner struggles. What else?

Per se, there are no ‘bad guys’ (something that lately has been played out in Marvel TV shows, especially AoS and AC). Well, no, there is Brock Rumlow/Crossbones from Winter Soldier film, but he is killed fairly early in the film, he is less of a character and more of a plot device, in the overall film. This is not a problem; Brian Jacques did this with his villains on a regular basis, but-

However, who is Brian Jacques? He was, during his life, a fairly popular author for children, writing faux-medieval novels about anthropomorphic animals: ‘Redwall’ and the like. As far as books went, Brian Jacques’ were straightforward: there were ‘good’ animals, such as badgers, mice, squirrels and hares, and ‘bad’ animals – rats, foxes, mustelids, etc. In any given Brian Jacques’ novel, all ‘bad’ characters would die by the end, and almost all ‘good’ characters, would survive, save for one or two, who would die for greater drama… Right. Any coincidences with AoS, especially the current season, are just that – coincidental, which is good, for nowadays, with Brian Jacques being, sadly, gone, so are his books: they had no staying power and were quickly forgotten once he was no longer around to write them; hopefully, this won’t happen to AoS (though every hiatus, at the end of the season, or the middle of the season, of AoS results in the decrease of viewers, cough).

However, AoS aside, what about the current movie? Not unlike the comics, Civil War film was about superheroes fighting each other, over the UN decision of registry and the issue of Barns: is he redeemable or not? Of course, there is also the thorny issue of what is redemption and how does one ‘eat’ it, but anyhow. The point is that the Avengers did not need any bad people/villains to have problems, and neither did the rest of the world, not when it had to wonder did it need the Avengers in the first place, and how do they fit in? Even Baron Zemo (he is called Helmut here; his name has changed over the ages) is not exactly a villain: he is just obsessed with revenge for what Hydra did in Sokovia back in Avengers: Age of Ultron movie.

This is actually a fairly notable deviation: in the comics, Baron Zemo is Hydra/Nazi, something that is not really depicted in MCU, and-

Last week’s episode of AoS had Hydra destroyed, perhaps for good, by the heroic U.S. military, cough. Between this, and Crossbones’ own demise in Civil War, Hydra is not likely to appear in any future MCU features. 

On one hand, this is to be expected. Hydra is causing quite a bit of controversy on the Web these days: whether or not it is Nazi or just fascist? In the comics, Hydra is depicted as predominantly Nazi, ((just as Leviathan is implied to be communist), but to be honest? It is the same type of argument as whether or not Adam and Eve (the book of Genesis), had bellybuttons, or not. To those who do not care, the entire issue is uninteresting, or worse, but to those who DO care, they care. A lot. In addition, they argue. Even more so. Creating arguments, controversies, etc. Moreover, odds are that neither Marvel nor Disney want it.

Few years back, back when MLP: FIM cartoon was in its second/third season, a background character was given a role and a voice: Ditzy/Derpy Hooves. Immediately, her debut produced many arguments between the fans – whether or not the character had a mental disability, whether or not the show was depicting her ‘correctly’, whether or not the show was depicting mentally disabled characters properly or not, etc. The result? Ditzy/Derpy vanished back into background – no speaking roles, no nothing, and has re-emerged only recently. Hasbro did not need the controversial hassle, and neither do Marvel and Disney in regards to Hydra, one supposes: they are moving MCU into a next phase, anyhow, so they can leave Hydra behind, only-

Only Hydra is a major part of the Marvel comic universe. Getting rid of it will cause problems at least for some people – not even because they were fans of it, but because it was a part of Hydra: ‘I hate you, but I will defend your right for freedom of speech because it is the right thing to do,’ cough. Odds are, this will hit the AoS show the hardest, because most other Marvel TV series do not deal with Hydra as much: AC is more concerned about Leviathan, ‘Daredevil’ and ‘Jessica Jones’ are more concerned with more down-to-Earth threats, (relatively, since the Hand would certainly try to take over the world if given an opportunity), and ‘Power Man’, as well as ‘Punisher’ haven’t really been unveiled yet (‘Marvel’s Most Wanted’ isn’t likely to be dealing with Hydra too, but this is a separate topic), so who knows what they will be about?

But then again, stepping away from Hydra for a moment, there is also the matter of Captain America himself: in the movie, he does not die, and actually takes his share of the ex-Avengers to Wakanda. Make no mistake, this is a good thing, (at least in the short term), but the death of Captain America was a landmark, a milestone in Marvel comics; a feature that was a key element in Marvel for issues and months to come. Captain America isn’t dead; there is no Hydra or Red Skull (and WTF with that?), where will MCU go from here?

In the comics, the death of Captain America caused Tony Stark to take over S.H.I.E.L.D., which then, eventually, enabled Norman Osborn (the Green Goblin) to take over – and in the process, there was the attempt of the aliens named Skrulls to take over Earth, but the Earthlings defeated them, with Deadpool, (yes, the same bloke, whose film also appeared ins still not distant past) killed the Skrulls’ Queen – and then Osborn stole the glory for himself, founded HAMMER, and initiated a stage in Marvel comics called ‘The Dark Age’. Here, the Captain is alive; Norman Osborn…ok, Spider-Man was also in Civil War, and he is getting his own film too, so Green Goblin, (his archnemesis), may not be far behind; and instead of Skrulls we got Kree and InHumans. Only InHumans’ movie was cancelled, (for now at least), so who knows what happens next?

The same thing goes for Spider-Man, at least to a point. Yes, both Captain America and Iron Man will appear in his film, but he had been ‘reset’ at least twice now in the Marvel-related films, so with him anything can go too – but this is beyond THIS particular film, eh?

So. Captain America: Civil War, is a very impressive and marvelous movie, (pun intended), which, however, still raises more questions than answers, and shows a further divide between MCU and Marvel comics. What will be next? No one knows.


Tuesday, 26 April 2016

S.H.I.E.L.D., The Singularity - April 26

And so, ‘The Singularity’ was aired. What can be said about it? Alisha, the redhead from Li Shi, finally gets to shine – she has been on and off since the finale of S2, and apparently she has become evil once more – or maybe the Hive have brainwashed her into doing this – whatever. The point is that the Hive is not Grant Ward, all Ward haters are wrong, and one has to give the actors their due: their job was done marvellously! The writers, on the other hand…

Well, to be more precise, the cast – it just cannot get itself together: Elena and Joey are absent altogether, Lincoln is absent from the second half of the episode and Mack is playing a background character, period. How did he defeat James?

…James, apparently, is the new Hellfire. Ok, no, just no. Hellfire – back in the comics – was the first love of Daisy, who betrayed her and the rest of the Secret Warriors to Hydra, so Fury killed him (without anyone knowing, for Daisy’s sake) on the sly – wait. Doesn’t this sound like Ward, especially in S1?

Yes, much more so than some Li Shi reject, who lives in either Australia or in South Dakota, (it depends on which episode you are watching). Yes, the comics and MCU are two very different…universes, but still, if the movies are borrowing from the comics, surely some similarities must be made in plot, aside from everything else? Instead, all goes helter-skelter, and we do not even know how his battle with Mack had went. Yes, some cut-outs must be made, but they should not diminish the plot SO much.

Speaking of the plot… ‘The Singularity’ introduces Dr. Radcliff, who isn’t Hydra or S.H.I.E.L.D., just some sort of an alien fan, who either is going to die by the end of S3, or he will be the next super-villain, for Hydra has fallen.

Yes, that is right, Hydra has fallen. The Hell? Coulson is correct to feel dissatisfied by Talbot’s achievement: Captain America: Civil War movie is coming to the screens on May 6, and its villains include baron Zemo and Crossbones. Baron Zemo is a complex figure; actually, there are several baron Zemos’ in the comics, so it is for the best to wait for the movie to be aired to learn which one is appearing in it, but Crossbones? He is Brock Rumlow, who was Hydra back in Captain America: The Winter Soldier film, so either MCU is taking a lot of liberties with the Marvel canon (the odds are that the fans are going to hate that), or Hydra is not as dead as Coulson and Talbot and the others think.

So: liberties with characters, liberties with canon, possibly forced interaction with ‘the rest’ of the MCU – Kree are coming, so Guardians of the Galaxy, anyone – (the sort of forced interaction that went down like a lead balloon in the S3 premiere, BTW) and the issue with the InHumans: there almost aren’t any.

No, seriously, the MCU is having problems with InHumans in general – their own film was cancelled for the moment – and AoS has problems depicting them on screen. Most of the time it were just Lincoln and Daisy, with Joey starring on occasion and Slingshot appearing in just two episodes for the moment. Now there are Alisha and James, plus Hive, (he is not Grant), and Daisy and Lincoln…who appeared in just the first half of ‘The Singularity’. For some reason, MCU has problems in depicting them, in finding actors to play them, so yeah, it is a mystery.

Of course, it does not mean that MCU is having problems, unlike AoS. Agent Carter preformed wonderfully on its second season, Hunter and Morse’s appearance on their own show is now a guarantee (and people will watch it, at least at first, to see where they are going), and a lot hinges on the upcoming Captain movie. This is not AoS, this is the big leagues. Of course, ‘Dawn of Justice’ of DCEU was something of a flop, so perhaps Cap and Tony can do better? There are some concerns, especially about Pepper not appearing in the film, (which does suck), but maybe Tony can team up with Maria Hill? Either way, it this movie flops, then AoS will have new problems, much bigger and badder ones than they do now…


Thus, let us wait and see how the Captain movie goes first, before making any bets regarding AoS. Until next time!