Obligatory disclaimer: real life sucks, so let us talk about the ‘Death of a Unicorn’ film.
Or not, as despite its’ title, the film is rather
lackluster and banal. Pause.
Well, there is nothing to pause. A father-daughter
duo bring down (accidentally) a unicorn foal and bring it to the father’s boss
and his family, (idle rich, whereas the father and daughter are more of working-class
people), who promptly abuse and experiment on it… wait. This makes ‘DOAU’ sound
actually exciting, while in reality, it feels more like the second Jurassic
World film, just with unicorns, rather than dinosaurs; it is a straightforward
D&D RPG film, just set in a modern setting, with scientists rather than
sorcerers or wizards. In addition, hey, some of the secondary characters are
people of color, so there’s that box ticked off!.. Second pause.
Third try. ‘DOAU’ has a lazy script, and while the cast
do their best to liven it, the script still fails. Yes, now, the unicorns are
more than just horned horses, but so what? Until the 19th century,
perhaps, when the unicorn had a lot of cultural meaning, when the dominant view
was that of the Western society, that it is a gentle, pious beast, then ‘DOAU’
could, and would, have been shocking and edgy, but not anymore. Now, the
unicorns include the Far East’s qirin and kilin, (remember the last Grindelwald
film? Those Far Eastern creatures had a relatively important role in it),
animals that blur the lines between the dragon and the unicorn, though they are
fully benign. In the RF, there is the Indrik-beast, a mighty monster that is
reminiscent of the Near East’s karkadann, (more of a rhino than a horned
horse). The Near East also had the al-miraj, a carnivorous rabbit with a single
horn, as well as the shadhavar, a unicorn with a hollow horn – when the wind
blew, it made a lovely sound with the horn; other creatures, including humans,
would approach the shadhavar and be devoured. Finally, in the sea, there was
the campuchurch, a marine unicorn with flippers rather than hooves. I.e., real
life folklore had plenty of ‘monstrous unicorn’ ideas, but the A24 Company
opted to go with a classic, with a twist on it that is just insipid.
The virtuous maiden… she’s played by Jenna Ortega;
between “Wednesday” and the “Beetlejuice 2” film, she’s typecast; in this role,
yes, she swears and has a nasal ring to make her more modern, but it doesn’t
appeal to anyone, as neither the modern audiences nor the fans of the classical
‘the maiden and the unicorn’ approach will care for the ‘DOAU’ film. I did not
care much for the ‘DOAU’ film and I have watched it. It ranks right there in
the bottom with the ‘Dr. Odyssey’ franchise – but that is another story.
For now, though, this is it. See you all soon!